Mapping Keats’s Progress: 18 December 1795: Keats is Baptized; Keats and his Religion

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Select Chronology: 1730-1815

1730: John Jennings born (Keats’s maternal grandfather to-be)
1736: Alice Whalley born (Keats’s maternal grandmother to-be)
1774: Alice Whalley and John Jennings marry; John leases and renovates Swan and Hoop Livery Stables in Moorfields (London); they live next door at 24 The Pavement (Row), Moorfields
Other 1774 history: William Southey born; Oliver Goldsmith dies
1775: Francis Jennings born to Alice and John Jennings
Other 1775 history: born: Jane Austen, Charles Lamb
1794: Keats’s parents to-be—Francis Jennings and Thomas Keat[e]s—marry; Thomas works at the livery
Other 1794 history: arrest of radicals in England; Robespierre executed; France invades Holland; Godwin publishes Caleb Williams; Coleridge meets Southey; Radcliffe Observatory at the University of Oxford completed; Erasmus Darwin, Zoonomia
1795: Keats born, 31 October, perhaps at the Swan and Hoop Livery Stables
Other 1795 history: France abolishes slavery; famine issues in England; laws against assemblies in England; Wordsworth regularly meets with Godwin; Hannah More publishes her Cheap Repository tracks; Coleridge marries Sara Fricker; death of James Boswell; Southey publishes Joan of Arc; Rosetta Stone discovered
1797: Keats’s brother George born, 28 February
Other 1797 history: death of Edmund Burke; birth of Mary Godwin and death of her mother, Mary Wollstonecraft; Coleridge’s second edition of Poems; Ann Radcliff’s The Italian; discovery: diamonds are made of carbon
1799: Keats’s brother Tom born, 18 Nov; the growing family moves to Craven Street, London
Other 1799 history: Wordsworth and sister, Dorothy, move to Dove Cottage, Grasmere; British government bans unions and political societies; Napoleon invades Syria, becomes First Consul; Rosetta Stone found
1801: Keats’s brother Edward born, 28 April (likely dies Dec 1802)
Other 1801 history: first census of England/Wales; General Enclosure Act; Battle of Copenhagen; ultra violent radiation discovered; first use of the pie chart; patent on first continuous paper-making machine; Lord Elgin begins to bring back to England parts of the Greek Parthenon; ultraviolet radiation discovered
1802: maternal grandparents Alice and John Jennings retire; Keats’s father and mother take over management of Swan and Hoop Livery Stables
Other 1802 history : truce (Peace of Amiens) with France (ends 1803); Letitia Landon born; first electrochemical cell; meteorites discovered to be extraterrestrial
1803: sister Fanny born, 3 June; with George, Keats boards at school in Enfield (where he had uncles attend), run by Rev. John Clarke; eventually does well at school, winning some prizes (he leaves Clarke’s academy 1811 for medical training)
Other 1803 history: truce with France ends; Hazlitt paints Wordsworth and Coleridge; uprising in Ireland; invasion by the French hangs over England
1804: Keats’s father (age 30) dies in midnight riding accident, 16 April; mother Frances hastily remarries a young bank clerk, William Rawlings, 27 June—this does not last long, and her whereabouts for a few years is not clear; children live with maternal grandparents at Ponders End
Other 1804 history: William Blake tried/acquitted for sedition; Corn Laws enacted for protectionism; Napoleon plans to invade England; Napoleon proclaims himself emperor; war declared on Spain; deaths: Joseph Priestly, Immanuel Kant; first steam locomotive built
1805: maternal grandfather John Jennings dies, leaving considerable funds; children move to Edmonton with maternal grandmother Alice Jennings
Other 1805 history: Napoleon declared King of Italy; Battle of Trafalgar, major victory for the British Royal Navy; Napoleon defeats Russian/Austrian armies; Hazlitt’s first book, An Essay on the Principles of Human Action
1806: Keats’s mother leaves Rawlings, and for a few years, her activities and whereabouts are not clear
Other 1806 history: born: Elizabeth Barrett Browning, John Stuart Mill; Napoleon defeats Prussians, wants to blockade Britain; carbon paper patented
1809: Keats’s mother ill and she returns to her mother’s home; Keats devoted to her care
Other 1809 history: Byron, English Bards and Scotch Reviewers; William Blake exhibits paintigs; Napoleon arrests the Pope; born: Charles Darwin, Edgar Allan Poe; deaths: Haydn and Thomas Paine
1810: Keats’s mother Frances dies of tuberculosis, March; guardians Abbey and Sandall appointed for the Keats children, July (Sandall passes away 1816)
Other 1810 history: Walter Scott publishes The Lady of the Lake; born: Frédéric François Chopin, Robert Schumann, Elizabeth Gaskell; Mary Tighe dies
1811: Keats leaves Clarke’s Enfield school; works on prose translation of Virgil’s The Aeneid; takes up apothecary apprenticeship, Edmonton, with Thomas Hammond, initially for five years, but cut short, perhaps out of difficulties with Hammond
Other 1811 history: Shelley expelled from Oxford; Lord Elgin wants to sell the Elgin Marbles to the British Government; established: the National Society for Promoting the Education of the Poor in the Principles of the Established Church in England and Wales; Prince of Wales declared Regent after George III declared incompetent; Luddite uprisings; Jane Austen, Sense and Sensibility; Leigh Hunt, The Feast of the Poets; Mary Tighe, Psyche; the Great Comet discovered; Mexican wars of independence; born: Liszt and Thackeray
1812: Dickens and Browning born; Byron gives speech in the House of Lords and publishes Childe Harold I and II; Colerdidge lectures on Shakespeare; Napoleon declares war on Russia; America declares war on Britian; Percy Shelley meets Mary Godwin; Anna Laetitia Barbauld publishes Eighteen Hundred and Eleven: A Poem and is upbraided by reviewers
1813: Leigh Hunt sentenced for two years for slandering Prince Regent; Jane Austen publishes Pride and Prejudice; Percy Shelley publishes Queen Mab; William Southey becomes Poet Laureate; Kierkegaard and Wagner born
1814-1816: Keats trains at Guy’s and St. Thomas’ hospitals, and though association and some training extends this into 1817
1814: Keats’s maternal grandmother, Alice Jennings, dies; first evidence of Keats writing poetry, perhaps spurred by reading Spenser with Charles Cowden Clarke (son of Rev. John Clarke); notable poems: Imitation of Spenser and On Peace; poem: Keats writes poem expressing his feeling, As from the darkening gloom a silver dove; poem: To Lord Byron
Other 1814 history: Napoleon exiled to Elba; Byron publishes instant hit, The Corsair; Cary’s translation of Dante’s Divine Comedy; Edmund Kean makes his debut; Wordsworth publishes The Excursion; Percy Shelley elopes to Europe with Mary Wollstonecraft Godwin; some gas lighting in London; first correct scientific explanation of dew
1815: Keats begins to write more poetry; poem: Written on the Day That Mr. Hunt Left Prison; February; poem: Ode to Apollo; other poems: Give me women, wine, and snuff, To George Felton Mathew, Oh Chatterton, To Hope, To Some Ladies; Keats buys Wordsworth’s 2-volume collection of poems; registers to become student at Guy’s Hospital, October; as medical student, lives at 28 St Thomas’s Street, London, October, with other medical students; begins to write poetry about wanting to write enduring poetry; Apothecaries Act prohibits unlicensed medical practice in the United Kingdom (after going to Margate Aug-Sept 1816, Keats moves from St Thomas’s Street to 8 Dean Street, Southwark, Sept 1816)
Other 1815 history: Byron marries Annabella Milbanke; Leigh Hunt released from jail; Napoleon escapes from Elba; Napoleon defeated at Waterloo; restrictive Corn Laws; massive eruption of Mount Tambora; Jane Austen’s Emma published anonymously (dated 1816); Byron and Walter Scott meet

9 October 1794: Marriage of Keats’s Parents

31 October 1795: Keats is Born into a Growing, Successful Family

18 December 1795: Keats is Baptized; Keats and his Religion

St. Botolph’s Church, Bishopsgate, London

true — Click the map to see a larger version.

St Botolph-without-Bishopsgate: Where Keats is baptized, 18 December 1795; his sister, Fanny, is also baptized there, 17 June 1803.

Baptism record of John Keats, 18 December 1795, showing his date of birth, Oct.
31. Image courtesy of Keats House, City of London Corporation (K/PH/13/018). Click to
enlarge. — Baptism record of John Keats, 18 December 1795, showing his date of birth, Oct. 31. Image courtesy of Keats House, City of London Corporation (K/PH/13/018). Click to enlarge.

It appears the Keats’s maternal family-of-origin were not strongly connected to mainstream, organized religion; if anything, they held dissenting sympathies. Keats’s personal views about conventional Christianity hedged toward viewing it as misguided superstition at best and purely fraudulent at worst. This does not stop Keats from employing religious imagery or a religious lexicon in his some of his poetry; after all, such language—carried by words like soul, divine, holy, heaven, sacred, spirit, faith, joy, and rejoice—is a pervasive and naturalized part of his cultural legacy, and, when used, carry potent, suggestive resonance. What notions Keats did hold about the soul and the afterlife were hardly in accordance with prevailing, doctrinal teachings. Keats might be said to be religious (inasmuch as he entertains ideas about the deep mystery of life and some version of an afterlife), but at the same time, his strong skeptical nature turns him toward seeing religion a form of myth-making.

For Keats, the very human, sensual realm is the domain of divination, and, in the end, as he privileges the imagination rather than faith as a way of knowing and truth-seeking, he sees poetry as a means to engage and represent this experience. In short, for Keats, the higher reality is already here, within the realm of the human and in what he called earthly things; human suffering is not some consolation for intimating the everlasting, but part of the measure through which we profoundly experience the meaning of human life. When Keats for moments moves beyond his deep scepticism, he turns to the idea that devotion and sacrifice is to be connected to a principle of beauty, which, paradoxically, springs from passing human consciousness into eternity. In the end, his poetic progress will be an attempt to create such ever-enduring forms. Thus, for example, he will poetically construct eternities from a stilled yet moving season, a fading nightingale’s song, a beautiful but unknowable urn, the feeling of unresolved love, and moments caught between warm dreams and cold reality.

From baptism to death: As Keats knowingly approaches his end, with his body uttertly racked by tuberculosis, he writes to closest friend, Charles Brown: Is there another Life? Shall I awake and find all this a dream. There must be[.] We cannot be created for this kind of suffering (30 Sept 1820).

A history of the church

The font at St. Botolph’s Church in which Keats is baptized

A history of the church

Imitation of Spenser

Now Morning from her orient chamber came,
And her first footsteps touch’d a verdant hill;
Crowning its lawny crest with amber flame,
Silv’ring the untainted gushes of its rill;
Which, pure from mossy beds, did down distill,
And after parting beds of simple flowers,
By many streams a little lake did fill,
Which round its marge reflected woven bowers,
And, in its middle space, a sky that never lowers.

There the king-fisher saw his plumage bright
Vieing with fish of brilliant dye below;
Whose silken fins, and golden scales light
Cast upward, through the waves, a ruby glow:
There saw the swan his neck of arched snow,
And oar’d himself along with majesty;
Sparkled his jetty eyes; his feet did show
Beneath the waves like Afric’s ebony,
And on his back a fay reclined voluptuously.

Ah! could I tell the wonders of an isle
That in that fairest lake had placed been,
I could e’en Dido of her grief beguile;
Or rob from aged Lear his bitter teen:
For sure so fair a place was never seen,
Of all that ever charm’d romantic eye:
It seem’d an emerald in the silver sheen
Of the bright waters; or as when on high,
Through clouds of fleecy white, laughs the coerulean sky.

And all around it dipp’d luxuriously
Slopings of verdure through the glassy tide,
Which, as it were in gentle amity,
Rippled delighted up the flowery side;
As if to glean the ruddy tears, it tried,
Which fell profusely from the rose-tree stem!
Haply it was the workings of its pride,
In strife to throw upon the shore a gem
Outvieing all the buds in Flora’s diadem.

On Peace

O Peace! and dost thou with thy presence bless
The dwellings of this war-surrounded isle;
Soothing with placid brow our late distress,
Making the triple kingdom brightly smile?
Joyful I hail thy presence; and I hail
The sweet companions that await on thee;
Complete my joy — let not my first wish fail,
Let the sweet mountain nymph thy favourite be,
With England’s happiness proclaim Europa’s liberty.
O Europe! let not sceptred tyrants see
That thou must shelter in thy former state;
Keep thy chains burst, and boldly say thou art free;
Give thy kings law — leave not uncurbed the great;
So with the horrors past thou’lt win thy happier fate!

As from the darkening gloom a silver dove

As from the darkening gloom a silver dove
Upsoars, and darts into the eastern light,
On pinions that nought moves but pure delight;
So fled thy soul into the realms above,
Regions of peace and everlasting love;
Where happy spirits, crown’d with circlets bright
Of starry beam, and gloriously bedight,
Taste the high joy none but the blest can prove.
There thou or joinest the immortal quire
In melodies that even heaven fair
Fill with superior bliss, or, at desire
Of the omnipotent Father, cleavest the air,
On holy message sent. — What pleasures higher?
Wherefore does any grief our joy impair?

To Lord Byron

Byron, how sweetly sad thy melody!
Attuning still the soul to tenderness,
As if soft Pity, with unusual stress
Had touch’d her plaintive lute; and thou, being by,
Hadst caught the tones, nor suffer’d them to die.
O’ershading sorrow doth not make thee less
Delightful: thou thy griefs dost dress
With a bright halo, shining beamily;
As when a cloud the golden moon doth veil,
Its sides are ting’d with a resplendent glow,
Through the dark robe oft amber rays prevail,
And like fair veins in sable marble flow.
Still warble, dying swan, —still tell the tale,
The enchanting tale —the tale of pleasing woe.

Written on the Day That Mr. Leigh Hunt Left Prison

What though, for showing truth to flatter’d state,
Kind Hunt was shut in prison, yet has he,
In his immortal spirit, been as free
As the sky-searching lark, and as elate.
Minion of grandeur! think you he did wait?
Think you he nought but prison walls did see,
Till, so unwilling, thou unturn’dst the key?
Ah, no! far happier, nobler was his fate!
In Spenser’s halls he strayed, and bowers fair,
Culling enchanted flowers; and he flew
With daring Milton through the fields of air:
To regions of his own his genius true
Took happy flights. Who shall his fame impair
When thou art dead, and all thy wretched crew?

Ode to Apollo

In thy western halls of gold
When thou sittest in thy state,
Bards, that erst sublimely told
Heroic deeds, and sang of fate,
With fervour seize their adamantine lyres,
Whose chords are solid rays, and twinkle radiant fires.

There Homer with his nervous arms
Strikes the twanging harp of war,
And even the western splendour warms,
While the trumpets sound afar;
But, what creates the most intense surprise,
His soul looks out through renovated eyes.

Then, through thy temple wide, melodious swells
The sweet majestic tone of Maro’s lyre;
The soul delighted on each accent dwells, —
Enraptured dwells, — not daring to respire,
The while he tells of grief around a funeral pyre.

’Tis awful silence then again:
Expectant stand the spheres;
Breathless the laurell’d peers,
Nor move, till ends the lofty strain,
Nor move till Milton’s tuneful thunders cease,
And leave once more the ravish’d heavens in peace.

Thou biddest Shakspeare wave his hand,
And quickly forward spring
The Passions — a terrific band —
And each vibrates the string
That with its tyrant temper best accords,
While from their master’s lips pour forth the inspiring words.

A silver trumpet Spenser blows,
And, as its martial notes to silence flee,
From a virgin chorus flows
A hymn in praise of spotless chastity.
’Tis still! wild warblings from the Aeolian lyre
Enchantment softly breathe, and tremblingly expire.

Next thy Tasso’s ardent numbers
Float along the pleased air,
Calling youth from idle slumbers,
Rousing them from pleasure’s lair: —
Then o’er the strings his fingers gently move,
And melt the soul to pity and to love.

But when thou joinest with the Nine,
And all the powers of song combine,
We listen here on earth:
The dying tones that fill the air,
And charm the ear of evening fair,
From thee, great God of Bards, receive their heavenly birth.

Give me women, wine, and snuff

Give me women, wine and snuff
You may do so sans objection
Till the day of resurrection;
For bless my beard they aye shall be
My beloved trinity.

To George Felton Mathew

Sweet are the pleasures that to verse belong,
And doubly sweet a brotherhood in song;
Nor can remembrance, Mathew! bring to view
A fate more pleasing, a delight more true
Than that in which the brother Poets joy’d,
Who with combined powers, their wit employ’d
To raise a trophy to the drama’s muses.
The thought of this great partnership diffuses
Over the genius loving heart, a feeling
Of all that’s high, and great, and good, and healing.

Too partial friend! fain would I follow thee
Past each horizon of fine poesy;
Fain would I echo back each pleasant note
As o’er Sicilian seas, clear anthems float
’Mong the light skimming gondolas far parted,
Just when the sun his farewell beam has darted:
But ’tis impossible; far different cares
Beckon me sternly from soft “Lydian airs,”
And hold my faculties so long in thrall,
That I am oft in doubt whether at all
I shall again see Phoebus in the morning:
Or flush’d Aurora in the roseate dawning!
Or a white Naiad in a rippling stream;
Or a rapt seraph in a moonlight beam;
Or again witness what with thee I’ve seen,
The dew by fairy feet swept from the green,
After a night of some quaint jubilee
Which every elf and fay had come to see:
When bright processions took their airy march
Beneath the curved moon’s triumphal arch.

But might I now each passing moment give
To the coy muse, with me she would not live
In this dark city, nor would condescend
’Mid contradictions her delights to lend.
Should e’er the fine-eyed maid to me be kind,
Ah! surely it must be whene’er I find
Some flowery spot, sequester’d, wild, romantic,
That often must have seen a poet frantic;
Where oaks, that erst the Druid knew, are growing,
And flowers, the glory of one day, are blowing;
Where the dark-leav’d laburnum’s drooping clusters
Reflect athwart the stream their yellow lustres,
And intertwined the cassia’s arms unite,
With its own drooping buds, but very white;
Where on one side are covert branches hung,
’Mong which the nightingales have always sung
In leafy quiet: where to pry, aloof,
Atween the pillars of the sylvan roof,
Would be to find where violet beds were nestling,
And where the bee with cowslip bells was wrestling.
There must be too a ruin dark, and gloomy,
To say “joy not too much in all that’s bloomy.”

Yet this is vain — O Mathew lend thy aid
To find a place where I may greet the maid —
Where we may soft humanity put on,
And sit, and rhyme and think on Chatterton;
And that warm-hearted Shakespeare sent to meet him
Four laurell’d spirits, heaven-ward to intreat him.
With reverence would we speak of all the sages
Who have left streaks of light athwart their ages:
And thou shouldst moralize on Milton’s blindness,
And mourn the fearful dearth of human kindness
To those who strove with the bright golden wing
Of genius, to flap away each sting
Thrown by the pitiless world. We next could tell
Of those who in the cause of freedom fell;
Of our own Alfred, of Helvetian Tell;
Of him whose name to ev’ry heart’s a solace,
High-minded and unbending William Wallace.
While to the rugged north our musing turns
We well might drop a tear for him, and Burns.

Felton! without incitements such as these,
How vain for me the niggard muse to tease:
For thee, she will thy every dwelling grace,
And make “a sun-shine in a shady place”:
For thou wast once a flowret blooming wild,
Close to the source, bright, pure, and undefil’d,
Whence gush the streams of song: in happy hour
Came chaste Diana from her shady bower,
Just as the sun was from the east uprising;
And, as for him some gift she was devising,
Beheld thee, pluck’d thee, cast thee in the stream
To meet her glorious brother’s greeting beam.
I marvel much that thou hast never told
How, from a flower, into a fish of gold
Apollo chang’d thee; how thou next didst seem
A black-eyed swan upon the widening stream;
And when thou first didst in that mirror trace
The placid features of a human face:
That thou hast never told thy travels strange,
And all the wonders of the mazy range
O’er pebbly crystal, and o’er golden sands;
Kissing thy daily food from Naiad’s pearly hands.

November, 1815

Oh Chatterton! how very sad thy fate

O Chatterton! how very sad thy fate!
Dear child of sorrow — son of misery!
How soon the film of death obscur’d that eye,
Whence genius wildly flash’d, and high debate.
How soon that voice, majestic and elate,
Melted in dying numbers! Oh! how nigh
Was night to thy fair morning. Thou didst die
A half-blown flow’ret which cold blasts amate.
But this is past. Thou art among the stars
Of highest heaven; to the rolling spheres
Thou sweetly singest —naught thy hymning mars,
Above the ingrate world and human fears.
On earth the good man base detraction bars
From thy fair name, and waters it with tears.

To Hope

When by my solitary hearth I sit,
And hateful thoughts enwrap my soul in gloom;
When no fair dreams before my “ mind’s eye ” flit,
And the bare heath of life presents no bloom;
Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o’er my head.

Whene’er I wander, at the fall of night,
Where woven boughs shut out the moon’s bright ray,
Should sad Despondency my musings fright,
And frown, to drive fair Cheerfulness away,
Peep with the moon-beams through the leafy roof,
And keep that fiend Despondence far aloof.

Should Disappointment, parent of Despair,
Strive for her son to seize my careless heart;
When, like a cloud, he sits upon the air,
Preparing on his spell-bound prey to dart:
Chace him away, sweet Hope, with visage bright,
And fright him as the morning frightens night!

Whene’er the fate of those I hold most dear
Tells to my fearful breast a tale of sorrow,
O bright-eyed Hope, my morbid fancy cheer;
Let me awhile thy sweetest comforts borrow:
Thy heaven-born radiance around me shed,
And wave thy silver pinions o’er my head!

Should e’er unhappy love my bosom pain,
From cruel parents, or relentless fair;
O let me think it is not quite in vain
To sigh out sonnets to the midnight air!
Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o’er my head!

In the long vista of the years to roll,
Let me not see our country’s honour fade:
O let me see our land retain her soul,
Her pride, her freedom; and not freedom’s shade.
From thy bright eyes unusual brightness shed —
Beneath thy pinions canopy my head!

Let me not see the patriot’s high bequest,
Great Liberty! how great in plain attire!
With the base purple of a court oppress’d,
Bowing her head, and ready to expire:
But let me see thee stoop from heaven on wings
That fill the skies with silver glitterings!

And as, in sparkling majesty, a star
Gilds the bright summit of some gloomy cloud;
Brightening the half veil’d face of heaven afar:
So, when dark thoughts my boding spirit shroud,
Sweet Hope, celestial influence round me shed,
Waving thy silver pinions o’er my head.

To Some Ladies

What though while the wonders of nature exploring,
I cannot your light, mazy footsteps attend;
Nor listen to accents that, almost adoring,
Bless Cynthia’s face, the enthusiast’s friend:

Yet over the steep, whence the mountain stream rushes,
With you, kindest friends, in idea I muse;
Mark the clear tumbling crystal, its passionate gushes,
Its spray that the wild flower kindly bedews.

Why linger you so, the wild labyrinth strolling?
Why breathless, unable your bliss to declare?
Ah! you list to the nightingale’s tender condoling,
Responsive to sylphs, in the moon beamy air.

’Tis morn, and the flowers with dew are yet drooping,
I see you are treading the verge of the sea:
And now! ah, I see it — you just now are stooping
To pick up the keep-sake intended for me.

If a cherub, on pinions of silver descending,
Had brought me a gem from the fret-work of heaven;
And, smiles with his star-cheering voice sweetly blending,
The blessings of Tighe had melodiously given;

It had not created a warmer emotion
Than the present, fair nymphs, I was blest with from you,
Than the shell, from the bright golden sands of the ocean
Which the emerald waves at your feet gladly threw.

For, indeed, ’tis a sweet and peculiar pleasure,
(And blissful is he who such happiness finds,)
To possess but a span in the hour of leisure,
In elegant, pure, and aerial minds.

Mapping Keats’s Progress
A Critical Chronology

Select Chronology: 1730-1815

9 October 1794: Marriage of Keats’s Parents

31 October 1795: Keats is Born into a Growing, Successful Family

18 December 1795: Keats is Baptized; Keats and his Religion

St. Botolph’s Church, Bishopsgate, London

Imitation of Spenser

On Peace

As from the darkening gloom a silver dove

To Lord Byron

Written on the Day That Mr. Leigh Hunt Left Prison

Ode to Apollo

Give me women, wine, and snuff

To George Felton Mathew

Oh Chatterton! how very sad thy fate

To Hope

To Some Ladies

MLA Style: Works Cited

Chicago Style: Note

Chicago Style: Bibliography

Mapping Keats’s ProgressA Critical Chronology

Select Chronology: 1730-1815

9 October 1794: Marriage of Keats’s Parents

31 October 1795: Keats is Born into a Growing, Successful Family

18 December 1795: Keats is Baptized; Keats and his Religion

St. Botolph’s Church, Bishopsgate, London

Imitation of Spenser

On Peace

As from the darkening gloom a silver dove

To Lord Byron

Written on the Day That Mr. Leigh Hunt Left Prison

Ode to Apollo

Give me women, wine, and snuff

To George Felton Mathew

Oh Chatterton! how very sad thy fate

To Hope

To Some Ladies

MLA Style: Works Cited

Chicago Style: Note

Chicago Style: Bibliography

Mapping Keats’s Progress
A Critical Chronology