Mapping Keats’s Progress: A Critical Chronology

Mapping Keats’s Progress
A Critical Chronology

☰

References to this poem

On Fame (How fever’d is the man)

How fever’d is the man, who cannot look
Upon his mortal days with temperate blood,
Who vexes all the leaves of his life’s book,
And robs his fair name of its maidenhood;
It is as if the rose should pluck herself,
Or the ripe plum finger its misty bloom,
As if a Naiad, like a meddling elf,
Should darken her pure grot with muddy gloom
But the rose leaves herself upon the briar,
For winds to kiss and grateful bees to feed,
And the ripe plum still wears its dim attire,
The undisturbed lake has crystal space;
Why then should man, teasing the world for grace,
Spoil his salvation for a fierce miscreed?

🗙 Cite this page:

MLA Style: Works Cited

Keats, John. “On Fame (How fever’d is the man).” Mapping Keats’s Progress: A Critical Chronology, by G. Kim Blank. Edition 3.8 , University of Victoria, 18 January 2021. https://johnkeats.uvic.ca/poem_on_fame_how_fevered_is_the.html.

Chicago Style: Note

John Keats, “On Fame (How fever’d is the man),” Mapping Keats’s Progress: A Critical Chronology, Edition 3.8 , last modified 18th January 2021. https://johnkeats.uvic.ca/poem_on_fame_how_fevered_is_the.html.

Chicago Style: Bibliography

Keats, John. “On Fame (How fever’d is the man).” Mapping Keats’s Progress: A Critical Chronology, Edition 3.8 , last modified 18th January 2021. https://johnkeats.uvic.ca/poem_on_fame_how_fevered_is_the.html.