Mapping Keats’s Progress: A Critical Chronology

Mapping Keats’s Progress
A Critical Chronology

  • Jan: younger brother Tom hemorrhages, consumption; there is nothing stable in the world; poem: Lines on Seeing a Lock of Milton’s Hair; Nothing is finer for the purposes of great productions, than a very gradual ripening of the intellectual powers; I am getting at it, with a sort of determination and strength; there is nothing stable in the world; poem: On Sitting Down to Read King Lear Again; I have seen a good deal of Wordsworth; imagines writing a drama—the playing of different Natures with Joy and Sorrow; poem: Lines on the Mermaid Tavern; wants to leave behind the sentimental cast of Endymion and write in a more naked and grecian Manner in Hyperion, though probably not begun until October; poem: When I have fears; poem: Oh blush not so!; poem: Hence burgundy, claret, and port; poem: God of the meridian
  • Jan-Feb: Keats attends a few Hazlitt’s influential lectures on English poetry
  • Jan-March: poem: revisions, corrections to Endymion [Book II, Book III, Book IV]
  • Feb-April: poem: Isabella composed
  • Feb: poems: Robin Hood; To the Nile; Time’s sea hath been; Spenser, a jealous honorer of thine; Blue! Tis the life of heaven; O thou whose face hath felt the winter’s wind; Wordsworth according to Keats: over confident and pea-cocking in his halfseeing; We hate poetry that has a palpable design upon us; Poetry should be great & unobtrusive, a things that enters into one’s soul, and does not startle it or amaze it with itself but with its subject; prefers Elizabethan poets over modern poets; I will have no more of Hunt and Wordsworth; Why should we be owls, when we could be eagles?; desire to be passive, receptive, and patient for knowledge; Wordsworth: a great Poet if not Philosopher, but egotistical, vain, bigoted; Poetry should surprise by fine excess and not by Singularity; full Poesy or distilled Prose can forever be wandered with, mused upon, reflected upon, prophesied upon, and dreamt upon; let us open our leaves like a flower and be passive and receptive; if Poetry comes not as natural as the leaves to a tree it had better not come at all; poem: Endymion: a Pioneer poem to forget about and proceed from; thank God I can read and perhaps understand Shakespeare to his depths
  • March-May: leaves for Teignmouth, 4 March, and returns to Hampstead at the end of the first week of May; with brother Tom; Tom spitting blood
  • March: nothing is this world is provable; scenery is fine—but human nature finer; I care not to be in the right; I shall never be a Reasoner because I care not to be in the right; poem: Endymion: I want to forget it and make my mind free for something new; Oh! for a day and all well! When I die I’ll have my Shakespeare placed on my heart…; Tom’s condition worsens, though it improves somewhat in early April; poems: Where be ye going, you Devon maid; For there’s Bishop’s Teign; Over the hill and over the dale; Dear Reynolds, as I last night lay in bed; writes a first draft for a preface to Endymion that is turned down by his publisher
  • April: plans for a northern walking tour—what he calls his pedestrian tour: the trip will make a sort of Prologue to the Life I intend to pursue—that is to write, to study and to see all Europe at the lowest expense. I will clamber through the Clouds and exist. I will get such an accumulation of stupendous recollections that as I walk through the suburbs of London I may not see them; writes a second draft to preface Endymion; I never wrote one single Line of Poetry with the least Shadow of public thought; his only feeling of humility is to the eternal Being, the Principle of Beauty—and the Memory of Great Men; I hate a Mawkish Popularity; feels he needs to escape disquisitions on Poetry; I find cavalier days are gone by. I find that I can have no enjoyment in the world but continual drinking in of knowledge […] the road lies through application and study; I long to feast on old Homer as we have upon Shakespeare and as I have lately upon Milton; Endymion published; Tom is quite low spirited
  • May: leaves Teignmouth to return London; Tom has spit a little blood this afternoon; I have been in so an uneasy state of Mind as not to be fit to write to an invalid; when the Mind is in its infancy a Bias is in reality a Bias, but when we have acquired more strength, a Bias becomes no Bias; axioms in philosophy are not axioms until they are proved upon our pulses; knowledge widens speculation to ease the Burden of the Mystery; life: a large Mansion of Many Apartments; Wordsworth’s genius and depth: exploring life’s dark passages; Wordsworth deemed deeper than Milton; sorrow is wisdom; the World is full of Misery and Heartbreak, Pain, Sickness and oppression; I am now so depressed that I have not an idea to put to paper; judged by Blackwood’s as an infatuated bardling under Hunt’s sway; brother George marries Georgiana (?28 May)
  • June-Aug: worried about his own and Tom’s health, but, with Brown, begins walking tour of northern England into Scotland; takes 3 vols of Dante with him; poems written during the tour include Give me your patience; Sweet, sweet is the greeting of eyes; Old Meg she was a gipsey; There was a naughty boy; Ah, ken ye; To Ailsa Rock; This mortal body; All gentle folks; Of late two dainties; There is a joy; Not Aladdin magian; Read me a lesson, Muse; Upon my life, Sir Nevis
  • June: Endymion is fully mocked in The British Critic; Life must be undergone, and I certainly derive a consolation from the thought of writing one or two more Poems before it ceases; brother George and wife sail to America; the beginning of his northern expedition with Charles Brown, 26-29 June: Keats visits Lake District, including Kendal, Ambleside, Rydal, and Keswick: a mass of beauty to be harvested in his poetry; I shall learn poetry here and shall henceforth write more than ever, for the abstract endeavor of being able to add a mite to that mass of beauty which is harvested from the materials, by the finest spirits, and put into the ethereal existence for the relish of one’s fellows. […] I live in the eye; and my imagination, surpassed, is at rest; the countenance of the Lake District scenery challenges Keats’s imagination; unfading aspects of the scenery make one forget the divisions of life;
  • July: into Scotland (and briefly to Belfast, Ireland, 7-8th); Robert Burn’s misery (a dead weight) and greatness contemplated; contemplating poverty: We live in a barbarous age; poem: On Visiting the Tomb of Burns; the Scotch: they never laugh; I carry all matters to an extreme […] I have so little selfpossession; his hope was that tramping in the highlands would strengthen more my reach in Poetry, than would stopping home among Books; on my return I shall begin studying hard
  • July-Sept: sore throat develops; says he need to be more careful of my health than I have been
  • Aug: scales Ben Nevis (2 Aug): mists, crags, chasms, cloud-veils; northern tour cut short because of illness—sore throat and fever; 18 Aug: back at Wentworth Place; Endymion reviewed: called drivelling idiocy influenced by Hunt
  • Aug-Dec: Tom extremely ill, Keats cares for him; Keats is himself not well for some of the time, suffering from anxiety, fever, and bad throat issues
  • Sept: Endymion reviewed: deemed gratuitous nonsense influenced by Hunt; the fame of poetry haunts and disturbs him, and he plunges into writing to ease thoughts of Tom’s suffering: This morning poetry has conquered—I have relapsed into those abstractions which are my only life—I feel escaped from a new strange and threatening sorrow. And I am thankful for it; I am obliged to write; feels in a funk; fears going out on damp nights
  • Sept-Oct[?]: Hyperion begun, gives up on May 1819; meets Fanny Brawne, probably September
  • Oct: [quoted 8 Oct. but written in the spring: I hope Apollo is not angered at my having made a Mockery at him at Hunt’s]; love of beauty in the abstract makes [a man] a severe critic on his own Works; I will write independently.—I have written independently without Judgment—I may write independently & with judgment hereafter. The Genius of Poetry must work out its own salvation in a man […] That which is creative must create itself; I would sooner fail [in writing Endymion] than not be among the greatest; about Endymion: slipshod, and I was never afraid of failure [Book I, Book II, Book III, Book IV]; Tom reported as getting weaker every day and I am not able to leave him for more than a few hours; Tom looks upon Keats as his only comfort; Poor Tom
  • Oct cont’d: I think I shall be among the English Poets after my death; We have no Milton; I have too many interruptions to a train of feeling to be able to write poetry; The mighty abstract Idea I have of Beauty […]; As my imagination strengthens, [I feel] I do not live in this world alone but in a thousand worlds […] shapes of epic greatness are stationed around me; Endymion: a necessary risk; likens the Poetical character as the camelion Poet; Keats defines his Poetic character against the Wordsworthian or egotistical sublime; brief encounter with Isabella Jones; I hope I shall never marry . . . my solitude is sublime; the yearning Passion I have for the beautiful; The only thing that can ever effect me personally for more than one short passing day, is any doubt about my powers for poetry—I seldom have any, and I look with hope to the nighing time when I shall have none; The faint conceptions I have of poems to come brings the blood frequently into my forehead; I will assay to reach to as high a summit in Poetry as the nerve bestowed upon me will suffer. The faint conceptions I have of Poems to come brings the blood frequently into my forehead; I do not live in this world alone but in a thousand worlds
  • Dec: brother Tom dies of consumption (1 Dec); Keats moves to Wentworth Place, Hampstead, with Brown; The last days of poor Tom were of the most distressing nature; about Fanny Brawne: beautiful and elegant, graceful, silly, fashionable, and strange; about Hunt: pleasant […] but in reality he is vain, egotistical and disgusting in matters of taste and in morals; my pen seems to have grown too goutty for verse
  • Dec cont’d: Never relieved except when I am composing—so I will write away; I have a new leaf to turn over—I must work—I must read—I must write; I feel in myself all the vices of a Poet, irritability love of effect and admiration; I wish to avoid publishing; comes to some kind of understanding with Fanny Brawne; I am certainly more for greartness in a Shade than in the open day; I never can feel certain of any truth but from a clear perception of its Beauty; sore throat
  • 1818: habeas corpus restored (suspended 1817); UK and Netherlands sign anti-slave convention; Mary Shelley’s Frankenstein published (anonymously); Percy Shelley publishes The Revolt of Islam; Lord Byron completes 4th (and final) canto of Childe Harold’s Pilgrimage and begins Don Juan; Hazlitt’s Lectures on the English Poets ; Peacock’s Nightmare Abbey; in London, the first ever blood transfusion; a select committee finds contagious fever in London to be prevalent; Karl Marx, Emily Bronte, Frederick Douglass, and Ivan Turgenev born; death of Matthew Monk Lewis: border between US and Canada established; first modern use of rubber as a covering

6 March 1818: Endymion: A Trial of Perseverance; or, Mistakes are Opportunities for Learning; To Teignmouth; the Keats/Hunt Relationship

Exeter to Teignmouth

Click the map to see a larger versiontrue
Click the map to see a larger version

Via Exeter, and running into a severe storm that hinders travel, Keats leaves for Teignmouth from London on 4 March. Keats apparently travels on the outside of the coach, which would have been cheaper seating but, in bad weather, very nasty. Keats gets to Exeter on 6 March.

Keats, aged 22, is on his way to visit his brother, Tom, aged 18, who is quite ill with consumption. Keats is in a way relieving his other younger brother, George, who has been taking care of Tom. Keats also hopes to get some work done as well as enjoy the countryside. Sadly, Tom has become a huge burden, both for Keats and George. This only increases over the coming months. Before the end of the year, on 1 December, with Keats beside him and George in America, Tom passes away, aged 19. Keats stays at Teignmouth for just under two months, and he is back in Hampstead by about the end of the first week of May.

By the middle of March, Keats has copied out the fourth and final book of his long poem, Endymion, which he began in April 1817. He sees the poem as a test or trial of his inventive and imaginative powers; as an exercise of perseverance he felt, at least initially, it might prove his dedication to poetry and earn him the title of poet. After compling the poem, his enthusiasm for the project slumps, though he wants to believe that even failure represents some kind of progress. Before even arriving at Teignmouth, Keats’s desire to move forward is very clear: I am anxious to get Endymion printed that I may forget it and proceed (27 Feb 1818). This is terrific self-advice. And how deliberate it sounds!

Coaches Leaving London
Coaches Leaving London

Keats submits a corrected, final draft of Endymion for his publishers (Taylor & Hessey) by 14 March. He struggles with a preface for the poem: awkwardly pressured by his publishers and a friend (John Hamilton Reynolds), he revises the preface. Nevertheless, in its admission of great faults and immaturity, the final version opens Keats and his poem up to public criticism from some quarters of the divisive Regency culture wars, which boiled down to politics and class. Endymion, Keats declares in the preface, is a feverish attempt, rather than a deed accomplished. He is right, and he’s not being coy. At one point, Keats at a fairly impressive dinner party suggests to an acquaintance—Joseph Richie, who is about to go off to explore Africa—that he take Endymion with him and toss it into the middle of the Sahara desert, presumably to be lost forever, covered by the sands of time.

Because of Endymion’s advertised shortcomings of its sandy foundations and Keats’s obvious association with a certain kind of poetry revolving around Leigh Hunt (the poetry of fancy and sociability, of occasion and suburbanized recreation), it is clear that Keats increasingly desires to carve out his own independent position, especially relative to what he feels is Hunt’s inflated sense of his own poetic accomplishment (to Haydon, 21 March). Keats has already confessed to one of his publishers, John Taylor, that Endymion is a Pioneer of sorts, that his new poetical Axioms will be that poetry display fine excess, implying that the Huntian model luxuriates too much in its excesses. As he progresses, Keats aims for a tone and style that will appear content, emerge naturally, and assume a sober, stilled, and yet intense hold over both the subject and the reader—all the things, that is, that most of Endymion does not do (27 Feb 1818); it remains a poem riddled by pushy, incongruous rhymes and muddled in meandering plot—at best, for the reader, it represents diversionary pleasantries worthy of a bit of wandering.

Although Keats’s long, imperfect poem begins with a perfect line that perfectly captures his developing poetic credo—A thing of beauty is a joy forever—and although the opening passage fluently expresses how lasting beauty in nature and literature can counter and lift the pall / From our dark spirits, the bulk of the poem is aesthetically unconvincing. It is, in short, hardly a joy forever—though the poem seems to go on forever—and Keats knows this. As mentioned, in the poem’s preface, Keats is a good-enough and honest-enough critic to rightly point to its sandy foundations and its mawkish, thick-sighted ambitions. Because of its bulk and because it is narrative driven, it is even more random and ineffectual than, say, his earlier longish I stood tip-toe; but, as in the tip-toe poem, there is little to block those jingling couplets or jam over-employed enjambment. At least in the earlier poem, the young poet seems to be having a little fun in haphazardly pointing to all the flora and fauna, and in imagining the wonderful human sources of mythology. But the poem’s slapdash direction and purpose can be represented by an almost laughable line: after noting laburnum, wildbriar, violets, a youngling tree (ouch!), a streamlet’s rushy banks (double ouch!), blue bells, woodbine, sweet peas, skittish minnows, goldfinches, as well the imagined presence of an alluring, auburn-haired, nimble-toed maiden, Keats writes, What next? (29-106). Indeed! Endymion, by comparison, reads more like a job carried with a determined rather than inspired sub-text: How do I keep this poem going?

Just some seven or so years after Keats’s death, in his essay on Keats in Lord Byron and some of his Contemporaries, Hunt himself comments fairly harshly, but with some critical insight, on the untamed stylistic and tonal misreckonings of Endymion. The poem, Hunt writes, is not a little calculated to perplex the critics. It was a wilderness of sweets, but it was truly a wilderness; a domain of young, luxuriant, uncompromising poetry. Besides its unpruned luxuriance, Hunt at length specifically points to the willfulness of its rhymes. The author had a just contempt for the monotonous termination of every-day couplets; he broke up his lines in order to distribute the rhyme properly; but going only upon the ground of his contempt, and not having yet settled with himself any principle of versification, the very exuberance of his ideas led him to make use of the first rhymes that offered; so that, by a new meeting of extremes, the effect was as artificial, and much more obtrusive than the one under the old system. Dryden modestly confessed, that a rhyme had often helped him to a thought. Mr. Keats, in the tyranny of his wealth, forced his rhymes to help him, whether they would or not; and they obeyed him, in the most singular manner, with equal promptitude and ungainness. Rhyme, it seems, trumps reason; sound forces sense; the artificial overrides the art. So says Hunt.

There is some ironic complexity in Hunt’s above commentary, given that his own poetry often falls into these characteristics, and Keats, at least initially, follows them. This dates at least as far back as Hunt’s controversial 1816 long poem, The Story of Rimini, which, too often and often awkwardly, moves between the transgressive and the decorative, with some dips into pathos despite its modern idiom; the dramatic and the descriptive are sometimes jumbled, with the latter often interrupting the former; and like Keats’s long romance, it too reads like an exercise in endurance. However, some criticism also points to the methodless style of Hunt’s poem, to its lax and lawless versification (The British Critic, and London Critical Journal for May 1816); a few years later, in the August 1818 issues of Blackwood’s Edinburgh Magazine, Keats in Endymion will be accused of adopting the loose, nerveless versification of Hunt’s Rimini. These two echoing charges—lax and lawless versification, loose, nerveless versification—pretty well summarize Hunt’s criticism of Endymion. Thus we are presented with a strangely recursive chronology: Hunt is criticized for his versification; Keats is criticized for versification that follows Hunt’s; and Hunt criticizes Keats’s versification that is much like his own. This complicating story has something else thrown into the middle of it: Hunt’s 1818 collection, Foliage, which contains a sonnet to Keats that is really about Hunt’s own superior poetic sensibilities, is privately disparaged by as Keats as being pretentious.

Hunt’s poem To John Keats as published in Foliage (1818) Click to
        enlarge.true
Hunt’s poem To John Keats as published in Foliage (1818) Click to enlarge.

And there is an added and intersecting layer of complexity, but it clarifies Keats’s progress relative to his connection to and relationship with Hunt. Back in February 1816, Hunt publishes The Story of Rimini; about a year later, Keats in March 1817 sonnet celebrates Hunt’s sweet taleOn The Story of Rimini—and how, armed with its charm, one can be steered to the delicate delights of nature. Keats earlier has already soaked up some of this sentiment and Hunt’s loose heroic couplets in early 1816 poems like Calidore and Specimen of an Induction to a Poem, which, into later 1816, are carried through into I stood tip-toe and Sleep and Poetry; and then, by April 1817, into the composition of Endymion. But, for Keats, a month or so later, in May 1817, some of the gloss has come off Hunt: Keats is worked up by Hunt’s self-delusion in thinking himself a great poet (11 May); by October 1817, with worries over having an independent voice, Keats is right to believe that Hunt’s presence will be read into Endymion (8 Oct 1817). By the end of the year, Keats shrugs at how Hunt, in his writing, unprofitably mixes egotism with opinion (21 Dec 1817). Into early 1818, after saying that we should hate poetry that has a palpable design upon us, Keats declares he will have no more of Hunt (3 Feb 1818). By mid-June 1818, Keats can claim that his public poetic identity is smothered by identification with Hunt’s poetry (18 June, to Bailey); that is true enough, and is noticed by both friend and foe. By the end of 1818, Keats lets it all out, and claims that Hunt is vain, egotistical and disgusting in matters of taste and in moral, and he goes on to strongly condemn how Hunt is harmful by making fine things petty and beautiful things hateful (17 Dec 1818).

Well, this is a potted chronology of a young poet establishing his own authority relative to another authority—knotted by personal relationship. But in the end, when Keats’s poetry has risen far beyond Endymion via his 1820 collection, and while at the same time he sinks toward the horrors of consumption mid-1820, he gathers his dignity and strength to rise above doubts about Hunt; he recognizes Hunt’s kindness and generosity, given that Hunt (himself not well) and his wife take care of Keats for more than six weeks, over June into August 1820, when Keats’s haemorrhaging is dreadfully severe. He will write to Hunt, I feel really attached to you for your many sympathies, and patience with my lunes. On Hunt’s part, his 1820 translation of Tasso’s Amyntas, A Tale of the Woods is affectionately dedicated to Keats, and suggests a connection between Keats and Tasso.

Dedication to Keats in Hunt’s 1820 Amyntas, A Tale of the Woods. Click to enlarge.true
Dedication to Keats in Hunt’s 1820 Amyntas, A Tale of the Woods. Click to enlarge.

And the larger questions in Keats’s narrative: Without Hunt and Hunt’s connections, without Hunt’s early encouragements, and without Keats’s anxiety of influence concerning Hunt’s poetry and poetics, would Keats have continued on his poetic path as we know it—would he have developed that highly sought-after original voice?

But finally, back to the versification issue from a different angle: at work on perhaps a somewhat subversive level is Keats’s deliberate use of those enjambed, unconstrained couplets, which literally sounds a challenge to the closed (end-stopped) or Augustan couplet (mainly represented by reigning champion of such poetry, Alexander Pope). And as we have seen, Hunt, too, had the same accusations thrown at him that he throws at Keats; Hunt, though, perhaps even more than Keats, was fully used that the stylistic practice—those unenclosed heroic couplets—to provocatively confront accepted poetic practice that privileges regularity, order, and those old rules that somehow reflect harmony and aesthetic grace. Thus it could be argued that Keats’s formal practice affronts—perhaps purposefully, perhaps because of aesthetic choice—some tastes that are directed by cultural and, ultimately, political principles. How dare Keats, following Hunt, question not just neoclassical tastes, but also conservative values! And no wonder some Tory reviewers will line up to condemn Keats and his too-liberal verses, to be known and condemned as the Cockney school of both poetry and politics, with Hunt nominated as the headmaster. Arguments about taste do often make their way through judgements, into beliefs, over to values, and then, into politics. What Keats at this point so purposefully subversive, or just following the more liberal fashion of versification?

Teignmouth, early nineteenth century. Click to enlarge.true
Teignmouth, early nineteenth century. Click to enlarge.
Teignmouth, early nineteenth century. Click to enlarge.true
Teignmouth, early nineteenth century. Click to enlarge.
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ENDYMION: A Poetic Romance.

[from the title page:]

“THE STRETCHED METRE OF AN ANTIQUE SONG”

[from the dedication page:]

INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

PREFACE.

[on pages vii-ix of the original text]

KNOWING within myself the manner in which this Poem has been produced, it is not without a feeling of regret that I make it public.

What manner I mean, will be quite clear to the reader, who must soon perceive great inexperience, immaturity, and every error denoting a feverish attempt, rather than a deed accomplished. The two first books, and indeed the two last, I feel sensible are not of such completion as to warrant their passing the press; nor should they if I thought a year’s castigation would do them any good;—it will not: the foundations are too sandy. It is just that this youngster should die away: a sad thought for me, if I had not some hope that while it is dwindling I may be plotting, and fitting myself for verses fit to live.

This may be speaking too presumptuously, and may deserve a punishment: but no feeling man will be forward to inflict it: he will leave me alone, with the conviction that there is not fiercer hell than the failure in a great object. This is not written with the least atom of purpose to forestall criticisms of course, but from the desire I have to conciliate men who are competent to look, and who do look with a zealous eye, to the honour of English literature.

The imagination of a boy is healthy, and the mature imagination of a man is healthy; but there is a space of life between, in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted: thence proceeds mawkishness, and all the thousand bitters which those men I speak of must necessarily taste in going over the following pages.

I hope I have not in too late a day touched the beautiful mythology of Greece and dulled its brightness: for I wish to try once more, before I bid it farewel [sic].

Teignmouth,
April 10, 1818.

ENDYMION

BOOK 1.

  • A thing of beauty is a joy for ever:
  • Its loveliness increases; it will never
  • Pass into nothingness; but still will keep
  • A bower quiet for us, and a sleep
  • Full of sweet dreams, and health, and quiet breathing.
  • Therefore, on every morrow, are we wreathing
  • A flowery band to bind us to the earth,
  • Spite of despondence, of the inhuman dearth
  • Of noble natures, of the gloomy days,
  • Of all the unhealthy and o’er-darkened ways
  • Made for our searching: yes, in spite of all,
  • Some shape of beauty moves away the pall
  • From our dark spirits. Such the sun, the moon,
  • Trees old, and young sprouting a shady boon
  • For simple sheep; and such are daffodils
  • With the green world they live in; and clear rills
  • That for themselves a cooling covert make
  • ’Gainst the hot season; the mid forest brake,
  • Rich with a sprinkling of fair musk-rose blooms:
  • And such too is the grandeur of the dooms
  • We have imagined for the mighty dead;
  • All lovely tales that we have heard or read:
  • An endless fountain of immortal drink,
  • Pouring unto us from the heaven’s brink.
  • Nor do we merely feel these essences
  • For one short hour; no, even as the trees
  • That whisper round a temple become soon
  • Dear as the temple’s self, so does the moon,
  • The passion poesy, glories infinite,
  • Haunt us till they become a cheering light
  • Unto our souls, and bound to us so fast,
  • That, whether there be shine, or gloom o’ercast,
  • They alway must be with us, or we die.
  • Therefore, ’tis with full happiness that I
  • Will trace the story of Endymion.
  • The very music of the name has gone
  • Into my being, and each pleasant scene
  • Is growing fresh before me as the green
  • Of our own vallies: so I will begin
  • Now while I cannot hear the city’s din;
  • Now while the early budders are just new,
  • And run in mazes of the youngest hue
  • About old forests; while the willow trails
  • Its delicate amber; and the dairy pails
  • Bring home increase of milk. And, as the year
  • Grows lush in juicy stalks, I’ll smoothly steer
  • My little boat, for many quiet hours,
  • With streams that deepen freshly into bowers.
  • Many and many a verse I hope to write,
  • Before the daisies, vermeil rimm’d and white,
  • Hide in deep herbage; and ere yet the bees
  • Hum about globes of clover and sweet peas,
  • I must be near the middle of my story.
  • O may no wintry season, bare and hoary,
  • See it half finished: but let autumn bold,
  • With universal tinge of sober gold,
  • Be all about me when I make an end.
  • And now at once, adventuresome, I send
  • My herald thought into a wilderness:
  • There let its trumpet blow, and quickly dress
  • My uncertain path with green, that I may speed
  • Easily onward, thorough flowers and weed.
  • Upon the sides of Latmos was outspread
  • A mighty forest; for the moist earth fed
  • So plenteously all weed-hidden roots
  • Into o’er-hanging boughs, and precious fruits.
  • And it had gloomy shades, sequestered deep,
  • Where no man went; and if from shepherd’s keep
  • A lamb strayed far a-down those inmost glens,
  • Never again saw he the happy pens
  • Whither his brethren, bleating with content,
  • Over the hills at every nightfall went.
  • Among the shepherds, ’twas believed ever,
  • That not one fleecy lamb which thus did sever
  • From the white flock, but pass’d unworried
  • By angry wolf, or pard with prying head,
  • Until it came to some unfooted plains
  • Where fed the herds of Pan: ay great his gains
  • Who thus one lamb did lose. Paths there were many,
  • Winding through palmy fern, and rushes fenny,
  • And ivy banks; all leading pleasantly
  • To a wide lawn, whence one could only see
  • Stems thronging all around between the swell
  • Of turf and slanting branches: who could tell
  • The freshness of the space of heaven above,
  • Edg’d round with dark tree tops? through which a dove
  • Would often beat its wings, and often too
  • A little cloud would move across the blue.
  • Full in the middle of this pleasantness
  • There stood a marble altar, with a tress
  • Of flowers budded newly; and the dew
  • Had taken fairy phantasies to strew
  • Daisies upon the sacred sward last eve,
  • And so the dawned light in pomp receive.
  • For ’twas the morn: Apollo’s upward fire
  • Made every eastern cloud a silvery pyre
  • Of brightness so unsullied, that therein
  • A melancholy spirit well might win
  • Oblivion, and melt out his essence fine
  • Into the winds: rain-scented eglantine
  • Gave temperate sweets to that well-wooing sun;
  • The lark was lost in him; cold springs had run
  • To warm their chilliest bubbles in the grass;
  • Man’s voice was on the mountains; and the mass
  • Of nature’s lives and wonders puls’d tenfold,
  • To feel this sun-rise and its glories old.
  • Now while the silent workings of the dawn
  • Were busiest, into that self-same lawn
  • All suddenly, with joyful cries, there sped
  • A troop of little children garlanded;
  • Who gathering round the altar, seemed to pry
  • Earnestly round as wishing to espy
  • Some folk of holiday: nor had they waited
  • For many moments, ere their ears were sated
  • With a faint breath of music, which ev’n then
  • Fill’d out its voice, and died away again.
  • Within a little space again it gave
  • Its airy swellings, with a gentle wave,
  • To light-hung leaves, in smoothest echoes breaking
  • Through copse-clad vallies, — ere their death, o’ertaking
  • The surgy murmurs of the lonely sea.
  • And now, as deep into the wood as we
  • Might mark a lynx’s eye, there glimmered light
  • Fair faces and a rush of garments white,
  • Plainer and plainer shewing, till at last
  • Into the widest alley they all past,
  • Making directly for the woodland altar.
  • O kindly muse! let not my weak tongue faulter
  • In telling of this goodly company,
  • Of their old piety, and of their glee:
  • But let a portion of ethereal dew
  • Fall on my head, and presently unmew
  • My soul; that I may dare, in wayfaring,
  • To stammer where old Chaucer used to sing.
  • Leading the way, young damsels danced along,
  • Bearing the burden of a shepherd song;
  • Each having a white wicker over brimm’d
  • With April’s tender younglings: next, well trimm’d,
  • A crowd of shepherds with as sunburnt looks
  • As may be read of in Arcadian books;
  • Such as sat listening round Apollo’s pipe,
  • When the great deity, for earth too ripe,
  • Let his divinity o’er-flowing die
  • In music, through the vales of Thessaly:
  • Some idly trailed their sheep-hooks on the ground,
  • And some kept up a shrilly mellow sound
  • With ebon-tipped flutes: close after these,
  • Now coming from beneath the forest trees,
  • A venerable priest full soberly,
  • Begirt with ministring looks: alway his eye
  • Stedfast upon the matted turf he kept,
  • And after him his sacred vestments swept.
  • From his right hand there swung a vase, milk-white,
  • Of mingled wine, out-sparkling generous light;
  • And in his left he held a basket full
  • Of all sweet herbs that searching eye could cull:
  • Wild thyme, and valley-lilies whiter still
  • Than Leda’s love, and cresses from the rill.
  • His aged head, crowned with beechen wreath,
  • Seem’d like a poll of ivy in the teeth
  • Of winter hoar. Then came another crowd
  • Of shepherds, lifting in due time aloud
  • Their share of the ditty. After them appear’d,
  • Up-followed by a multitude that rear’d
  • Their voices to the clouds, a fair wrought car,
  • Easily rolling so as scarce to mar
  • The freedom of three steeds of dapple brown:
  • Who stood therein did seem of great renown
  • Among the throng. His youth was fully blown,
  • Shewing like Ganymede to manhood grown;
  • And, for those simple times, his garments were
  • A chieftain king’s: beneath his breast, half bare,
  • Was hung a silver bugle, and between
  • His nervy knees there lay a boar-spear keen.
  • A smile was on his countenance; he seem’d,
  • To common lookers on, like one who dream’d
  • Of idleness in groves Elysian:
  • But there were some who feelingly could scan
  • A lurking trouble in his nether lip,
  • And see that oftentimes the reins would slip
  • Through his forgotten hands: then would they sigh,
  • And think of yellow leaves, of owlet’s cry,
  • Of logs piled solemnly. — Ah, well-a-day,
  • Why should our young Endymion pine away!
  • Soon the assembly, in a circle rang’d,
  • Stood silent round the shrine: each look was chang’d
  • To sudden veneration: women meek
  • Beckon’d their sons to silence; while each cheek
  • Of virgin bloom paled gently for slight fear.
  • Endymion too, without a forest peer,
  • Stood, wan, and pale, and with an awed face,
  • Among his brothers of the mountain chase.
  • In midst of all, the venerable priest
  • Eyed them with joy from greatest to the least,
  • And, after lifting up his aged hands,
  • Thus spake he: “Men of Latmos! shepherd bands!
  • Whose care it is to guard a thousand flocks:
  • Whether descended from beneath the rocks
  • That overtop your mountains; whether come
  • From vallies where the pipe is never dumb;
  • Or from your swelling downs, where sweet air stirs
  • Blue hare-bells lightly, and where prickly furze
  • Buds lavish gold; or ye, whose precious charge
  • Nibble their fill at ocean’s very marge,
  • Whose mellow reeds are touch’d with sounds forlorn
  • By the dim echoes of old Triton’s horn:
  • Mothers and wives! who day by day prepare
  • The scrip, with needments, for the mountain air;
  • And all ye gentle girls who foster up
  • Udderless lambs, and in a little cup
  • Will put choice honey for a favoured youth:
  • Yea, every one attend! for in good truth
  • Our vows are wanting to our great god Pan.
  • Are not our lowing heifers sleeker than
  • Night-swollen mushrooms? Are not our wide plains
  • Speckled with countless fleeces? Have not rains
  • Green’d over April’s lap? No howling sad
  • Sickens our fearful ewes; and we have had
  • Great bounty from Endymion our lord.
  • The earth is glad: the merry lark has pour’d
  • His early song against yon breezy sky,
  • That spreads so clear o’er our solemnity.”
  • Thus ending, on the shrine he heap’d a spire
  • Of teeming sweets, enkindling sacred fire;
  • Anon he stain’d the thick and spongy sod
  • With wine, in honour of the shepherd-god.
  • Now while the earth was drinking it, and while
  • Bay leaves were crackling in the fragrant pile,
  • And gummy frankincense was sparkling bright
  • ’Neath smothering parsley, and a hazy light
  • Spread greyly eastward, thus a chorus sang:
  • “O thou, whose mighty palace roof doth hang
  • From jagged trunks, and overshadoweth
  • Eternal whispers, glooms, the birth, life, death
  • Of unseen flowers in heavy peacefulness;
  • Who lov’st to see the hamadryads dress
  • Their ruffled locks where meeting hazels darken;
  • And through whole solemn hours dost sit, and hearken
  • The dreary melody of bedded reeds —
  • In desolate places, where dank moisture breeds
  • The pipy hemlock to strange overgrowth;
  • Bethinking thee, how melancholy loth
  • Thou wast to lose fair Syrinx — do thou now,
  • By thy love’s milky brow!
  • By all the trembling mazes that she ran,
  • Hear us, great Pan!
  • “O thou, for whose soul-soothing quiet, turtles
  • Passion their voices cooingly ’mong myrtles,
  • What time thou wanderest at eventide
  • Through sunny meadows, that outskirt the side
  • Of thine enmossed realms: O thou, to whom
  • Broad leaved fig trees even now foredoom
  • Their ripen’d fruitage; yellow girted bees
  • Their golden honeycombs; our village leas
  • Their fairest blossom’d beans and poppied corn;
  • The chuckling linnet its five young unborn,
  • To sing for thee; low creeping strawberries
  • Their summer coolness; pent up butterflies
  • Their freckled wings; yea, the fresh budding year
  • All its completions — be quickly near,
  • By every wind that nods the mountain pine,
  • O forester divine!
  • “Thou, to whom every faun and satyr flies
  • For willing service; whether to surprise
  • The squatted hare while in half sleeping fit;
  • Or upward ragged precipices flit
  • To save poor lambkins from the eagle’s maw;
  • Or by mysterious enticement draw
  • Bewildered shepherds to their path again;
  • Or to tread breathless round the frothy main,
  • And gather up all fancifullest shells
  • For thee to tumble into Naiads’ cells,
  • And, being hidden, laugh at their out-peeping;
  • Or to delight thee with fantastic leaping,
  • The while they pelt each other on the crown
  • With silvery oak apples, and fir cones brown —
  • By all the echoes that about thee ring,
  • Hear us, O satyr king!
  • “O Hearkener to the loud clapping shears,
  • While ever and anon to his shorn peers
  • A ram goes bleating: Winder of the horn,
  • When snouted wild-boars routing tender corn
  • Anger our huntsmen: Breather round our farms,
  • To keep off mildews, and all weather harms:
  • Strange ministrant of undescribed sounds,
  • That come a swooning over hollow grounds,
  • And wither drearily on barren moors:
  • Dread opener of the mysterious doors
  • Leading to universal knowledge — see,
  • Great son of Dryope,
  • The many that are come to pay their vows
  • With leaves about their brows!
  • “Be still the unimaginable lodge
  • For solitary thinkings; such as dodge
  • Conception to the very bourne of heaven,
  • Then leave the naked brain: be still the leaven,
  • That spreading in this dull and clodded earth
  • Gives it a touch ethereal — a new birth:
  • Be still a symbol of immensity;
  • A firmament reflected in a sea;
  • An element filling the space between;
  • An unknown — but no more: we humbly screen
  • With uplift hands our foreheads, lowly bending,
  • And giving out a shout most heaven rending,
  • Conjure thee to receive our humble paean,
  • Upon thy Mount Lycean!”
  • Even while they brought the burden to a close,
  • A shout from the whole multitude arose,
  • That lingered in the air like dying rolls
  • Of abrupt thunder, when Ionian shoals
  • Of dolphins bob their noses through the brine.
  • Meantime, on shady levels, mossy fine,
  • Young companies nimbly began dancing
  • To the swift treble pipe, and humming string.
  • Aye, those fair living forms swam heavenly
  • To tunes forgotten — out of memory:
  • Fair creatures! whose young childrens’ children bred
  • Thermopylae its heroes — not yet dead,
  • But in old marbles ever beautiful.
  • High genitors, unconscious did they cull
  • Time’s sweet first-fruits — they danc’d to weariness,
  • And then in quiet circles did they press
  • The hillock turf, and caught the latter end
  • Of some strange history, potent to send
  • A young mind from its bodily tenement.
  • Or they might watch the quoit-pitchers, intent
  • On either side; pitying the sad death
  • Of Hyacinthus, when the cruel breath
  • Of Zephyr slew him, — Zephyr penitent,
  • Who now, ere Phoebus mounts the firmament,
  • Fondles the flower amid the sobbing rain.
  • The archers too, upon a wider plain,
  • Beside the feathery whizzing of the shaft,
  • And the dull twanging bowstring, and the raft
  • Branch down sweeping from a tall ash top,
  • Call’d up a thousand thoughts to envelope
  • Those who would watch. Perhaps, the trembling knee
  • And frantic gape of lonely Niobe,
  • Poor, lonely Niobe! when her lovely young
  • Were dead and gone, and her caressing tongue
  • Lay a lost thing upon her paly lip,
  • And very, very deadliness did nip
  • Her motherly cheeks. Arous’d from this sad mood
  • By one, who at a distance loud halloo’d,
  • Uplifting his strong bow into the air,
  • Many might after brighter visions stare:
  • After the Argonauts, in blind amaze
  • Tossing about on Neptune’s restless ways,
  • Until, from the horizon’s vaulted side,
  • There shot a golden splendour far and wide,
  • Spangling those million poutings of the brine
  • With quivering ore: ’twas even an awful shine
  • From the exaltation of Apollo’s bow;
  • A heavenly beacon in their dreary woe.
  • Who thus were ripe for high contemplating
  • Might turn their steps towards the sober ring
  • Where sat Endymion and the aged priest
  • ’Mong shepherds gone in eld, whose looks increas’d
  • The silvery setting of their mortal star.
  • There they discours’d upon the fragile bar
  • That keeps us from our homes ethereal;
  • And what our duties there: to nightly call
  • Vesper, the beauty-crest of summer weather;
  • To summon all the downiest clouds together
  • For the sun’s purple couch; to emulate
  • In ministring the potent rule of fate
  • With speed of fire-tailed exhalations;
  • To tint her pallid cheek with bloom, who cons
  • Sweet poesy by moonlight: besides these,
  • A world of other unguess’d offices.
  • Anon they wander’d, by divine converse,
  • Into Elysium; vieing to rehearse
  • Each one his own anticipated bliss.
  • One felt heart-certain that he could not miss
  • His quick gone love, among fair blossom’d boughs,
  • Where every zephyr-sigh pouts, and endows
  • Her lips with music for the welcoming.
  • Another wish’d, mid that eternal spring,
  • To meet his rosy child, with feathery sails,
  • Sweeping, eye-earnestly, through almond vales:
  • Who, suddenly, should stoop through the smooth wind,
  • And with the balmiest leaves his temples bind;
  • And, ever after, through those regions be
  • His messenger, his little Mercury.
  • Some were athirst in soul to see again
  • Their fellow huntsmen o’er the wide champaign
  • In times long past; to sit with them, and talk
  • Of all the chances in their earthly walk;
  • Comparing, joyfully, their plenteous stores
  • Of happiness, to when upon the moors,
  • Benighted, close they huddled from the cold,
  • And shar’d their famish’d scrips. Thus all out-told
  • Their fond imaginations, — saving him
  • Whose eyelids curtain’d up their jewels dim,
  • Endymion: yet hourly had he striven
  • To hide the cankering venom, that had riven
  • His fainting recollections. Now indeed
  • His senses had swoon’d off: he did not heed
  • The sudden silence, or the whispers low,
  • Or the old eyes dissolving at his woe,
  • Or anxious calls, or close of trembling palms,
  • Or maiden’s sigh, that grief itself embalms:
  • But in the self-same fixed trance he kept,
  • Like one who on the earth had never stept —
  • Aye, even as dead-still as a marble man,
  • Frozen in that old tale Arabian.
  • Who whispers him so pantingly and close?
  • Peona, his sweet sister: of all those,
  • His friends, the dearest. Hushing signs she made,
  • And breath’d a sister’s sorrow to persuade
  • A yielding up, a cradling on her care.
  • Her eloquence did breathe away the curse:
  • She led him, like some midnight spirit nurse
  • Of happy changes in emphatic dreams,
  • Along a path between two little streams, —
  • Guarding his forehead, with her round elbow,
  • From low-grown branches, and his footsteps slow
  • From stumbling over stumps and hillocks small;
  • Until they came to where these streamlets fall,
  • With mingled bubblings and a gentle rush,
  • Into a river, clear, brimful, and flush
  • With crystal mocking of the trees and sky.
  • A little shallop, floating there hard by,
  • Pointed its beak over the fringed bank;
  • And soon it lightly dipt, and rose, and sank,
  • And dipt again, with the young couple’s weight, —
  • Peona guiding, through the water straight,
  • Towards a bowery island opposite;
  • Which gaining presently, she steered light
  • Into a shady, fresh, and ripply cove,
  • Where nested was an arbour, overwove
  • By many a summer’s silent fingering;
  • To whose cool bosom she was used to bring
  • Her playmates, with their needle broidery,
  • And minstrel memories of times gone by.
  • So she was gently glad to see him laid
  • Under her favourite bower’s quiet shade,
  • On her own couch, new made of flower leaves,
  • Dried carefully on the cooler side of sheaves
  • When last the sun his autumn tresses shook,
  • And the tann’d harvesters rich armfuls took.
  • Soon was he quieted to slumbrous rest:
  • But, ere it crept upon him, he had prest
  • Peona’s busy hand against his lips,
  • And still, a sleeping, held her finger-tips
  • In tender pressure. And as a willow keeps
  • A patient watch over the stream that creeps
  • Windingly by it, so the quiet maid
  • Held her in peace: so that a whispering blade
  • Of grass, a wailful gnat, a bee bustling
  • Down in the blue-bells, or a wren light rustling
  • Among sere leaves and twigs, might all be heard.
  • O magic sleep! O comfortable bird,
  • That broodest o’er the troubled sea of the mind
  • Till it is hush’d and smooth! O unconfin’d
  • Restraint! imprisoned liberty! great key
  • To golden palaces, strange minstrelsy,
  • Fountains grotesque, new trees, bespangled caves,
  • Echoing grottos, full of tumbling waves
  • And moonlight; aye, to all the mazy world
  • Of silvery enchantment! — who, upfurl’d
  • Beneath thy drowsy wing a triple hour,
  • But renovates and lives? — Thus, in the bower,
  • Endymion was calm’d to life again.
  • Opening his eyelids with a healthier brain,
  • He said: “I feel this thine endearing love
  • All through my bosom: thou art as a dove
  • Trembling its closed eyes and sleeked wings
  • About me; and the pearliest dew not brings
  • Such morning incense from the fields of May,
  • As do those brighter drops that twinkling stray
  • From those kind eyes, — the very home and haunt
  • Of sisterly affection. Can I want
  • Aught else, aught nearer heaven, than such tears?
  • Yet dry them up, in bidding hence all fears
  • That, any longer, I will pass my days
  • Alone and sad. No, I will once more raise
  • My voice upon the mountain-heights; once more
  • Make my horn parley from their foreheads hoar:
  • Again my trooping hounds their tongues shall loll
  • Around the breathed boar: again I’ll poll
  • The fair-grown yew tree, for a chosen bow:
  • And, when the pleasant sun is getting low,
  • Again I’ll linger in a sloping mead
  • To hear the speckled thrushes, and see feed
  • Our idle sheep. So be thou cheered, sweet,
  • And, if thy lute is here, softly intreat
  • My soul to keep in its resolved course.”
  • Hereat Peona, in their silver source,
  • Shut her pure sorrow drops with glad exclaim,
  • And took a lute, from which there pulsing came
  • A lively prelude, fashioning the way
  • In which her voice should wander. ’Twas a lay
  • More subtle cadenced, more forest wild
  • Than Dryope’s lone lulling of her child;
  • And nothing since has floated in the air
  • So mournful strange. Surely some influence rare
  • Went, spiritual, through the damsel’s hand;
  • For still, with Delphic emphasis, she spann’d
  • The quick invisible strings, even though she saw
  • Endymion’s spirit melt away and thaw
  • Before the deep intoxication.
  • But soon she came, with sudden burst, upon
  • Her self-possession — swung the lute aside,
  • And earnestly said: “Brother, ’tis vain to hide
  • That thou dost know of things mysterious,
  • Immortal, starry; such alone could thus
  • Weigh down thy nature. Hast thou sinn’d in aught
  • Offensive to the heavenly powers? Caught
  • A Paphian dove upon a message sent?
  • Thy deathful bow against some dear-herd bent,
  • Sacred to Dian? Haply, thou hast seen
  • Her naked limbs among the alders green;
  • And that, alas! is death. No, I can trace
  • Something more high perplexing in thy face!”
  • Endymion look’d at her, and press’d her hand,
  • And said, “Art thou so pale, who wast so bland
  • And merry in our meadows? How is this?
  • Tell me thine ailment: tell me all amiss! —
  • Ah! thou hast been unhappy at the change
  • Wrought suddenly in me. What indeed more strange?
  • Or more complete to overwhelm surmise?
  • Ambition is no sluggard: ’tis no prize,
  • That toiling years would put within my grasp,
  • That I have sigh’d for: with so deadly gasp
  • No man e’er panted for a mortal love.
  • So all have set my heavier grief above
  • These things which happen. Rightly have they done:
  • I, who still saw the horizontal sun
  • Heave his broad shoulder o’er the edge of the world,
  • Out-facing Lucifer, and then had hurl’d
  • My spear aloft, as signal for the chace —
  • I, who, for very sport of heart, would race
  • With my own steed from Araby; pluck down
  • A vulture from his towery perching; frown
  • A lion into growling, loth retire —
  • To lose, at once, all my toil breeding fire,
  • And sink thus low! but I will ease my breast
  • Of secret grief, here in this bowery nest.
  • “This river does not see the naked sky,
  • Till it begins to progress silverly
  • Around the western border of the wood,
  • Whence, from a certain spot, its winding flood
  • Seems at the distance like a crescent moon:
  • And in that nook, the very pride of June,
  • Had I been used to pass my weary eves;
  • The rather for the sun unwilling leaves
  • So dear a picture of his sovereign power,
  • And I could witness his most kingly hour,
  • When he doth tighten up the golden reins,
  • And paces leisurely down amber plains
  • His snorting four. Now when his chariot last
  • Its beams against the zodiac-lion cast,
  • There blossom’d suddenly a magic bed
  • Of sacred ditamy, and poppies red:
  • At which I wondered greatly, knowing well
  • That but one night had wrought this flowery spell;
  • And, sitting down close by, began to muse
  • What it might mean. Perhaps, thought I, Morpheus,
  • In passing here, his owlet pinions shook;
  • Or, it may be, ere matron Night uptook
  • Her ebon urn, young Mercury, by stealth,
  • Had dipt his rod in it: such garland wealth
  • Came not by common growth. Thus on I thought,
  • Until my head was dizzy and distraught.
  • Moreover, through the dancing poppies stole
  • A breeze, most softly lulling to my soul;
  • And shaping visions all about my sight
  • Of colours, wings, and bursts of spangly light;
  • The which became more strange, and strange, and dim,
  • And then were gulph’d in a tumultuous swim:
  • And then I fell asleep. Ah, can I tell
  • The enchantment that afterwards befel?
  • Yet it was but a dream: yet such a dream
  • That never tongue, although it overteem
  • With mellow utterance, like a cavern spring,
  • Could figure out and to conception bring
  • All I beheld and felt. Methought I lay
  • Watching the zenith, where the milky way
  • Among the stars in virgin splendour pours;
  • And travelling my eye, until the doors
  • Of heaven appear’d to open for my flight,
  • I became loth and fearful to alight
  • From such high soaring by a downward glance:
  • So kept me stedfast in that airy trance,
  • Spreading imaginary pinions wide.
  • When, presently, the stars began to glide,
  • And faint away, before my eager view:
  • At which I sigh’d that I could not pursue,
  • And dropt my vision to the horizon’s verge;
  • And lo! from the opening clouds, I saw emerge
  • The loveliest moon, that ever silver’d o’er
  • A shell for Neptune’s goblet: she did soar
  • So passionately bright, my dazzled soul
  • Commingling with her argent spheres did roll
  • Through clear and cloudy, even when she went
  • At last into a dark and vapoury tent —
  • Whereat, methought, the lidless-eyed train
  • Of planets all were in the blue again.
  • To commune with those orbs, once more I rais’d
  • My sight right upward: but it was quite dazed
  • By a bright something, sailing down apace,
  • Making me quickly veil my eyes and face:
  • Again I look’d, and, O ye deities,
  • Who from Olympus watch our destinies!
  • Whence that completed form of all completeness?
  • Whence came that high perfection of all sweetness?
  • Speak, stubborn earth, and tell me where, O where
  • Hast thou a symbol of her golden hair?
  • Not oat-sheaves drooping in the western sun;
  • Not — thy soft hand, fair sister! let me shun
  • Such follying before thee — yet she had,
  • Indeed, locks bright enough to make me mad;
  • And they were simply gordian’d up and braided,
  • Leaving, in naked comeliness, unshaded,
  • Her pearl round ears, white neck, and orbed brow;
  • The which were blended in, I know not how,
  • With such a paradise of lips and eyes,
  • Blush-tinted cheeks, half smiles, and faintest sighs,
  • That, when I think thereon, my spirit clings
  • And plays about its fancy, till the stings
  • Of human neighbourhood envenom all.
  • Unto what awful power shall I call?
  • To what high fane? — Ah! see her hovering feet,
  • More bluely vein’d, more soft, more whitely sweet
  • Than those of sea-born Venus, when she rose
  • From out her cradle shell. The wind out-blows
  • Her scarf into a fluttering pavilion;
  • ’Tis blue, and over-spangled with a million
  • Of little eyes, as though thou wert to shed,
  • Over the darkest, lushest blue-bell bed,
  • Handfuls of daisies.” — “Endymion, how strange!
  • Dream within dream!” — “She took an airy range,
  • And then, towards me, like a very maid,
  • Came blushing, waning, willing, and afraid,
  • And press’d me by the hand: Ah! ’twas too much;
  • Methought I fainted at the charmed touch,
  • Yet held my recollection, even as one
  • Who dives three fathoms where the waters run
  • Gurgling in beds of coral: for anon,
  • I felt upmounted in that region
  • Where falling stars dart their artillery forth,
  • And eagles struggle with the buffeting north
  • That balances the heavy meteor-stone; —
  • Felt too, I was not fearful, nor alone,
  • But lapp’d and lull’d along the dangerous sky.
  • Soon, as it seem’d, we left our journeying high,
  • And straightway into frightful eddies swoop’d;
  • Such as aye muster where grey time has scoop’d
  • Huge dens and caverns in a mountain’s side:
  • There hollow sounds arous’d me, and I sigh’d
  • To faint once more by looking on my bliss —
  • I was distracted; madly did I kiss
  • The wooing arms which held me, and did give
  • My eyes at once to death: but ’twas to live,
  • To take in draughts of life from the gold fount
  • Of kind and passionate looks; to count, and count
  • The moments, by some greedy help that seem’d
  • A second self, that each might be redeem’d
  • And plunder’d of its load of blessedness.
  • Ah, desperate mortal! I ev’n dar’d to press
  • Her very cheek against my crowned lip,
  • And, at that moment, felt my body dip
  • Into a warmer air: a moment more,
  • Our feet were soft in flowers. There was store
  • Of newest joys upon that alp. Sometimes
  • A scent of violets, and blossoming limes,
  • Loiter’d around us; then of honey cells,
  • Made delicate from all white-flower bells;
  • And once, above the edges of our nest,
  • An arch face peep’d, — an Oread as I guess’d.
  • “Why did I dream that sleep o’er-power’d me
  • In midst of all this heaven? Why not see,
  • Far off, the shadows of his pinions dark,
  • And stare them from me? But no, like a spark
  • That needs must die, although its little beam
  • Reflects upon a diamond, my sweet dream
  • Fell into nothing — into stupid sleep.
  • And so it was, until a gentle creep,
  • A careful moving caught my waking ears,
  • And up I started: Ah! my sighs, my tears,
  • My clenched hands; — for lo! the poppies hung
  • Dew-dabbled on their stalks, the ouzel sung
  • A heavy ditty, and the sullen day
  • Had chidden herald Hesperus away,
  • With leaden looks: the solitary breeze
  • Bluster’d, and slept, and its wild self did teaze
  • With wayward melancholy; and I thought,
  • Mark me, Peona! that sometimes it brought
  • Faint fare-thee-wells, and sigh-shrilled adieus! —
  • Away I wander’d — all the pleasant hues
  • Of heaven and earth had faded: deepest shades
  • Were deepest dungeons; heaths and sunny glades
  • Were full of pestilent light; our taintless rills
  • Seem’d sooty, and o’er-spread with upturn’d gills
  • Of dying fish; the vermeil rose had blown
  • In frightful scarlet, and its thorns out-grown
  • Like spiked aloe. If an innocent bird
  • Before my heedless footsteps stirr’d, and stirr’d
  • In little journeys, I beheld in it
  • A disguis’d demon, missioned to knit
  • My soul with under darkness; to entice
  • My stumblings down some monstrous precipice:
  • Therefore I eager followed, and did curse
  • The disappointment. Time, that aged nurse,
  • Rock’d me to patience. Now, thank gentle heaven!
  • These things, with all their comfortings, are given
  • To my down-sunken hours, and with thee,
  • Sweet sister, help to stem the ebbing sea
  • Of weary life.”
  • Thus ended he, and both
  • Sat silent: for the maid was very loth
  • To answer; feeling well that breathed words
  • Would all be lost, unheard, and vain as swords
  • Against the enchased crocodile, or leaps
  • Of grasshoppers against the sun. She weeps,
  • And wonders; struggles to devise some blame;
  • To put on such a look as would say, Shame
  • On this poor weakness! but, for all her strife,
  • She could as soon have crush’d away the life
  • From a sick dove. At length, to break the pause,
  • She said with trembling chance: “Is this the cause?
  • This all? Yet it is strange, and sad, alas!
  • That one who through this middle earth should pass
  • Most like a sojourning demi-god, and leave
  • His name upon the harp-string, should achieve
  • No higher bard than simple maidenhood,
  • Singing alone, and fearfully, — how the blood
  • Left his young cheek; and how he used to stray
  • He knew not where; and how he would say, nay,
  • If any said ’twas love: and yet ’twas love;
  • What could it be but love? How a ring-dove
  • Let fall a sprig of yew tree in his path;
  • And how he died: and then, that love doth scathe
  • The gentle heart, as northern blasts do roses;
  • And then the ballad of his sad life closes
  • With sighs, and an alas! — Endymion!
  • Be rather in the trumpet’s mouth, — anon
  • Among the winds at large — that all may hearken!
  • Although, before the crystal heavens darken,
  • I watch and dote upon the silver lakes
  • Pictur’d in western cloudiness, that takes
  • The semblance of gold rocks and bright gold sands,
  • Islands, and creeks, and amber-fretted strands
  • With horses prancing o’er them, palaces
  • And towers of amethyst, — would I so tease
  • My pleasant days, because I could not mount
  • Into those regions? The Morphean fount
  • Of that fine element that visions, dreams,
  • And fitful whims of sleep are made of, streams
  • Into its airy channels with so subtle,
  • So thin a breathing, not the spider’s shuttle,
  • Circled a million times within the space
  • Of a swallow’s nest-door, could delay a trace,
  • A tinting of its quality: how light
  • Must dreams themselves be; seeing they’re more slight
  • Than the mere nothing that engenders them!
  • Then wherefore sully the entrusted gem
  • Of high and noble life with thoughts so sick?
  • Why pierce high-fronted honour to the quick
  • For nothing but a dream?” Hereat the youth
  • Look’d up: a conflicting of shame and ruth
  • Was in his plaited brow: yet, his eyelids
  • Widened a little, as when Zephyr bids
  • A little breeze to creep between the fans
  • Of careless butterflies: amid his pains
  • He seem’d to taste a drop of manna-dew,
  • Full palatable; and a colour grew
  • Upon his cheek, while thus he lifeful spake.
  • “Peona! ever have I long’d to slake
  • My thirst for the world’s praises: nothing base,
  • No merely slumberous phantasm, could unlace
  • The stubborn canvas for my voyage prepar’d —
  • Though now ’tis tatter’d; leaving my bark bar’d
  • And sullenly drifting: yet my higher hope
  • Is of too wide, too rainbow-large a scope,
  • To fret at myriads of earthly wrecks.
  • Wherein lies happiness? In that which becks
  • Our ready minds to fellowship divine,
  • A fellowship with essence; till we shine,
  • Full alchemiz’d, and free of space. Behold
  • The clear religion of heaven! Fold
  • A rose leaf round thy finger’s taperness,
  • And soothe thy lips: hist, when the airy stress
  • Of music’s kiss impregnates the free winds,
  • And with a sympathetic touch unbinds
  • Eolian magic from their lucid wombs:
  • Then old songs waken from enclouded tombs;
  • Old ditties sigh above their father’s grave;
  • Ghosts of melodious prophecyings rave
  • Round every spot where trod Apollo’s foot;
  • Bronze clarions awake, and faintly bruit,
  • Where long ago a giant battle was;
  • And, from the turf, a lullaby doth pass
  • In every place where infant Orpheus slept.
  • Feel we these things? — that moment have we stept
  • Into a sort of oneness, and our state
  • Is like a floating spirit’s. But there are
  • Richer entanglements, enthralments far
  • More self-destroying, leading, by degrees,
  • To the chief intensity: the crown of these
  • Is made of love and friendship, and sits high
  • Upon the forehead of humanity.
  • All its more ponderous and bulky worth
  • Is friendship, whence there ever issues forth
  • A steady splendour; but at the tip-top,
  • There hangs by unseen film, an orbed drop
  • Of light, and that is love: its influence,
  • Thrown in our eyes, genders a novel sense,
  • At which we start and fret; till in the end,
  • Melting into its radiance, we blend,
  • Mingle, and so become a part of it, —
  • Nor with aught else can our souls interknit
  • So wingedly: when we combine therewith,
  • Life’s self is nourish’d by its proper pith,
  • And we are nurtured like a pelican brood.
  • Aye, so delicious is the unsating food,
  • That men, who might have tower’d in the van
  • Of all the congregated world, to fan
  • And winnow from the coming step of time
  • All chaff of custom, wipe away all slime
  • Left by men-slugs and human serpentry,
  • Have been content to let occasion die,
  • Whilst they did sleep in love’s elysium.
  • And, truly, I would rather be struck dumb,
  • Than speak against this ardent listlessness:
  • For I have ever thought that it might bless
  • The world with benefits unknowingly;
  • As does the nightingale, upperched high,
  • And cloister’d among cool and bunched leaves —
  • She sings but to her love, nor e’er conceives
  • How tiptoe Night holds back her dark-grey hood.
  • Just so may love, although ’tis understood
  • The mere commingling of passionate breath,
  • Produce more than our searching witnesseth:
  • What I know not: but who, of men, can tell
  • That flowers would bloom, or that green fruit would swell
  • To melting pulp, that fish would have bright mail,
  • The earth its dower of river, wood, and vale,
  • The meadows runnels, runnels pebble-stones,
  • The seed its harvest, or the lute its tones,
  • Tones ravishment, or ravishment its sweet,
  • If human souls did never kiss and greet?
  • “Now, if this earthly love has power to make
  • Men’s being mortal, immortal; to shake
  • Ambition from their memories, and brim
  • Their measure of content; what merest whim,
  • Seems all this poor endeavour after fame,
  • To one, who keeps within his stedfast aim
  • A love immortal, an immortal too.
  • Look not so wilder’d; for these things are true,
  • And never can be born of atomies
  • That buzz about our slumbers, like brain-flies,
  • Leaving us fancy-sick. No, no, I’m sure,
  • My restless spirit never could endure
  • To brood so long upon one luxury,
  • Unless it did, though fearfully, espy
  • A hope beyond the shadow of a dream.
  • My sayings will the less obscured seem,
  • When I have told thee how my waking sight
  • Has made me scruple whether that same night
  • Was pass’d in dreaming. Hearken, sweet Peona!
  • Beyond the matron-temple of Latona,
  • Which we should see but for these darkening boughs,
  • Lies a deep hollow, from whose ragged brows
  • Bushes and trees do lean all round athwart,
  • And meet so nearly, that with wings outraught,
  • And spreaded tail, a vulture could not glide
  • Past them, but he must brush on every side.
  • Some moulder’d steps lead into this cool cell,
  • Far as the slabbed margin of a well,
  • Whose patient level peeps its crystal eye
  • Right upward, through the bushes, to the sky.
  • Oft have I brought thee flowers, on their stalks set
  • Like vestal primroses, but dark velvet
  • Edges them round, and they have golden pits:
  • ’Twas there I got them, from the gaps and slits
  • In a mossy stone, that sometimes was my seat,
  • When all above was faint with mid-day heat.
  • And there in strife no burning thoughts to heed,
  • I’d bubble up the water through a reed;
  • So reaching back to boy-hood: make me ships
  • Of moulted feathers, touchwood, alder chips,
  • With leaves stuck in them; and the Neptune be
  • Of their petty ocean. Oftener, heavily,
  • When love-lorn hours had left me less a child,
  • I sat contemplating the figures wild
  • Of o’er-head clouds melting the mirror through.
  • Upon a day, while thus I watch’d, by flew
  • A cloudy Cupid, with his bow and quiver;
  • So plainly character’d, no breeze would shiver
  • The happy chance: so happy, I was fain
  • To follow it upon the open plain,
  • And, therefore, was just going; when, behold!
  • A wonder, fair as any I have told —
  • The same bright face I tasted in my sleep,
  • Smiling in the clear well. My heart did leap
  • Through the cool depth. — It moved as if to flee —
  • I started up, when lo! refreshfully,
  • There came upon my face, in plenteous showers,
  • Dew-drops, and dewy buds, and leaves, and flowers,
  • Wrapping all objects from my smothered sight,
  • Bathing my spirit in a new delight.
  • Aye, such a breathless honey-feel of bliss
  • Alone preserved me from the drear abyss
  • Of death, for the fair form had gone again.
  • Pleasure is oft a visitant; but pain
  • Clings cruelly to us, like the gnawing sloth
  • On the deer’s tender haunches: late, and loth,
  • ’Tis scar’d away by slow returning pleasure.
  • How sickening, how dark the dreadful leisure
  • Of weary days, made deeper exquisite,
  • By a fore-knowledge of unslumbrous night!
  • Like sorrow came upon me, heavier still,
  • Than when I wander’d from the poppy hill:
  • And a whole age of lingering moments crept
  • Sluggishly by, ere more contentment swept
  • Away at once the deadly yellow spleen.
  • Yes, thrice have I this fair enchantment seen;
  • Once more been tortured with renewed life.
  • When last the wintry gusts gave over strife
  • With the conquering sun of spring, and left the skies
  • Warm and serene, but yet with moistened eyes
  • In pity of the shatter’d infant buds, —
  • That time thou didst adorn, with amber studs,
  • My hunting cap, because I laugh’d and smil’d,
  • Chatted with thee, and many days exil’d
  • All torment from my breast; — ’twas even then,
  • Straying about, yet, coop’d up in the den
  • Of helpless discontent, — hurling my lance
  • From place to place, and following at chance,
  • At last, by hap, through some young trees it struck,
  • And, plashing among bedded pebbles, stuck
  • In the middle of a brook, — whose silver ramble
  • Down twenty little falls, through reeds and bramble,
  • Tracing along, it brought me to a cave,
  • Whence it ran brightly forth, and white did lave
  • The nether sides of mossy stones and rock, —
  • ’Mong which it gurgled blythe adieus, to mock
  • Its own sweet grief at parting. Overhead,
  • Hung a lush screen of drooping weeds, and spread
  • Thick, as to curtain up some wood-nymph’s home.
  • `Ah! impious mortal, whither do I roam?’
  • Said I, low voic’d `ah, whither! ’tis the grot
  • Of Proserpine, when hell, obscure and hot,
  • Doth her resign; and where her tender hands
  • She dabbles, on the cool and sluicy sands:
  • Or ’tis the cell of Echo, where she sits,
  • And babbles thorough silence, till her wits
  • Are gone in tender madness, and anon,
  • Faints into sleep, with many a dying tone
  • Of sadness. O that she would take my vows,
  • And breathe them sighingly among the boughs,
  • To sue her gentle ears for whose fair head,
  • Daily, I pluck sweet flowerets from their bed,
  • And weave them dyingly — send honey-whispers
  • Round every leaf, that all those gentle lispers
  • May sigh my love unto her pitying!
  • O charitable Echo! hear, and sing
  • This ditty to her! — tell her’ — so I stay’d
  • My foolish tongue, and listening, half afraid,
  • Stood stupefied with my own empty folly,
  • And blushing for the freaks of melancholy.
  • Salt tears were coming, when I heard my name
  • Most fondly lipp’d, and then these accents came:
  • ’Endymion! the cave is secreter
  • Than the isle of Delos. Echo hence shall stir
  • No sighs but sigh-warm kisses, or light noise
  • Of thy combing hand, the while it travelling cloys
  • And trembles through my labyrinthine hair.’
  • At that oppress’d I hurried in. — Ah! where
  • Are those swift moments? Whither are they fled?
  • I’ll smile no more, Peona; nor will wed
  • Sorrow the way to death; but patiently
  • Bear up against it: so farewel, sad sigh;
  • And come instead demurest meditation,
  • To occupy me wholly, and to fashion
  • My pilgrimage for the world’s dusky brink.
  • No more will I count over, link by link,
  • My chain of grief: no longer strive to find
  • A half-forgetfulness in mountain wind
  • Blustering about my ears: aye, thou shalt see,
  • Dearest of sisters, what my life shall be;
  • What a calm round of hours shall make my days.
  • There is a paly flame of hope that plays
  • Where’er I look: but yet, I’ll say ’tis naught —
  • And here I bid it die. Have not I caught,
  • Already, a more healthy countenance?
  • By this the sun is setting; we may chance
  • Meet some of our near-dwellers with my car.”
  • This said, he rose, faint-smiling like a star
  • Through autumn mists, and took Peona’s hand:
  • They stept into the boat, and launch’d from land.
×

I stood tip-toe upon a little hill

Places of nestling green for Poets made

Story of Rimini

  • I stood tip-toe upon a little hill,
  • The air was cooling, and so very still,
  • That the sweet buds which with a modest pride
  • Pull droopingly, in slanting curve aside,
  • Their scantly leaved, and finely tapering stems,
  • Had not yet lost those starry diadems
  • Caught from the early sobbing of the morn.
  • The clouds were pure and white as flocks new shorn,
  • And fresh from the clear brook; sweetly they slept
  • On the blue fields of heaven, and then there crept
  • A little noiseless noise among the leaves,
  • Born of the very sigh that silence heaves:
  • For not the faintest motion could be seen
  • Of all the shades that slanted o’er the green.
  • There was wide wand’ring for the greediest eye,
  • To peer about upon variety;
  • Far round the horizon’s crystal air to skim,
  • And trace the dwindled edgings of its brim;
  • To picture out the quaint, and curious bending
  • Of a fresh woodland alley, never ending;
  • Or by the bowery clefts, and leafy shelves,
  • Guess were the jaunty streams refresh themselves.
  • I gazed awhile, and felt as light, and free
  • As though the fanning wings of Mercury
  • Had played upon my heels: I was light-hearted,
  • And many pleasures to my vision started;
  • So I straightway began to pluck a posey
  • Of luxuries bright, milky, soft and rosy.
  • A bush of May flowers with the bees about them;
  • Ah, sure no tasteful nook would be without them;
  • And let a lush laburnum oversweep them,
  • And let long grass grow round the roots to keep them
  • Moist, cool and green; and shade the violets,
  • That they may bind the moss in leafy nets.
  • A filbert hedge with wild briar overtwined,
  • And clumps of woodbine taking the soft wind
  • Upon their summer thrones; there too should be
  • The frequent chequer of a youngling tree,
  • That with a score of light green brethren shoots
  • From the quaint mossiness of aged roots:
  • Round which is heard a spring-head of clear waters
  • Babbling so wildly of its lovely daughters
  • The spreading blue bells: it may haply mourn
  • That such fair clusters should be rudely torn
  • From their fresh beds, and scattered thoughtlessly
  • By infant hands, left on the path to die.
  • Open afresh your round of starry folds,
  • Ye ardent marigolds!
  • Dry up the moisture from your golden lids,
  • For great Apollo bids
  • That in these days your praises should be sung
  • On many harps, which he has lately strung;
  • And when again your dewiness he kisses,
  • Tell him, I have you in my world of blisses:
  • So haply when I rove in some far vale,
  • His mighty voice may come upon the gale.
  • Here are sweet peas, on tip-toe for a flight:
  • With wings of gentle flush o’er delicate white,
  • And taper fulgent catching at all things,
  • To bind them all about with tiny rings.
  • Linger awhile upon some bending planks
  • That lean against a streamlet’s rushy banks,
  • And watch intently Nature’s gentle doings:
  • They will be found softer than ring-dove’s cooings.
  • How silent comes the water round that bend;
  • Not the minutest whisper does it send
  • To the o’erhanging sallows: blades of grass
  • Slowly across the chequer’d shadows pass.
  • Why, you might read two sonnets, ere they reach
  • To where the hurrying freshnesses aye preach
  • A natural sermon o’er their pebbly beds;
  • Where swarms of minnows show their little heads,
  • Staying their wavy bodies ‘gainst the streams,
  • To taste the luxury of sunny beams
  • Temper’d with coolness. How they ever wrestle
  • With their own sweet delight, and ever nestle
  • Their silver bellies on the pebbly sand.
  • If you but scantily hold out the hand,
  • That very instant not one will remain;
  • But turn your eye, and they are there again.
  • The ripples seem right glad to reach those cresses,
  • And cool themselves among the em’rald tresses;
  • The while they cool themselves, they freshness give,
  • And moisture, that the bowery green may live:
  • So keeping up an interchange of favours,
  • Like good men in the truth of their behaviours
  • Sometimes goldfinches one by one will drop
  • From low hung branches; little space they stop;
  • But sip, and twitter, and their feathers sleek;
  • Then off at once, as in a wanton freak:
  • Or perhaps, to show their black, and golden wings,
  • Pausing upon their yellow flutterings.
  • Were I in such a place, I sure should pray
  • That nought less sweet, might call my thoughts away,
  • Than the soft rustle of a maiden’s gown
  • Fanning away the dandelion’s down;
  • Than the light music of her nimble toes
  • Patting against the sorrel as she goes.
  • How she would start, and blush, thus to be caught
  • Playing in all her innocence of thought.
  • O let me lead her gently o’er the brook,
  • Watch her half-smiling lips, and downward look;
  • O let me for one moment touch her wrist;
  • Let me one moment to her breathing list;
  • And as she leaves me may she often turn
  • Her fair eyes looking through her locks aubùrne.
  • What next? A tuft of evening primroses,
  • O’er which the mind may hover till it dozes;
  • O’er which it well might take a pleasant sleep,
  • But that ‘tis ever startled by the leap
  • Of buds into ripe flowers; or by the flitting
  • Of diverse moths, that aye their rest are quitting;
  • Or by the moon lifting her silver rim
  • Above a cloud, and with a gradual swim
  • Coming into the blue with all her light.
  • O Maker of sweet poets, dear delight
  • Of this fair world, and all its gentle livers;
  • Spangler of clouds, halo of crystal rivers,
  • Mingler with leaves, and dew and tumbling streams,
  • Closer of lovely eyes to lovely dreams,
  • Lover of loneliness, and wandering,
  • Of upcast eye, and tender pondering!
  • Thee must I praise above all other glories
  • That smile us on to tell delightful stories.
  • For what has made the sage or poet write
  • But the fair paradise of Nature’s light?
  • In the calm grandeur of a sober line,
  • We see the waving of the mountain pine;
  • And when a tale is beautifully staid,
  • We feel the safety of a hawthorn glade:
  • When it is moving on luxurious wings,
  • The soul is lost in pleasant smotherings:
  • Fair dewy roses brush against our faces,
  • And flowering laurels spring from diamond vases;
  • O’er head we see the jasmine and sweet briar,
  • And bloomy grapes laughing from green attire;
  • While at our feet, the voice of crystal bubbles
  • Charms us at once away from all our troubles:
  • So that we feel uplifted from the world,
  • Walking upon the white clouds wreath’d and curl’d.
  • So felt he, who first told, how Psyche went
  • On the smooth wind to realms of wonderment;
  • What Psyche felt, and Love, when their full lips
  • First touch’d; what amorous, and fondling nips
  • They gave each other’s cheeks; with all their sighs,
  • And how they kist each other’s tremulous eyes:
  • The silver lamp,—the ravishment,—the wonder—
  • The darkness,—loneliness,—the fearful thunder;
  • Their woes gone by, and both to heaven upflown,
  • To bow for gratitude before Jove’s throne.
  • So did he feel, who pull’d the boughs aside,
  • That we might look into a forest wide,
  • To catch a glimpse of Fawns, and Dryades
  • Coming with softest rustle through the trees;
  • And garlands woven of flowers wild, and sweet,
  • Upheld on ivory wrists, or sporting feet:
  • Telling us how fair, trembling Syrinx fled
  • Arcadian Pan, with such a fearful dread.
  • Poor nymph,—poor Pan,—how he did weep to find,
  • Nought but a lovely sighing of the wind
  • Along the reedy stream; a half heard strain,
  • Full of sweet desolation—balmy pain.
  • What first inspired a bard of old to sing
  • Narcissus pining o’er the untainted spring?
  • In some delicious ramble, he had found
  • A little space, with boughs all woven round;
  • And in the midst of all, a clearer pool
  • Than e’er reflected in its pleasant cool,
  • The blue sky here, and there, serenely peeping
  • Through tendril wreaths fantastically creeping.
  • And on the bank a lonely flower he spied,
  • A meek and forlorn flower, with naught of pride,
  • Drooping its beauty o’er the watery clearness,
  • To woo its own sad image into nearness:
  • Deaf to light Zephyrus it would not move;
  • But still would seem to droop, to pine, to love.
  • So while the Poet stood in this sweet spot,
  • Some fainter gleamings o’er his fancy shot;
  • Nor was it long ere he had told the tale
  • Of young Narcissus, and sad Echo’s bale.
  • Where had he been, from whose warm head out-flew
  • That sweetest of all songs, that ever new,
  • That aye refreshing, pure deliciousness,
  • Coming ever to bless
  • The wanderer by moonlight? to him bringing
  • Shapes from the invisible world, unearthly singing
  • From out the middle air, from flowery nests,
  • And from the pillowy silkiness that rests
  • Full in the speculation of the stars.
  • Ah! surely he had burst our mortal bars;
  • Into some wond’rous region he had gone,
  • To search for thee, divine Endymion!
  • He was a Poet, sure a lover too,
  • Who stood on Latmus’ top, what time there blew
  • Soft breezes from the myrtle vale below;
  • And brought in faintness solemn, sweet, and slow
  • A hymn from Dian’s temple; while upswelling,
  • The incense went to her own starry dwelling.
  • But though her face was clear as infant’s eyes,
  • Though she stood smiling o’er the sacrifice,
  • The Poet wept at her so piteous fate,
  • Wept that such beauty should be desolate:
  • So in fine wrath some golden sounds he won,
  • And gave meek Cynthia her Endymion.
  • Queen of the wide air; thou most lovely queen
  • Of all the brightness that mine eyes have seen!
  • As thou exceedest all things in thy shine,
  • So every tale, does this sweet tale of thine.
  • O for three words of honey, that I might
  • Tell but one wonder of thy bridal night!
  • Where distant ships do seem to show their keels,
  • Phoebus awhile delayed his mighty wheels,
  • And turned to smile upon thy bashful eyes,
  • Ere he his unseen pomp would solemnize.
  • The evening weather was so bright, and clear,
  • That men of health were of unusual cheer;
  • Stepping like Homer at the trumpet’s call,
  • Or young Apollo on the pedestal:
  • And lovely women were as fair and warm,
  • As Venus looking sideways in alarm.
  • The breezes were ethereal, and pure,
  • And crept through half closed lattices to cure
  • The languid sick; it cool’d their fever’d sleep,
  • And soothed them into slumbers full and deep.
  • Soon they awoke clear eyed: nor burnt with thirsting,
  • Nor with hot fingers, nor with temples bursting:
  • And springing up, they met the wond’ring sight
  • Of their dear friends, nigh foolish with delight;
  • Who feel their arms, and breasts, and kiss and stare,
  • And on their placid foreheads part the hair.
  • Young men, and maidens at each other gaz’d
  • With hands held back, and motionless, amaz’d
  • To see the brightness in each others’ eyes;
  • And so they stood, fill’d with a sweet surprise,
  • Until their tongues were loos’d in poesy.
  • Therefore no lover did of anguish die:
  • But the soft numbers, in that moment spoken,
  • Made silken ties, that never may be broken.
  • Cynthia! I cannot tell the greater blisses,
  • That follow’d thine, and thy dear shepherd’s kisses:
  • Was there a Poet born?—but now no more,
  • My wand’ring spirit must no further soar.—
×

On The Story of Rimini

  • Who loves to peer up at the morning sun,
  • With half-shut eyes and comfortable cheek,
  • Let him, with this sweet tale, full often seek
  • For meadows where the little rivers run;
  • Who loves to linger with that brightest one
  • Of heaven — Hesperus — let him lowly speak
  • These numbers to the night, and starlight meek,
  • Or moon, if that her hunting be begun.
  • He who knows these delights, and, too, is prone
  • To moralize upon a smile or tear,
  • Will find at once a region of his own,
  • A bower for his spirit, and will steer
  • To alleys, where the fir-tree drops its cone,
  • Where robins hop, and fallen leaves are sere.
×

Calidore: A Fragment

  • Young Calidore is paddling o’er the lake;
  • His healthful spirit eager and awake
  • To feel the beauty of a silent eve,
  • Which seem’d full loath this happy world to leave;
  • The light dwelt o’er the scene so lingeringly.
  • He bares his forehead to the cool blue sky,
  • And smiles at the far clearness all around,
  • Until his heart is well nigh over wound,
  • And turns for calmness to the pleasant green
  • Of easy slopes, and shadowy trees that lean
  • So elegantly o’er the waters’ brim
  • And show their blossoms trim.
  • Scarce can his clear and nimble eye-sight follow
  • The freaks, and dartings of the black-wing’d swallow,
  • Delighting much, to see it half at rest,
  • Dip so refreshingly its wings, and breast
  • ’Gainst the smooth surface, and to mark anon,
  • The widening circles into nothing gone.
  • And now the sharp keel of his little boat
  • Comes up with ripple, and with easy float,
  • And glides into a bed of water lillies:
  • Broad leav’d are they and their white canopies
  • Are upward turn’d to catch the heavens’ dew.
  • Near to a little island’s point they grew;
  • Whence Calidore might have the goodliest view
  • Of this sweet spot of earth. The bowery shore
  • Went off in gentle windings to the hoar
  • And light blue mountains: but no breathing man
  • With a warm heart, and eye prepared to scan
  • Nature’s clear beauty, could pass lightly by
  • Objects that look’d out so invitingly
  • On either side. These, gentle Calidore
  • Greeted, as he had known them long before.
  • The sidelong view of swelling leafiness,
  • Which the glad setting sun in gold doth dress;
  • Whence ever and anon the jay outsprings,
  • And scales upon the beauty of its wings.
  • The lonely turret, shatter’d, and outworn,
  • Stands venerably proud; too proud to mourn
  • Its long lost grandeur: fir trees grow around,
  • Aye dropping their hard fruit upon the ground.
  • The little chapel with the cross above
  • Upholding wreaths of ivy; the white dove,
  • That on the window spreads his feathers light,
  • And seems from purple clouds to wing its flight.
  • Green tufted islands casting their soft shades
  • Across the lake; sequester’d leafy glades,
  • That through the dimness of their twilight show
  • Large dock leaves, spiral foxgloves, or the glow
  • Of the wild cat’s eyes, or the silvery stems
  • Of delicate birch trees, or long grass which hems
  • A little brook. The youth had long been viewing
  • These pleasant things, and heaven was bedewing
  • The mountain flowers, when his glad senses caught
  • A trumpet’s silver voice. Ah! it was fraught
  • With many joys for him: the warder’s ken
  • Had found white coursers prancing in the glen:
  • Friends very dear to him he soon will see;
  • So pushes off his boat most eagerly,
  • And soon upon the lake he skims along,
  • Deaf to the nightingale’s first under-song;
  • Nor minds he the white swans that dream so sweetly:
  • His spirit flies before him so completely.
  • And now he turns a jutting point of land,
  • Whence may be seen the castle gloomy, and grand:
  • Nor will a bee buzz round two swelling peaches,
  • Before the point of his light shallop reaches
  • Those marble steps that through the water dip:
  • Now over them he goes with hasty trip,
  • And scarcely stays to ope the folding doors:
  • Anon he leaps along the oaken floors
  • Of halls and corridors.
  • Delicious sounds! those little bright-eyed things
  • That float about the air on azure wings,
  • Had been less heartfelt by him than the clang
  • Of clattering hoofs; into the court he sprang,
  • Just as two noble steeds, and palfreys twain,
  • Were slanting out their necks with loosened rein;
  • While from beneath the threat’ning portcullis
  • They brought their happy burthens. What a kiss,
  • What gentle squeeze he gave each lady’s hand!
  • How tremblingly their delicate ancles spann’d!
  • Into how sweet a trance his soul was gone,
  • While whisperings of affection
  • Made him delay to let their tender feet
  • Come to the earth; with an incline so sweet
  • From their low palfreys o’er his neck they bent
  • And whether there were tears of languishment,
  • Or that the evening dew had pearl’d their tresses,
  • He feels a moisture on his cheek, and blesses
  • With lips that tremble, and with glistening eye,
  • All the soft luxury
  • That nestled in his arms. A dimpled hand,
  • Fair as some wonder out of fairy land,
  • Hung from his shoulder like the drooping flowers
  • Of whitest cassia, fresh from summer showers:
  • And this he fondled with his happy cheek
  • As if for joy he would no further seek;
  • When the kind voice of good Sir Clerimond
  • Came to his ear, like something from beyond
  • His present being: so he gently drew
  • His warm arms, thrilling now with pulses new,
  • From their sweet thrall, and forward gently bending,
  • Thank’d heaven that his joy was never ending;
  • While ’gainst his forehead he devoutly press’d
  • A hand heaven made to succour the distress’d;
  • A hand that from the world’s bleak promontory
  • Had lifted Calidore for deeds of glory.
  • Amid the pages, and the torches’ glare,
  • There stood a knight, patting the flowing hair
  • Of his proud horse’s mane: he was withal
  • A man of elegance, and stature tall:
  • So that the waving of his plumes would be
  • High as the berries of a wild ash tree,
  • Or as the winged cap of Mercury.
  • His armour was so dexterously wrought
  • In shape, that sure no living man had thought
  • It hard, and heavy steel: but that indeed
  • It was some glorious form, some splendid weed,
  • In which a spirit new come from the skies
  • Might live, and show itself to human eyes.
  • ’Tis the far-fam’d, the brave Sir Gondibert,
  • Said the good man to Calidore alert;
  • While the young warrior with a step of grace
  • Came up, — a courtly smile upon his face,
  • And mailed hand held out, ready to greet
  • The large-eyed wonder, and ambitious heat
  • Of the aspiring boy; who as he led
  • Those smiling ladies, often turned his head
  • To admire the visor arched so gracefully
  • Over a knightly brow; while they went by
  • The lamps that from the high-roof’d hall were pendent,
  • And gave the steel a shining quite transcendent.
  • Soon in a pleasant chamber they are seated;
  • The sweet-lipp’d ladies have already greeted
  • All the green leaves that round the window clamber,
  • To show their purple stars, and bells of amber.
  • Sir Gondibert has doff’d his shining steel,
  • Gladdening in the free, and airy feel
  • Of a light mantle; and while Clerimond
  • Is looking round about him with a fond,
  • And placid eye, young Calidore is burning
  • To hear of knightly deeds, and gallant spurning
  • Of all unworthiness; and how the strong of arm
  • Kept off dismay, and terror, and alarm
  • From lovely woman: while brimful of this,
  • He gave each damsel’s hand so warm a kiss,
  • And had such manly ardour in his eye,
  • That each at other look’d half staringly;
  • And then their features started into smiles
  • Sweet as blue heavens o’er enchanted isles.
  • Softly the breezes from the forest came,
  • Softly they blew aside the taper’s flame;
  • Clear was the song from Philomel’s far bower;
  • Grateful the incense from the lime-tree flower;
  • Mysterious, wild, the far heard trumpet’s tone;
  • Lovely the moon in ether, all alone:
  • Sweet too the converse of these happy mortals,
  • As that of busy spirits when the portals
  • Are closing in the west; or that soft humming
  • We hear around when Hesperus is coming.
  • Sweet be their sleep.
×

Specimen of an Induction to a Poem

  • Lo! I must tell a tale of chivalry;
  • For large white plumes are dancing in mine eye.
  • Not like the formal crest of latter days:
  • But bending in a thousand graceful ways;
  • So graceful, that it seems no mortal hand,
  • Or e’en the touch of Archimago’s wand,
  • Could charm them into such an attitude.
  • We must think rather, that in playful mood,
  • Some mountain breeze had turned its chief delight,
  • To show this wonder of its gentle might.
  • Lo! I must tell a tale of chivalry;
  • For while I muse, the lance points slantingly
  • Athwart the morning air: some lady sweet,
  • Who cannot feel for cold her tender feet,
  • From the worn top of some old battlement
  • Hails it with tears, her stout defender sent:
  • And from her own pure self no joy dissembling,
  • Wraps round her ample robe with happy trembling.
  • Sometimes, when the good knight his rest would take,
  • It is reflected, clearly, in a lake,
  • With the young ashen boughs, ’gainst which it rests,
  • And th’ half seen mossiness of linnets’ nests.
  • Ah! shall I ever tell its cruelty,
  • When the fire flashes from a warrior’s eye,
  • And his tremendous hand is grasping it,
  • And his dark brow for very wrath is knit?
  • Or when his spirit, with more calm intent,
  • Leaps to the honors of a tournament,
  • And makes the gazers round about the ring
  • Stare at the grandeur of the ballancing?
  • No, no! this is far off: — then how shall I
  • Revive the dying tones of minstrelsy,
  • Which linger yet about lone gothic arches,
  • In dark green ivy, and among wild larches?
  • How sing the splendour of the revelries,
  • When butts of wine are drunk off to the lees?
  • And that bright lance, against the fretted wall,
  • Beneath the shade of stately banneral,
  • Is slung with shining cuirass, sword, and shield,
  • Where ye may see a spur in bloody field?
  • Light-footed damsels move with gentle paces
  • Round the wide hall, and show their happy faces;
  • Or stand in courtly talk by fives and sevens:
  • Like those fair stars that twinkle in the heavens.
  • Yet must I tell a tale of chivalry:
  • Or wherefore comes that steed so proudly by?
  • Wherefore more proudly does the gentle knight
  • Rein in the swelling of his ample might?
  • Spenser! thy brows are arched, open, kind,
  • And come like a clear sun-rise to my mind;
  • And always does my heart with pleasure dance,
  • When I think on thy noble countenance:
  • Where never yet was ought more earthly seen
  • Than the pure freshness of thy laurels green.
  • Therefore, great bard, I not so fearfully
  • Call on thy gentle spirit to hover nigh
  • My daring steps: or if thy tender care,
  • Thus startled unaware,
  • Be jealous that the foot of other wight
  • Should madly follow that bright path of light
  • Trac’d by thy lov’d Libertas; he will speak,
  • And tell thee that my prayer is very meek;
  • That I will follow with due reverence,
  • And start with awe at mine own strange pretence.
  • Him thou wilt hear; so I will rest in hope
  • To see wide plains, fair trees and lawny slope:
  • The morn, the eve, the light, the shade, the flowers;
  • Clear streams, smooth lakes, and overlooking towers.
×

Sleep and Poetry

“As I lay in my bed slepe full unmete
Was unto me, but why that I ne might
Rest I ne wist, for there n’as erthly wight
[As I suppose] had more of hertis ese
Than I, for I n’ad sickness nor disese.”

Chaucer

  • What is more gentle than a wind in summer?
  • What is more soothing than the pretty hummer
  • That stays one moment in an open flower,
  • And buzzes cheerily from bower to bower?
  • What is more tranquil than a musk-rose blowing
  • In a green island, far from all men’s knowing?
  • More healthful than the leafiness of dales?
  • More secret than a nest of nightingales?
  • More serene than Cordelia’s countenance?
  • More full of visions than a high romance?
  • What, but thee Sleep? Soft closer of our eyes!
  • Low murmurer of tender lullabies!
  • Light hoverer around our happy pillows!
  • Wreather of poppy buds, and weeping willows!
  • Silent entangler of a beauty’s tresses!
  • Most happy listener! when the morning blesses
  • Thee for enlivening all the cheerful eyes
  • That glance so brightly at the new sun-rise.
  • But what is higher beyond thought than thee?
  • Fresher than berries of a mountain tree?
  • More strange, more beautiful, more smooth, more regal,
  • Than wings of swans, than doves, than dim-seen eagle?
  • What is it? And to what shall I compare it?
  • It has a glory, and nought else can share it:
  • The thought thereof is awful, sweet, and holy,
  • Chacing away all worldliness and folly;
  • Coming sometimes like fearful claps of thunder,
  • Or the low rumblings earth’s regions under;
  • And sometimes like a gentle whispering
  • Of all the secrets of some wond’rous thing
  • That breathes about us in the vacant air;
  • So that we look around with prying stare,
  • Perhaps to see shapes of light, aerial lymning,
  • And catch soft floatings from a faint-heard hymning;
  • To see the laurel wreath, on high suspended,
  • That is to crown our name when life is ended.
  • Sometimes it gives a glory to the voice,
  • And from the heart up-springs, rejoice! rejoice!
  • Sounds which will reach the Framer of all things,
  • And die away in ardent mutterings.
  • No one who once the glorious sun has seen,
  • And all the clouds, and felt his bosom clean
  • For his great Maker’s presence, but must know
  • What ’tis I mean, and feel his being glow:
  • Therefore no insult will I give his spirit,
  • By telling what he sees from native merit.
  • O Poesy! for thee I hold my pen
  • That am not yet a glorious denizen
  • Of thy wide heaven—Should I rather kneel
  • Upon some mountain-top until I feel
  • A glowing splendour round about me hung,
  • And echo back the voice of thine own tongue?
  • O Poesy! for thee I grasp my pen
  • That am not yet a glorious denizen
  • Of thy wide heaven; yet, to my ardent prayer,
  • Yield from thy sanctuary some clear air,
  • Smoothed for intoxication by the breath
  • Of flowering bays, that I may die a death
  • Of luxury, and my young spirit follow
  • The morning sun-beams to the great Apollo
  • Like a fresh sacrifice; or, if I can bear
  • The o’erwhelming sweets, ’twill bring to me the fair
  • Visions of all places: a bowery nook
  • Will be elysium—an eternal book
  • Whence I may copy many a lovely saying
  • About the leaves, and flowers—about the playing
  • Of nymphs in woods, and fountains; and the shade
  • Keeping a silence round a sleeping maid;
  • And many a verse from so strange influence
  • That we must ever wonder how, and whence
  • It came. Also imaginings will hover
  • Round my fire-side, and haply there discover
  • Vistas of solemn beauty, where I’d wander
  • In happy silence, like the clear meander
  • Through its lone vales; and where I found a spot
  • Of awfuller shade, or an enchanted grot,
  • Or a green hill o’erspread with chequered dress
  • Of flowers, and fearful from its loveliness,
  • Write on my tablets all that was permitted,
  • All that was for our human senses fitted.
  • Then the events of this wide world I’d seize
  • Like a strong giant, and my spirit teaze
  • Till at its shoulders it should proudly see
  • Wings to find out an immortality.
  • Stop and consider! life is but a day;
  • A fragile dew-drop on its perilous way
  • From a tree’s summit; a poor Indian’s sleep
  • While his boat hastens to the monstrous steep
  • Of Montmorenci. Why so sad a moan?
  • Life is the rose’s hope while yet unblown;
  • The reading of an ever-changing tale;
  • The light uplifting of a maiden’s veil;
  • A pigeon tumbling in clear summer air;
  • A laughing school-boy, without grief or care,
  • Riding the springy branches of an elm.
  • O for ten years, that I may overwhelm
  • Myself in poesy; so I may do the deed
  • That my own soul has to itself decreed.
  • Then will I pass the countries that I see
  • In long perspective, and continually
  • Taste their pure fountains. First the realm I’ll pass
  • Of Flora, and old Pan: sleep in the grass,
  • Feed upon apples red, and strawberries,
  • And choose each pleasure that my fancy sees;
  • Catch the white-handed nymphs in shady places,
  • To woo sweet kisses from averted faces,—
  • Play with their fingers, touch their shoulders white
  • Into a pretty shrinking with a bite
  • As hard as lips can make it: till agreed,
  • A lovely tale of human life we’ll read.
  • And one will teach a tame dove how it best
  • May fan the cool air gently o’er my rest;
  • Another, bending o’er her nimble tread,
  • Will set a green robe floating round her head,
  • And still will dance with ever varied ease,
  • Smiling upon the flowers and the trees:
  • Another will entice me on, and on
  • Through almond blossoms and rich cinnamon;
  • Till in the bosom of a leafy world
  • We rest in silence, like two gems upcurl’d
  • In the recesses of a pearly shell.
  • And can I ever bid these joys farewell?
  • Yes, I must pass them for a nobler life,
  • Where I may find the agonies, the strife
  • Of human hearts: for lo! I see afar,
  • O’er sailing the blue cragginess, a car
  • And steeds with streamy manes — the charioteer
  • Looks out upon the winds with glorious fear:
  • And now the numerous tramplings quiver lightly
  • Along a huge cloud’s ridge; and now with sprightly
  • Wheel downward come they into fresher skies,
  • Tipt round with silver from the sun’s bright eyes.
  • Still downward with capacious whirl they glide;
  • And now I see them on a green-hill’s side
  • In breezy rest among the nodding stalks.
  • The charioteer with wond’rous gesture talks
  • To the trees and mountains; and there soon appear
  • Shapes of delight, of mystery, and fear,
  • Passing along before a dusky space
  • Made by some mighty oaks: as they would chase
  • Some ever-fleeting music on they sweep.
  • Lo! how they murmur, laugh, and smile, and weep:
  • Some with upholden hand and mouth severe;
  • Some with their faces muffled to the ear
  • Between their arms; some, clear in youthful bloom,
  • Go glad and smilingly athwart the gloom;
  • Some looking back, and some with upward gaze;
  • Yes, thousands in a thousand different ways
  • Flit onward—now a lovely wreath of girls
  • Dancing their sleek hair into tangled curls;
  • And now broad wings. Most awfully intent
  • The driver of those steeds is forward bent,
  • And seems to listen: O that I might know
  • All that he writes with such a hurrying glow.
  • The visions all are fled—the car is fled
  • Into the light of heaven, and in their stead
  • A sense of real things comes doubly strong,
  • And, like a muddy stream, would bear along
  • My soul to nothingness: but I will strive
  • Against all doubtings, and will keep alive
  • The thought of that same chariot, and the strange
  • Journey it went.
  • Is there so small a range
  • In the present strength of manhood, that the high
  • Imagination cannot freely fly
  • As she was wont of old? prepare her steeds,
  • Paw up against the light, and do strange deeds
  • Upon the clouds? Has she not shewn us all?
  • From the clear space of ether, to the small
  • Breath of new buds unfolding? From the meaning
  • Of Jove’s large eye-brow, to the tender greening
  • Of April meadows? Here her altar shone,
  • E’en in this isle; and who could paragon
  • The fervid choir that lifted up a noise
  • Of harmony, to where it aye will poise
  • Its mighty self of convoluting sound,
  • Huge as a planet, and like that roll round,
  • Eternally around a dizzy void?
  • Ay, in those days the Muses were nigh cloy’d
  • With honors; nor had any other care
  • Than to sing out and sooth their wavy hair.
  • Could all this be forgotten? Yes, a schism
  • Nurtured by foppery and barbarism,
  • Made great Apollo blush for this his land.
  • Men were thought wise who could not understand
  • His glories: with a puling infant’s force
  • They sway’d about upon a rocking horse,
  • And thought it Pegasus. Ah dismal soul’d!
  • The winds of heaven blew, the ocean roll’d
  • Its gathering waves—ye felt it not. The blue
  • Bared its eternal bosom, and the dew
  • Of summer nights collected still to make
  • The morning precious: beauty was awake!
  • Why were ye not awake? But ye were dead
  • To things ye knew not of,—were closely wed
  • To musty laws lined out with wretched rule
  • And compass vile: so that ye taught a school
  • Of dolts to smooth, inlay, and clip, and fit,
  • Till, like the certain wands of Jacob’s wit,
  • Their verses tallied. Easy was the task:
  • A thousand handicraftsmen wore the mask
  • Of Poesy. Ill-fated, impious race!
  • That blasphemed the bright Lyrist to his face,
  • And did not know it,—no, they went about,
  • Holding a poor, decrepid standard out
  • Mark’d with most flimsy mottos, and in large
  • The name of one Boileau!
  • O ye whose charge
  • It is to hover round our pleasant hills!
  • Whose congregated majesty so fills
  • My boundly reverence, that I cannot trace
  • Your hallowed names, in this unholy place,
  • So near those common folk; did not their shames
  • Affright you? Did our old lamenting Thames
  • Delight you? Did ye never cluster round
  • Delicious Avon, with a mournful sound,
  • And weep? Or did ye wholly bid adieu
  • To regions where no more the laurel grew?
  • Or did ye stay to give a welcoming
  • To some lone spirits who could proudly sing
  • Their youth away, and die? ‘Twas even so:
  • But let me think away those times of woe:
  • Now ’tis a fairer season; ye have breathed
  • Rich benedictions o’er us; ye have wreathed
  • Fresh garlands: for sweet music has been heard
  • In many places;—some has been upstirr’d
  • From out its crystal dwelling in a lake,
  • By a swan’s ebon bill; from a thick brake,
  • Nested and quiet in a valley mild,
  • Bubbles a pipe; fine sounds are floating wild
  • About the earth: happy are ye and glad.
  • These things are doubtless: yet in truth we’ve had
  • Strange thunders from the potency of song;
  • Mingled indeed with what is sweet and strong,
  • From majesty: but in clear truth the themes
  • Are ugly clubs, the Poets Polyphemes
  • Disturbing the grand sea. A drainless shower
  • Of light is poesy; ’tis the supreme of power;
  • ’Tis might half slumb’ring on its own right arm.
  • The very archings of her eye-lids charm
  • A thousand willing agents to obey,
  • And still she governs with the mildest sway:
  • But strength alone though of the Muses born
  • Is like a fallen angel: trees uptorn,
  • Darkness, and worms, and shrouds, and sepulchres
  • Delight it; for it feeds upon the burrs,
  • And thorns of life; forgetting the great end
  • Of poesy, that it should be a friend
  • To sooth the cares, and lift the thoughts of man.
  • Yet I rejoice: a myrtle fairer than
  • E’er grew in Paphos, from the bitter weeds
  • Lifts its sweet head into the air, and feeds
  • A silent space with ever sprouting green.
  • All tenderest birds there find a pleasant screen,
  • Creep through the shade with jaunty fluttering,
  • Nibble the little cupped flowers and sing.
  • Then let us clear away the choaking thorns
  • From round its gentle stem; let the young fawns,
  • Yeaned in after times, when we are flown,
  • Find a fresh sward beneath it, overgrown
  • With simple flowers: let there nothing be
  • More boisterous than a lover’s bended knee;
  • Nought more ungentle than the placid look
  • Of one who leans upon a closed book;
  • Nought more untranquil than the grassy slopes
  • Between two hills. All hail delightful hopes!
  • As she was wont, th’ imagination
  • Into most lovely labyrinths will be gone,
  • And they shall be accounted poet kings
  • Who simply tell the most heart-easing things.
  • O may these joys be ripe before I die.
  • Will not some say that I presumptuously
  • Have spoken? that from hastening disgrace
  • ’Twere better far to hide my foolish face?
  • That whining boyhood should with reverence bow
  • Ere the dread thunderbolt could reach? How!
  • If I do hide myself, it sure shall be
  • In the very fane, the light of Poesy:
  • If I do fall, at least I will be laid
  • Beneath the silence of a poplar shade;
  • And over me the grass shall be smooth shaven;
  • And there shall be a kind memorial graven.
  • But off Despondence! miserable bane!
  • They should not know thee, who athirst to gain
  • A noble end, are thirsty every hour.
  • What though I am not wealthy in the dower
  • Of spanning wisdom; though I do not know
  • The shiftings of the mighty winds that blow
  • Hither and thither all the changing thoughts
  • Of man: though no great minist’ring reason sorts
  • Out the dark mysteries of human souls
  • To clear conceiving: yet there ever rolls
  • A vast idea before me, and I glean
  • Therefrom my liberty; thence too I’ve seen
  • The end and aim of Poesy. ’Tis clear
  • As any thing most true; as that the year
  • Is made of the four seasons—manifest
  • As a large cross, some old cathedral’s crest,
  • Lifted to the white clouds. Therefore should I
  • Be but the essence of deformity,
  • A coward, did my very eye-lids wink
  • At speaking out what I have dared to think.
  • Ah! rather let me like a madman run
  • Over some precipice; let the hot sun
  • Melt my Dedalian wings, and drive me down
  • Convuls’d and headlong! Stay! an inward frown
  • Of conscience bids me be more calm awhile.
  • An ocean dim, sprinkled with many an isle,
  • Spreads awfully before me. How much toil!
  • How many days! what desperate turmoil!
  • Ere I can have explored its widenesses.
  • Ah, what a task! upon my bended knees,
  • I could unsay those—no, impossible!
  • Impossible!
  • For sweet relief I’ll dwell
  • On humbler thoughts, and let this strange assay
  • Begun in gentleness die so away.
  • E’en now all tumult from my bosom fades:
  • I turn full hearted to the friendly aids
  • That smooth the path of honour; brotherhood,
  • And friendliness the nurse of mutual good.
  • The hearty grasp that sends a pleasant sonnet
  • Into the brain ere one can think upon it;
  • The silence when some rhymes are coming out;
  • And when they’re come, the very pleasant rout:
  • The message certain to be done to-morrow.
  • ’Tis perhaps as well that it should be to borrow
  • Some precious book from out its snug retreat,
  • To cluster round it when we next shall meet.
  • Scarce can I scribble on; for lovely airs
  • Are fluttering round the room like doves in pairs;
  • Many delights of that glad day recalling,
  • When first my senses caught their tender falling.
  • And with these airs come forms of elegance
  • Stooping their shoulders o’er a horse’s prance,
  • Careless, and grand — fingers soft and round
  • Parting luxuriant curls; — and the swift bound
  • Of Bacchus from his chariot, when his eye
  • Made Ariadne’s cheek look blushingly.
  • Thus I remember all the pleasant flow
  • Of words at opening a portfolio.
  • Things such as these are ever harbingers
  • To trains of peaceful images: the stirs
  • Of a swan’s neck unseen among the rushes:
  • A linnet starting all about the bushes:
  • A butterfly, with golden wings broad parted,
  • Nestling a rose, convuls’d as though it smarted
  • With over pleasure — many, many more,
  • Might I indulge at large in all my store
  • Of luxuries: yet I must not forget
  • Sleep, quiet with his poppy coronet:
  • For what there may be worthy in these rhymes
  • I partly owe to him: and thus, the chimes
  • Of friendly voices had just given place
  • To as sweet a silence, when I ’gan retrace
  • The pleasant day, upon a couch at ease.
  • It was a poet’s house who keeps the keys
  • Of pleasure’s temple. Round about were hung
  • The glorious features of the bards who sung
  • In other ages—cold and sacred busts
  • Smiled at each other. Happy he who trusts
  • To clear Futurity his darling fame!
  • Then there were fauns and satyrs taking aim
  • At swelling apples with a frisky leap
  • And reaching fingers, ’mid a luscious heap
  • Of vine leaves. Then there rose to view a fane
  • Of liny marble, and thereto a train
  • Of nymphs approaching fairly o’er the sward:
  • One, loveliest, holding her white hand toward
  • The dazzling sun-rise: two sisters sweet
  • Bending their graceful figures till they meet
  • Over the trippings of a little child:
  • And some are hearing, eagerly, the wild
  • Thrilling liquidity of dewy piping.
  • See, in another picture, nymphs are wiping
  • Cherishingly Diana’s timorous limbs;—
  • A fold of lawny mantle dabbling swims
  • At the bath’s edge, and keeps a gentle motion
  • With the subsiding crystal: as when ocean
  • Heaves calmly its broad swelling smoothness o’er
  • Its rocky marge, and balances once more
  • The patient weeds; that now unshent by foam
  • Feel all about their undulating home.
  • Sappho’s meek head was there half smiling down
  • At nothing; just as though the earnest frown
  • Of over thinking had that moment gone
  • From off her brow, and left her all alone.
  • Great Alfred’s too, with anxious, pitying eyes,
  • As if he always listened to the sighs
  • Of the goaded world; and Kosciusko’s worn
  • By horrid suffrance—mightily forlorn.
  • Petrarch, outstepping from the shady green,
  • Starts at the sight of Laura; nor can wean
  • His eyes from her sweet face. Most happy they!
  • For over them was seen a free display
  • Of out-spread wings, and from between them shone
  • The face of Poesy: from off her throne
  • She overlook’d things that I scarce could tell.
  • The very sense of where I was might well
  • Keep Sleep aloof: but more than that there came
  • Thought after thought to nourish up the flame
  • Within my breast; so that the morning light
  • Surprised me even from a sleepless night;
  • And up I rose refresh’d, and glad, and gay,
  • Resolving to begin that very day
  • These lines; and howsoever they be done,
  • I leave them as a father does his son.
×

Lines on Seeing a Lock of Milton’s Hair
Ode.

  • Chief of organic Numbers! 
  • Old Scholar of the Spheres! 
  • Thy spirit never slumbers, 
  • But rolls about our ears 
  • For ever and for ever: 
  • O, what a mad endeavour 
  • Worketh he, 
  • Who, to thy sacred and ennobled hearse, 
  • Would offer a burnt sacrifice of verse 
  • And melody!
  • How heavenward thou soundedst 
  • Live Temple of sweet noise; 
  • And discord unconfoundedst: 
  • Giving delight new joys, 
  • And pleasure nobler pinions— 
  • O, where are thy dominions! 
  • Lend thine ear 
  • To a young Delian oath,—aye, by thy soul, 
  • By all that from thy mortal lips did roll; 
  • And by the kernel of thine earthly love, 
  • Beauty, in things on earth and things above; 
  • When every childish fashion 
  • Has vanish’d from my rhyme, 
  • Will I, grey-gone in passion, 
  • Leave to an after-time 
  • Hymning and harmony 
  • Of thee, and of thy works, and of thy life; 
  • But vain is now the burning, and the strife, 
  • Pangs are in vain—until I grow high-rife 
  • With old philosophy 
  • And mad with glimpses at futurity! 
  • For many years my offerings must be hush’d. 
  • When I do speak I’ll think upon this hour, 
  • Because I feel my forehead hot and flush’d— 
  • Even at the simplest vassal of thy power,— 
  • A lock of thy bright hair— 
  • Sudden it came, 
  • And I was startled when I caught thy name 
  • Coupled so unaware; 
  • Yet, at the moment, temperate was my blood,— 
  • Methought I had beheld it from the Flood.
×

On Sitting Down to Read King Lear Once Again

  • O golden-tongued Romance, with serene lute!
  • Fair plumed Siren! Queen of far-away!
  • Leave melodizing on this wintry day,
  • Shut up thine olden pages, and be mute:
  • Adieu! for, once again, the fierce dispute,
  • Betwixt damnation and impassion’d clay
  • Must I burn through; once more humbly assay
  • The bitter-sweet of this Shakespearian fruit.
  • Chief Poet! and ye clouds of Albion,
  • Begetters of our deep eternal theme!
  • When through the old oak forest I am gone,
  • Let me not wander in a barren dream:
  • But when I am consumed in the fire,
  • Give me new Phoenix wings to fly at my desire.
×

Lines on the Mermaid Tavern

  • Souls of poets dead and gone,
  • What elysium have ye known,
  • Happy field or mossy cavern,
  • Choicer than the Mermaid Tavern?
  • Have ye tippled drink more fine
  • Than mine host’s Canary wine?
  • Or are fruits of Paradise
  • Sweeter than those dainty pies
  • Of venison? O generous food!
  • Drest as though bold Robin Hood
  • Sup and bowse from horn and can.
  • I have heard that on a day
  • Mine host’s sign-board flew away,
  • Nobody knew whither, till
  • An astrologer’s old quill
  • To a sheepskin gave the story,
  • Said he saw you in your glory,
  • Underneath a new-old sign
  • Sipping beverage divine,
  • And pledging with contented smack
  • The Mermaid in the zodiac.
  • Souls of poets dead and gone,
  • What elysium have ye known,
  • Happy field or mossy cavern,
  • Choicer than the Mermaid Tavern?
  • Welcome joy, and welcome sorrow,
  • Lethe’s weed and Hermes’ feather;
  • Come to-day, and come to-morrow,
  • I do love you both together!
  • I love to mark sad faces in fair weather;
  • And hear a merry laugh amid the thunder;
  • Fair and foul I love together.
  • Meadows sweet where flames burn under,
  • And a giggle at a wonder;
  • Visage sage at pantomime;
  • Funeral, and steeple-chime;
  • Infant playing with a skull;
  • Morning fair, and stormwreck’d hull;
  • Nightshade with the woodbine kissing;
  • Serpents in red roses hissing;
  • Cleopatra regal-dress’d
  • With the aspic at her breast;
  • Dancing music, music sad,
  • Both together, sane and mad;
  • Muses bright and Muses pale;
  • Sombre Saturn, Momus hale; —
  • Laugh and sigh, and laugh again;
  • Oh the sweetness of the pain!
  • Muses bright, and Muses pale,
  • Bare your faces of the veil;
  • Let me see; and let me write
  • Of the day, and of the night —
  • Both together — let me slake
  • All my thirst for sweet heart-ache!
  • Let my bower be of yew,
  • Interwreath’d with myrtles new;
  • Pines and lime-trees full in bloom,
  • And my couch a low grass tomb.
×

Hyperion: A Fragment. BOOK I

  • Deep in the shady sadness of a vale
  • Far sunken from the healthy breath of morn,
  • Far from the fiery noon, and eve’s one star,
  • Sat gray-hair’d Saturn, quiet as a stone,
  • Still as the silence round about his lair;
  • Forest on forest hung above his head
  • Like cloud on cloud. No stir of air was there,
  • Not so much life as on a summer’s day
  • Robs not one light seed from the feather’d grass,
  • But where the dead leaf fell, there did it rest.
  • A stream went voiceless by, still deadened more
  • By reason of his fallen divinity
  • Spreading a shade the Naiad ’mid her reeds
  • Press’d her cold finger closer to her lips.
  • Along the margin-sand large foot-marks went,
  • No further than to where his feet had stray’d,
  • And slept there since. Upon the sodden ground
  • His old right hand lay nerveless, listless, dead,
  • Unsceptred; and his realmless eyes were closed;
  • While his bow’d head seem’d list’ning to the Earth,
  • His ancient mother, for some comfort yet.
  • It seem’d no force could wake him from his place;
  • But there came one, who with a kindred hand
  • Touch’d his wide shoulders, after bending low
  • With reverence, though to one who knew it not.
  • She was a Goddess of the infant world;
  • By her in stature the tall Amazon
  • Had stood a pigmy’s height she would have ta’en
  • Achilles by the hair and bent his neck;
  • Or with a finger stay’d Ixion’s wheel.
  • Her face was large as that of Memphian sphinx,
  • Pedestal’d haply in a palace court,
  • When sages look’d to Egypt for their lore.
  • But oh! how unlike marble was that face
  • How Beautiful, if sorrow had not made
  • Sorrow more beautiful than beauty’s self.
  • There was a listening fear in her regard,
  • As if calamity had but begun;
  • As if the vanward clouds of evil days
  • Had spent their malice, and the sullen rear
  • Was with its stored thunder labouring up.
  • One hand she press’d upon that aching spot
  • Where beats the human heart, as if just there,
  • Though an immortal, she felt cruel pain
  • The other upon Saturn’s bended neck
  • She laid, and to the level of his ear
  • Leaning with parted lips, some words she spake
  • In solemn tenour and deep organ tone
  • Some mourning words, which in our feeble tongue
  • Would come in these like accents; O how frail
  • To that large utterance of the early Gods!
  • “Saturn, look up! — though wherefore, poor old King?
  • I have no comfort for thee, no not one
  • I cannot say, “ O wherefore sleepest thou?”
  • For heaven is parted from thee, and the earth
  • Knows thee not, thus afflicted, for a God;
  • And ocean too, with all its solemn noise,
  • Has from thy sceptre pass’d; and all the air
  • Is emptied of thine hoary majesty.
  • Thy thunder, conscious of the new command,
  • Rumbles reluctant o’er our fallen house;
  • And thy sharp lightning in unpractised hands
  • Scorches and burns our once serene domain.
  • O aching time! O moments big as years!
  • All as ye pass swell out the monstrous truth,
  • And press it so upon our weary griefs
  • That unbelief has not a space to breathe.
  • Saturn, sleep on:—O thoughtless, why did I
  • Thus violate thy slumbrous solitude?
  • Why should I ope thy melancholy eyes?
  • Saturn, sleep on! while at thy feet I weep.”
  • As when, upon a tranced summer-night,
  • Those green-rob’d senators of mighty woods,
  • Tall oaks, branch-charmed by the earnest stars,
  • Dream, and so dream all night without a stir,
  • Save from one gradual solitary gust
  • Which comes upon the silence, and dies off,
  • As if the ebbing air had but one wave;
  • So came these words and went; the while in tears
  • She touch’d her fair large forehead to the ground,
  • Just where her falling hair might be outspread,
  • A soft and silken mat for Saturn’s feet.
  • One moon, with alteration slow, had shed
  • Her silver seasons four upon the night,
  • And still these two were postured motionless,
  • Like natural sculpture in cathedral cavern;
  • The frozen God still couchant on the earth,
  • And the sad Goddess weeping at his feet:
  • Until at length old Saturn lifted up
  • His faded eyes, and saw his kingdom gone,
  • And all the gloom and sorrow of the place,
  • And that fair kneeling Goddess: and then spake,
  • As with a palsied tongue, and while his beard
  • Shook horrid with such aspen-malady:
  • “O tender spouse of gold Hyperion,
  • Thea, I feel thee ere I see thy face;
  • Look up, and let me see our doom in it;
  • Look up, and tell me if this feeble shape,
  • Is Saturn’s; tell me, if thou hear’st the voice
  • Of Saturn; tell me, if this wrinkling brow,
  • Naked and bare of its great diadem,
  • Peers like the front of Saturn. Who had power
  • To make me desolate? whence came the strength?
  • How was it nurtur’d to such bursting forth,
  • While Fate seem’d strangled in my nervous grasp?
  • But it is so; and I am smother’d up,
  • And buried from all godlike exercise
  • Of influence benign on planets pale,
  • Of admonitions to the winds and seas,
  • Of peaceful sway above man’s harvesting,
  • And all those acts which Deity supreme
  • Doth ease its heart of love in.—I am gone
  • Away from my own bosom: I have left
  • My strong identity, my real self,
  • Somewhere between the throne, and where I sit
  • Here on this spot of earth. Search, Thea, search!
  • Open thine eyes eterne, and sphere them round
  • Upon all space: space starr’d, and lorn of light;
  • Space region’d with life-air; and barren void;
  • Spaces of fire, and all the yawn of hell.—
  • Search, Thea, search! and tell me, if thou seest
  • A certain shape or shadow, making way
  • With wings or chariot fierce to repossess
  • A heaven he lost erewhile: it must — it must
  • Be of ripe progress — Saturn must be King.
  • Yes, there must be a golden victory;
  • There must be Gods thrown down, and trumpets blown
  • Of triumph calm, and hymns of festival
  • Upon the gold clouds metropolitan,
  • Voices of soft proclaim, and silver stir
  • Of strings in hollow shells; and there shall be
  • Beautiful things made new, for the surprise
  • Of the sky-children; I will give command:
  • Thea! Thea! Thea! where is Saturn?”
  • This passion lifted him upon his feet,
  • And made his hands to struggle in the air,
  • His Druid locks to shake and ooze with sweat,
  • His eyes to fever out, his voice to cease.
  • He stood, and heard not Thea’s sobbing deep;
  • A little time, and then again he snatch’d
  • Utterance thus. — “But cannot I create?
  • Cannot I form? Cannot I fashion forth
  • Another world, another universe,
  • To overbear and crumble this to nought?
  • Where is another Chaos? Where?”—That word
  • Found way unto Olympus, and made quake
  • The rebel three.—Thea was startled up,
  • And in her bearing was a sort of hope,
  • As thus she quick-voic’d spake, yet full of awe.
  • “This cheers our fallen house: come to our friends,
  • O Saturn! come away, and give them heart;
  • I know the covert, for thence came I hither.”
  • Thus brief: then with beseeching eyes she went
  • With backward footing through the shade a space:
  • He follow’d, and she turn’d to lead the way
  • Through aged boughs, that yielded like the mist
  • Which eagles cleave upmounting from their nest.
  • Meanwhile in other realms big tears were shed,
  • More sorrow like to this, and such like woe,
  • Too huge for mortal tongue or pen of scribe:
  • The Titans fierce, self-hid, or prison-bound,
  • Groan’d for the old allegiance once more,
  • And listen’d in sharp pain for Saturn’s voice.
  • But one of the whole mammoth-brood still kept
  • His sov’reignty, and rule, and majesty;—
  • Blazing Hyperion on his orbed fire
  • Still sat, still snuff’d the incense, teeming up
  • From man to the sun’s God; yet unsecure:
  • For as among us mortals omens drear
  • Fright and perplex, so also shuddered he—
  • Not at dog’s howl, or gloom-bird’s hated screech,
  • Or the familiar visiting of one
  • Upon the first toll of his passing-bell,
  • Or prophesyings of the midnight lamp;
  • But horrors, portion’d to a giant nerve,
  • Oft made Hyperion ache. His palace bright,
  • Bastion’d with pyramids of glowing gold,
  • And touch’d with shade of bronzed obelisks,
  • Glar’d a blood-red through all its thousand courts,
  • Arches, and domes, and fiery galleries;
  • And all its curtains of Aurorian clouds
  • Flush’d angerly: while sometimes eagle’s wings,
  • Unseen before by Gods or wondering men,
  • Darken’d the place; and neighing steeds were heard,
  • Not heard before by Gods or wondering men.
  • Also, when he would taste the spicy wreaths
  • Of incense, breath’d aloft from sacred hills,
  • Instead of sweets, his ample palate took
  • Savour of poisonous brass and metal sick:
  • And so, when harbour’d in the sleepy west,
  • After the full completion of fair day,—
  • For rest divine upon exalted couch
  • And slumber in the arms of melody,
  • He pac’d away the pleasant hours of ease
  • With stride colossal, on from hall to hall;
  • While far within each aisle and deep recess,
  • His winged minions in close clusters stood,
  • Amaz’d and full of fear; like anxious men
  • Who on wide plains gather in panting troops,
  • When earthquakes jar their battlements and towers.
  • Even now, while Saturn, rous’d from icy trance,
  • Went step for step with Thea through the woods,
  • Hyperion, leaving twilight in the rear,
  • Came slope upon the threshold of the west;
  • Then, as was wont, his palace-door flew ope
  • In smoothest silence, save what solemn tubes,
  • Blown by the serious Zephyrs, gave of sweet
  • And wandering sounds, slow-breathed melodies;
  • And like a rose in vermeil tint and shape,
  • In fragrance soft, and coolness to the eye,
  • That inlet to severe magnificence
  • Stood full blown, for the God to enter in.
  • He enter’d, but he enter’d full of wrath;
  • His flaming robes stream’d out beyond his heels,
  • And gave a roar, as if of earthly fire,
  • That scar’d away the meek ethereal Hours
  • And made their dove-wings tremble. On he flared,
  • From stately nave to nave, from vault to vault,
  • Through bowers of fragrant and enwreathed light,
  • And diamond-paved lustrous long arcades,
  • Until he reach’d the great main cupola;
  • There standing fierce beneath, he stampt his foot,
  • And from the basements deep to the high towers
  • Jarr’d his own golden region; and before
  • The quavering thunder thereupon had ceas’d,
  • His voice leapt out, despite of godlike curb,
  • To this result: “O dreams of day and night!
  • O monstrous forms! O effigies of pain!
  • O spectres busy in a cold, cold gloom!
  • O lank-eared Phantoms of black-weeded pools!
  • Why do I know ye? why have I seen ye? why
  • Is my eternal essence thus distraught
  • To see and to behold these horrors new?
  • Saturn is fallen, am I too to fall?
  • Am I to leave this haven of my rest,
  • This cradle of my glory, this soft clime,
  • This calm luxuriance of blissful light,
  • These crystalline pavillions, and pure fanes,
  • Of all my lucent empire? It is left
  • Deserted, void, nor any haunt of mine.
  • The blaze, the splendor, and the symmetry,
  • I cannot see—but darkness, death and darkness.
  • Even here, into my centre of repose,
  • The shady visions come to domineer,
  • Insult, and blind, and stifle up my pomp.—
  • Fall!— No, by Tellus and her briny robes!
  • Over the fiery frontier of my realms
  • I will advance a terrible right arm
  • Shall scare that infant thunderer, rebel Jove,
  • And bid old Saturn take his throne again.”—
  • He spake, and ceas’d, the while a heavier threat
  • Held struggle with his throat but came not forth;
  • For as in theatres of crowded men
  • Hubbub increases more they call out “Hush!”
  • So at Hyperion’s words the Phantoms pale
  • Bestirr’d themselves, thrice horrible and cold;
  • And from the mirror’d level where he stood
  • A mist arose, as from a scummy marsh.
  • At this, through all his bulk an agony
  • Crept gradual, from the feet unto the crown,
  • Like a lithe serpent vast and muscular
  • Making slow way, with head and neck convuls’d
  • From over-strained might. Releas’d, he fled
  • To the eastern gates, and full six dewy hours
  • Before the dawn in season due should blush,
  • He breath’d fierce breath against the sleepy portals,
  • Clear’d them of heavy vapours, burst them wide
  • Suddenly on the ocean’s chilly streams.
  • The planet orb of fire, whereon he rode
  • Each day from east to west the heavens through,
  • Spun round in sable curtaining of clouds;
  • Not therefore veiled quite, blindfold, and hid,
  • But ever and anon the glancing spheres,
  • Circles, and arcs, and broad-belting colure,
  • Glow’d through, and wrought upon the muffling dark
  • Sweet-shaped lightnings from the nadir deep
  • Up to the zenith,— hieroglyphics old,
  • Which sages and keen-eyed astrologers
  • Won from the gaze of many centuries:
  • Now lost, save what we find on remnants huge
  • Of stone, or marble swart; their import gone,
  • Their wisdom long since fled.— Two wings this orb
  • Possess’d for glory, two fair argent wings,
  • Ever exalted at the God’s approach:
  • And now, from forth the gloom their plumes immense,
  • Rose, one by one, till all outspreaded were;
  • While still the dazzling globe maintain’d eclipse,
  • Awaiting for Hyperion’s command.
  • Fain would he have commanded, fain took throne
  • And bid the day begin, if but for change.
  • He might not:— No, though a primeval God:
  • The sacred seasons might not be disturb’d.
  • Therefore the operations of the dawn
  • Stay’d in their birth, even as here ’tis told.
  • Those silver wings expanded sisterly,
  • Eager to sail their orb; the porches wide
  • Open’d upon the dusk demesnes of night;
  • And the bright Titan, phrenzied with new woes,
  • Unus’d to bend, by hard compulsion bent
  • His spirit to the sorrow of the time;
  • And all along a dismal rack of clouds,
  • Upon the boundaries of day and night,
  • He stretch’d himself in grief and radiance faint.
  • There as he lay, the heaven with its stars
  • Look’d down on him with pity, and the voice
  • Of Coelus, from the universal space,
  • Thus whisper’d low and solemn in his ear.
  • “O brightest of my children dear, earth-born
  • And sky-engendered, Son of Mysteries
  • All unrevealed even to the powers
  • Which met at thy creating; at whose joys
  • And palpitations sweet, and pleasures soft,
  • I, Coelus, wonder, how they came and whence;
  • And at the fruits thereof what shapes they be,
  • Distinct, and visible; symbols divine,
  • Manifestations of that beauteous life
  • Diffus’d unseen throughout eternal space:
  • Of these new-form’d art thou, oh brightest child!
  • Of these, thy brethren and the Goddesses!
  • There is sad feud among ye, and rebellion
  • Of son against his sire. I saw him fall,
  • I saw my first-born tumbled from his throne!
  • To me his arms were spread, to me his voice
  • Found way from forth the thunders round his head!
  • Pale wox I, and in vapours hid my face.
  • Art thou, too, near such doom? vague fear there is:
  • For I have seen my sons most unlike Gods.
  • Divine ye were created, and divine
  • In sad demeanour, solemn, undisturb’d,
  • Unruffled, like high Gods, ye liv’d and ruled:
  • Now I behold in you fear, hope, and wrath;
  • Actions of rage and passion; even as
  • I see them, on the mortal world beneath,
  • In men who die.— This is the grief, O Son!
  • Sad sign of ruin, sudden dismay, and fall!
  • Yet do thou strive; as thou art capable,
  • As thou canst move about, an evident God;
  • And canst oppose to each malignant hour
  • Ethereal presence:—I am but a voice;
  • My life is but the life of winds and tides,
  • No more than winds and tides can I avail:—
  • But thou canst.— Be thou therefore in the van
  • Of circumstance; yea, seize the arrow’s barb
  • Before the tense string murmur.— To the earth!
  • For there thou wilt find Saturn, and his woes.
  • Meantime I will keep watch on thy bright sun,
  • And of thy seasons be a careful nurse.”—
  • Ere half this region-whisper had come down,
  • Hyperion arose, and on the stars
  • Lifted his curved lids, and kept them wide
  • Until it ceas’d; and still he kept them wide:
  • And still they were the same bright, patient stars.
  • Then with a slow incline of his broad breast.
  • Like to a diver in the pearly seas,
  • Forward he stoop’d over the airy shore,
  • And plung’d all noiseless into the deep night.
×

When I have fears that I may cease to be

  • When I have fears that I may cease to be
  • Before my pen has glean’d my teeming brain,
  • Before high-piled books, in charact’ry,
  • Hold like rich garners the full-ripen’d grain;
  • When I behold, upon the night’s starr’d face,
  • Huge cloudy symbols of a high romance,
  • And think that I may never live to trace
  • Their shadows, with the magic hand of chance;
  • And when I feel, fair creature of an hour,
  • That I shall never look upon thee more,
  • Never have relish in the faery power
  • Of unreflecting love; — then on the shore
  • Of the wide world I stand alone, and think
  • Till love and fame to nothingness do sink.
×

O blush not so! O blush not so

  • 1
  • O blush not so! O blush not so!
  • Or I shall think ye knowing;
  • And if you smile the blushing while,
  • Then maidenheads are going.
  • 2
  • There’s a blush for won’t, and a blush for shan’t,
  • And a blush for having done it;
  • There’s a blush for thought, and a blush for nought,
  • And a blush for just begun it.
  • 3
  • O say not so! O say not so!
  • For it sounds of Eve’s sweet pippin;
  • By these loosen’d hips, you have tasted the pips,
  • And fought in an amorous nipping.
  • 4
  • Will you play once more, at nice-cut-core,
  • For it only will last our youth out;
  • And we have the prime of our kissing time,
  • We have not one sweet tooth out.
  • 5
  • There’s a sigh for aye, and a sigh for nay,
  • And a sigh for I can’t bear it!
  • O what can be done? Shall we stay or run?
  • O cut the sweet apple and share it!
×

Hence burgundy, claret, and port

  • Hence burgundy, claret, and port,
  • Away with old hock and madeira!
  • Too earthly ye are for my sport;
  • There’s a beverage brighter and clearer!
  • Instead of a pitiful rummer,
  • My wine overbrims a whole summer;
  • My bowl is the sky,
  • And I drink at my eye,
  • Till I feel in the brain
  • A Delphian pain —
  • Then follow, my Caius! then follow!
  • On the green of the hill,
  • We will drink our fill
  • Of golden sunshine,
  • Till our brains intertwine
  • With the glory and grace of Apollo!
×

God of the Meridian

  • God of the meridian!
  • And of the east and west!
  • To thee my soul is flown,
  • And my body is earthward press’d:
  • It is an awful mission,
  • A terrible division;
  • And leaves a gulph austere
  • To be fill’d with worldly fear.
  • Aye, when the soul is fled
  • Too high above our head,
  • Affrighted do we gaze
  • After its airy maze,
  • As doth a mother wild,
  • When her young infant child
  • Is in an eagle’s claws —
  • And is not this the cause
  • Of madness? — God of Song,
  • Thou bearest me along
  • Through sights I scarce can bear;
  • O let me, let me share
  • With the hot lyre and thee,
  • The staid philosophy.
  • Temper my lonely hours,
  • And let me see thy bowers
  • More unalarm’d!
×

Endymion: A Poetic Romance BOOK II

  • O sovereign power of love! O grief! O balm!
  • All records, saving thine, come cool, and calm,
  • And shadowy, through the mist of passed years:
  • For others, good or bad, hatred and tears
  • Have become indolent; but touching thine,
  • One sigh doth echo, one poor sob doth pine,
  • One kiss brings honey-dew from buried days.
  • The woes of Troy, towers smothering o’er their blaze,
  • Stiff-holden shields, far-piercing spears, keen blades,
  • Struggling, and blood, and shrieks — all dimly fades
  • Into some backward corner of the brain;
  • Yet, in our very souls, we feel amain
  • The close of Troilus and Cressid sweet.
  • Hence, pageant history! hence, gilded cheat!
  • Swart planet in the universe of deeds!
  • Wide sea, that one continuous murmur breeds
  • Along the pebbled shore of memory!
  • Many old rotten-timber’d boats there be
  • Upon thy vaporous bosom, magnified
  • To goodly vessels; many a sail of pride,
  • And golden keel’d, is left unlaunch’d and dry.
  • But wherefore this? what care, though owl did fly
  • About the great Athenian admiral’s mast?
  • What care, though striding Alexander past
  • The Indus with his Macedonian numbers?
  • Though old Ulysses tortured from his slumbers
  • The glutted Cyclops, what care? — Juliet leaning
  • Amid her window-flowers, — signing, — weaning
  • Tenderly her fancy from its maiden snow,
  • Doth more avail than these: the silver flow
  • Of Hero’s tears, the swoon of Imogen,
  • Fair Pastorella in the bandit’s den,
  • Are things to brood on with more ardency
  • Than the death-day of empires. Fearfully
  • Must such conviction come upon his head,
  • Who, thus far, discontent, has dared to tread,
  • Without one muse’s smile, or kind behest,
  • The path of love and poesy. But rest,
  • In chafing restlessness, is yet more drear
  • Than to be crush’d, in striving to uprear
  • Love’s standard on the battlements of song.
  • So once more days and nights aid me along,
  • Like legion’d soldiers
  • Brain-sick shepherd-prince,
  • What promise hast thou faithful guarded since
  • The day of sacrifice? or, have new sorrows
  • Come with the constant dawn upon thy morrows?
  • Alas! ’tis his old grief. For many days,
  • Has he been wandering in uncertain ways:
  • Through wilderness, and woods of mossed oaks;
  • Counting his woe-worn minutes, by the strokes
  • Of the lone woodcutter; and listening still,
  • Hour after hour, to each lush-leav’d rill.
  • Now he is sitting by a shady spring,
  • And elbow-deep with feverous fingering
  • Stems the upbursting cold: a wild rose tree
  • Pavilions him in bloom, and he doth see
  • A bud which snares his fancy: lo! but now
  • He plucks it, dips its stalk in the water: how!
  • It swells, it buds, it flowers beneath his sight;
  • And, in the middle, there is softly pight
  • A golden butterfly; upon whose wings
  • There must be surely character’d strange things,
  • For with wide eye he wonders, and smiles oft.
  • Lightly this little herald flew aloft,
  • Follow’d by glad Endymion’s clasped hands:
  • Onward it flies. From languor’s sullen bands
  • His limbs are loos’d, and eager, on he hies
  • Dazzled to trace it in the sunny skies.
  • It seem’d he flew, the way so easy was;
  • And like a new-born spirit did he pass
  • Through the green evening quiet in the sun,
  • O’er many a heath, through many a woodland dun,
  • Through buried paths, where sleepy twilight dreams
  • The summer time away. One track unseams
  • A wooded cleft, and, far away, the blue
  • Of ocean fades upon him; then, anew,
  • He sinks adown a solitary glen,
  • Where there was never sound of mortal men,
  • Saving, perhaps, some snow-light cadences
  • Melting to silence, when upon the breeze
  • Some holy bark let forth an anthem sweet,
  • To cheer itself to Delphi. Still his feet
  • Went swift beneath the merry-winged guide,
  • Until it reached a splashing fountain’s side
  • That, near a cavern’s mouth, for ever pour’d
  • Unto the temperate air: then high it soar’d,
  • And, downward, suddenly began to dip,
  • As if, athirst with so much toil, ’twould sip
  • The crystal spout-head: so it did, with touch
  • Most delicate, as though afraid to smutch
  • Even with mealy gold the waters clear.
  • But, at that very touch, to disappear
  • So fairy-quick, was strange! Bewildered,
  • Endymion sought around, and shook each bed
  • Of covert flowers in vain; and then he flung
  • Himself along the grass. What gentle tongue,
  • What whisperer disturb’d his gloomy rest?
  • It was a nymph uprisen to the breast
  • In the fountain’s pebbly margin, and she stood
  • ’Mong lilies, like the youngest of the brood.
  • To him her dripping hand she softly kist,
  • And anxiously began to plait and twist
  • Her ringlets round her fingers, saying: “Youth!
  • Too long, alas, hast thou starv’d on the ruth,
  • The bitterness of love: too long indeed,
  • Seeing thou art so gentle. Could I weed
  • Thy soul of care, by heavens, I would offer
  • All the bright riches of my crystal coffer
  • To Amphitrite; all my clear-eyed fish,
  • Golden, or rainbow-sided, or purplish,
  • Vermilion-tail’d, or finn’d with silvery gauze;
  • Yea, or my veined pebble-floor, that draws
  • A virgin light to the deep; my grotto-sands
  • Tawny and gold, ooz’d slowly from far lands
  • By my diligent springs; my level lilies, shells,
  • My charming rod, my potent river spells;
  • Yes, every thing, even to the pearly cup
  • Meander gave me, — for I bubbled up
  • To fainting creatures in a desert wild.
  • But woe is me, I am but as a child
  • To gladden thee; and all I dare to say,
  • Is, that I pity thee; that on this day
  • I’ve been thy guide; that thou must wander far
  • In other regions, past the scanty bar
  • To mortal steps, before thou cans’t be ta’en
  • From every wasting sigh, from every pain,
  • Into the gentle bosom of thy love.
  • Why it is thus, one knows in heaven above:
  • But, a poor Naiad, I guess not. Farewel!
  • I have a ditty for my hollow cell.”
  • Hereat, she vanished from Endymion’s gaze,
  • Who brooded o’er the water in amaze:
  • The dashing fount pour’d on, and where its pool
  • Lay, half asleep, in grass and rushes cool,
  • Quick waterflies and gnats were sporting still,
  • And fish were dimpling, as if good nor ill
  • Had fallen out that hour. The wanderer,
  • Holding his forehead, to keep off the burr
  • Of smothering fancies, patiently sat down;
  • And, while beneath the evening’s sleepy frown
  • Glow-worms began to trim their starry lamps,
  • Thus breath’d he to himself: “Whoso encamps
  • To take a fancied city of delight,
  • O what a wretch is he! and when ’tis his,
  • After long toil and travelling, to miss
  • The kernel of his hopes, how more than vile:
  • Yet, for him there’s refreshment even in toil;
  • Another city doth he set about,
  • Free from the smallest pebble-bead of doubt
  • That he will seize on trickling honey-combs:
  • Alas, he finds them dry; and then he foams,
  • And onward to another city speeds.
  • But this is human life: the war, the deeds,
  • The disappointment, the anxiety,
  • Imagination’s struggles, far and nigh,
  • All human; bearing in themselves this good,
  • To make us feel existence, and to show
  • How quiet death is. Where soil is men grow,
  • Whether to weeds or flowers; but for me,
  • There is no depth to strike in: I can see
  • Nought earthly worth my compassing; so stand
  • Upon a misty, jutting head of land —
  • Alone? No, no; and by the Orphean lute,
  • When mad Eurydice is listening to ’t;
  • I’d rather stand upon this misty peak,
  • With not a thing to sigh for, or to seek,
  • But the soft shadow of my thrice-seen love,
  • Than be — I care not what. O meekest dove
  • Of heaven! O Cynthia, ten-times bright and fair!
  • From thy blue throne, now filling all the air,
  • Glance but one little beam of temper’d light
  • Into my bosom, that the dreadful might
  • And tyranny of love be somewhat scar’d!
  • Yet do not so, sweet queen; one torment spar’d,
  • Would give a pang to jealous misery,
  • Worse than the torment’s self: but rather tie
  • Large wings upon my shoulders, and point out
  • My love’s far dwelling. Though the playful rout
  • Of Cupids shun thee, too divine art thou,
  • Too keen in beauty for thy silver prow
  • Not to have dipp’d in love’s most gentle stream.
  • O be propitious, nor severely deem
  • My madness impious; for, by all the stars
  • That tend thy bidding, I do think the bars
  • That kept my spirit in are burst — that I
  • Am sailing with thee through the dizzy sky!
  • How beautiful thou art! the world how deep!
  • How tremulous-dazzlingly the wheels sweep
  • Around their axle! Then these gleaming reins,
  • How lithe! When this thy chariot attains
  • Its airy goal, haply some bower veils
  • Those twilight eyes? Those eyes! — my spirit fails —
  • Dear goddess, help! or the wide-gaping air
  • Will gulph me — help!” — At this with madden’d stare,
  • And lifted hands, and trembling lips he stood;
  • Like old Deucalion mountain’d o’er the flood,
  • Or blind Orion hungry for the morn.
  • And, but from the deep cavern there was borne
  • A voice, he had been froze to senseless stone;
  • Nor sigh of his, nor plaint, nor passion’d moan
  • Had more been heard. Thus swell’d it forth: “Descend,
  • Young mountaineer! descend where alleys bend
  • Into the sparry hollows of the world!
  • Oft hast thou seen bolts of the thunder hurl’d
  • As from thy threshold; day by day hast been
  • A little lower than the chilly sheen
  • Of icy pinnacles, and dipp’dst thine arms
  • Into the deadening ether that still charms
  • Their marble being: now, as deep profound
  • As those are high, descend! He ne’er is crown’d
  • With immortality, who fears to follow
  • Where airy voices lead: so through the hollow,
  • The silent mysteries of earth, descend!”
  • He heard but the last words, nor could contend
  • One moment in reflection: for he fled
  • Into the fearful deep, to hide his head
  • From the clear moon, the trees, and coming madness.
  • ’Twas far too strange, and wonderful for sadness;
  • Sharpening, by degrees, his appetite
  • To dive into the deepest. Dark, nor light,
  • The region; nor bright, nor sombre wholly,
  • But mingled up; a gleaming melancholy;
  • A dusky empire and its diadems;
  • One faint eternal eventide of gems.
  • Aye, millions sparkled on a vein of gold,
  • With all its lines abrupt and angular:
  • Out-shooting sometimes, like a meteor-star,
  • Through a vast antre; then the metal woof,
  • Like Vulcan’s rainbow, with some monstrous roof
  • Curves hugely: now, far in the deep abyss,
  • It seems an angry lighting, and doth hiss
  • Fancy into belief: anon it leads
  • Through winding passages, where sameness breeds
  • Vexing conceptions of some sudden change;
  • Whether to silver grots, or giant range
  • Of sapphire columns, or fantastic bridge
  • Athwart a flood of crystal. On a ridge
  • Now fareth he, that o’er the vast beneath
  • Towers like an ocean-cliff, and whence he seeth
  • A hundred waterfalls, whose voices come
  • But as the murmuring surge. Chilly and numb
  • His bosom grew, when first he, far away,
  • Descried an orbed diamond, set to fray
  • Old darkness from his throne: ’twas like the sun
  • Uprisen o’er chaos: and with such a stun
  • Came the amazement, that, absorb’d in it,
  • He saw not fiercer wonders — past the wit
  • Of any spirit to tell, but one of those
  • Who, when this planet’s sphering time doth close,
  • Will be its high remembrancers: who they?
  • The mighty ones who have made eternal day
  • For Greece and England. While astonishment
  • With deep-drawn sighs was quieting, he went
  • Into a marble gallery, passing through
  • A mimic temple, so complete and true
  • In sacred custom, that he well nigh fear’d
  • To search it inwards; whence far off appear’d,
  • Through a long pillar’d vista, a fair shrine,
  • And, just beyond, on light tiptoe divine,
  • A quiver’d Dian. Stepping awfully,
  • The youth approach’d; oft turning his veil’d eye
  • Down sidelong aisles, and into niches old.
  • And when, more near against the marble cold
  • He had touch’d his forehead, he began to thread
  • All courts and passages, where silence dead
  • Rous’d by his whispering footsteps murmured faint:
  • And long he travers’d to and fro, to acquaint
  • Himself with every mystery, and awe;
  • Till, weary, he sat down before the maw
  • Of a wide outlet, fathomless and dim,
  • To wild uncertainty and shadows grim.
  • There, when new wonders ceas’d to float before,
  • And thoughts of self came on, how crude and sore
  • The journey homeward to habitual self!
  • A mad-pursuing of the fog-born elf,
  • Whose flitting lantern, through rude nettle-briar,
  • Cheats us into a swamp, into a fire,
  • Into the bosom of a hated thing.
  • What misery most drowningly doth sing
  • In lone Endymion’s ear, now he has raught
  • The goal of consciousness? Ah, ’tis the thought,
  • The deadly feel of solitude: for lo!
  • He cannot see the heavens, nor the flow
  • Of rivers, nor hill-flowers running wild
  • In pink and purple chequer, nor, up-pil’d,
  • The cloudy rack slow journeying in the west,
  • Like herded elephants; nor felt, nor prest
  • Cool grass, nor tasted the fresh slumberous air;
  • But far from such companionship to wear
  • An unknown time, surcharg’d with grief, away,
  • Was now his lot. And must he patient stay,
  • Tracing fantastic figures with his spear?
  • “No!” exclaimed he, “why should I tarry here?”
  • No! loudly echoed times innumerable.
  • At which he straightaway started, and ’gan tell
  • His paces back into the temple’s chief;
  • Warming and glowing strong in the belief
  • Of help from Dian: so that when again
  • He caught her airy form, thus did he plain,
  • Moving more near the while. “O Haunter chaste
  • Of river sides, and woods, and heathy waste,
  • Where with thy silver bow and arrows keen
  • Art thou now forested? O woodland Queen,
  • What smoothest air thy smoother forehead woos?
  • Where dost thou listen to the wide halloos
  • Of thy disparted nymphs? Through what dark tree
  • Glimmers thy crescent? Wheresoe’er it be,
  • ’Tis in the breath of heaven: thou dost taste
  • Freedom as none can taste it, nor dost waste
  • Thy loveliness in dismal elements;
  • But, finding in our green earth sweet contents,
  • There livest blissfully. Ah, if to thee
  • It feels Elysian, how rich to me,
  • An exil’d mortal, sounds its pleasant name!
  • Within my breast there lives a choking flame —
  • O let me cool it the zephyr-boughs among!
  • A homeward fever parches up my tongue —
  • O let me slake it at the running springs!
  • Upon my ear a noisy nothing rings —
  • O let me once more hear the linnet’s note!
  • Before mine eyes thick films and shadows float —
  • O let me ’noint them with the heaven’s light!
  • Dost thou now lave thy feet and ankles white?
  • O think how sweet to me the freshening sluice!
  • Dost thou now please thy thirst with berry-juice?
  • O think how this dry palate would rejoice!
  • If in soft slumber thou dost hear my voice,
  • O think how I should love a bed of flowers! —
  • Young goddess! let me see my native bowers!
  • Deliver me from this rapacious deep!”
  • Thus ending loudly, as he would o’erleap
  • His destiny, alert he stood: but when
  • Obstinate silence came heavily again,
  • Feeling about for its old couch of space
  • And airy cradle, lowly bow’d his face
  • Desponding, o’er the marble floor’s cold thrill.
  • But ’twas not long; for, sweeter than the rill
  • To its old channel, or a swollen tide
  • To margin sallows, were the leaves he spied,
  • And flowers, and wreaths, and ready myrtle crowns
  • Up heaping through the slab: refreshment drowns
  • Itself, and strives its own delights to hide —
  • Nor in one spot alone; the floral pride
  • In a long whispering birth enchanted grew
  • Before his footsteps; as when heav’d anew
  • Old ocean rolls a lengthened wave to the shore,
  • Down whose green back the short-liv’d foam, all hoar,
  • Bursts gradual, with a wayward indolence.
  • Increasing still in heart, and pleasant sense,
  • Upon his fairy journey on he hastes;
  • So anxious for the end, he scarcely wastes
  • One moment with his hand among the sweets:
  • Onward he goes — he stops — his bosom beats
  • As plainly in his ear, as the faint charm
  • Of which the throbs were born. This still alarm,
  • This sleepy music, forc’d him walk tiptoe:
  • For it came more softly than the east could blow
  • Arion’s magic to the Atlantic isles;
  • Or than the west, made jealous by the smiles
  • Of thron’d Apollo, could breathe back the lyre
  • To seas Ionian and Tyrian.
  • O did he ever live, that lonely man,
  • Who lov’d — and music slew not? ’Tis the pest
  • Of love, that fairest joys give most unrest
  • That things of delicate and tenderest worth
  • Are swallow’d all, and made a seared dearth,
  • By one consuming flame: it doth immerse
  • And suffocate true blessings in a curse.
  • Half-happy, by comparison of bliss,
  • Is miserable. ’Twas even so with this
  • Dew-dropping melody, in the Carian’s ear;
  • First heaven, then hell, and then forgotten clear,
  • Vanish’d in elemental passion.
  • And down some swart abysm he had gone
  • Had not a heavenly guide benignant led
  • To where thick myrtle branches, ’gainst his head
  • Brushing, awakened: then the sounds again
  • Went noiseless as a passing noontide rain
  • Over a bower, where little space he stood;
  • For, as the sunset peeps into a wood,
  • So saw he panting light, and towards it went
  • Through winding alleys; and lo, wonderment!
  • Upon soft verdure saw, one here, one there,
  • Cupids a slumbering on their pinions fair.
  • After a thousand mazes overgone,
  • At last, with sudden step, he came upon
  • A chamber, myrtle wall’d, embowered high,
  • Full of light, incense, tender minstrelsy
  • And more of beautiful and strange beside:
  • For on a silken couch of rosy pride,
  • In midst of all, there lay a sleeping youth
  • Of fondest beauty; fonder, in fair sooth,
  • Than sighs could fathom, or contentment reach:
  • And coverlids gold-tinted like the peach,
  • Or ripe October’s faded marigolds,
  • Fell sleek about him in a thousand folds —
  • Not hiding up an Apollonian curve
  • Of neck and shoulder, nor the tenting swerve
  • Of knee from knee, nor ankles pointing light;
  • But rather, giving them to the filled sight
  • Officiously. Sideway his face repos’d
  • On one white arm, and tenderly unclos’d,
  • By tenderest pressure, a faint damask mouth
  • To slumbery pout; just as the morning south
  • Disparts a dew-lipp’d rose. Above his head,
  • Four lily stalks did their white honours wed
  • To make a coronal; and round him grew
  • All tendrils green, of every bloom and hue,
  • Together intertwin’d and trammel’d fresh:
  • The vine of glossy sprout; the ivy mesh,
  • Shading its Ethiop berries; and woodbine,
  • Of velvet leaves and bugle-blooms divine;
  • Convolvulus in streaked vases flush;
  • The creeper, mellowing for an autumn blush;
  • And virgin’s bower, trailing airily;
  • With others of the sisterhood. Hard by,
  • Stood serene Cupids watching silently.
  • One, kneeling to a lyre, touch’d the strings,
  • Muffling to death the pathos with his wings;
  • And, ever and anon, uprose to look
  • At the youth’s slumber; while another took
  • A willow-bough, distilling odorous dew,
  • And shook it on his hair; another flew
  • In through the woven roof, and fluttering-wise
  • Rain’d violets upon his sleeping eyes.
  • At these enchantments, and yet many more,
  • The breathless Latmian wonder’d o’er and o’er;
  • Until, impatient in embarrassment,
  • He forthright pass’d, and lightly treading went
  • To that same feather’d lyrist, who straightway,
  • Smiling, thus whisper’d “though from upper day
  • Thou art a wanderer, and thy presence here
  • Might seem unholy, be of happy cheer!
  • For ’tis the nicest touch of human honour,
  • When some ethereal and high-favouring donor
  • Presents immortal bowers to mortal sense;
  • As now ’tis done to thee, Endymion. Hence
  • Was I in no wise startled. So recline
  • Upon these living flowers. Here is wine,
  • Alive with sparkles — never, I aver,
  • Since Ariadne was a vintager,
  • So cool a purple: taste these juicy pears,
  • Sent me by sad Vertumnus, when his fears
  • Were high about Pomona: here is cream,
  • Deepening to richness from a snowy gleam;
  • Sweeter than that nurse Amalthea skimm’d
  • For the boy Jupiter: and here, undimm’d
  • By any touch, a bunch of blooming plums
  • Ready to melt between an infant’s gums:
  • And here is manna pick’d from Syrian trees,
  • In starlight, by the three Hesperides.
  • Feast on, and meanwhile I will let thee know
  • Of all these things around us.” He did so,
  • Still brooding o’er the cadence of his lyre;
  • And thus “I need not any hearing tire
  • By telling how the sea-born goddess pin’d
  • For a mortal youth, and how she strove to bind
  • Him all in all unto her doting self.
  • Who would not be so imprison’d? but, fond elf,
  • He was content to let her amorous plea
  • Faint through his careless arms; content to see
  • An unseiz’d heaven dying at his feet;
  • Content, O fool! to make a cold retreat,
  • When on the pleasant grass such love, lovelorn,
  • Lay sorrowing; when every tear was born
  • Of diverse passion; when her lips and eyes
  • Were clos’d in sullen moisture, and quick sighs
  • Came vex’d and pettish through her nostrils small.
  • Hush! no exclaim — yet, justly mightst thou call
  • Curses upon his head. — I was half glad,
  • But my poor mistress went distract and mad,
  • When the boar tusk’d him: so away she flew
  • To Jove’s high throne, and by her plainings drew
  • Immortal tear-drops down the thunderer’s beard;
  • Whereon, it was decreed he should be rear’d
  • Each summer time to life. Lo! this is he,
  • That same Adonis, safe in the privacy
  • Of this still region all his winter-sleep.
  • Aye, sleep; for when our love-sick queen did weep
  • Over his waned corse, the tremulous shower
  • Heal’d up the wound, and, with a balmy power,
  • Medicined death to a lengthened drowsiness:
  • The which she fills with visions, and doth dress
  • In all this quiet luxury; and hath set
  • Us young immortals, without any let,
  • To watch his slumber through. ’Tis well nigh pass’d,
  • Even to a moment’s filling up, and fast
  • She scuds with summer breezes, to pant through
  • The first long kiss, warm firstling, to renew
  • Embower’d sports in cytherea’s isle.
  • Look! how those winged listeners all this while
  • Stand anxious: see! behold!” — this clamant word
  • Broke through the careful silence; for they heard
  • A rustling noise of leaves, and out there flutter’d
  • Pigeons and doves: Adonis something mutter’d,
  • The while one hand, that erst upon his thigh
  • Lay dormant, mov’d convuls’d and gradually
  • Up to his forehead. Then there was a hum
  • Of sudden voices, echoing, “come! come!
  • Arise! awake! clear summer has forth walk’d
  • Unto the clover-sward, and she has talk’d
  • Full soothingly to every nested finch:
  • Rise, Cupids! or we’ll give the blue-bell pinch
  • To your dimpled arms. Once more sweet life begin!”
  • Rubbing their sleepy eyes with lazy wrists,
  • And doubling over head their little fists
  • In backward yawns. But all were soon alive:
  • For as delicious wine doth, sparkling, dive
  • In nectar’d clouds and curls through water fair,
  • So from the arbour roof down swell’d an air
  • Odorous and enlivening; making all
  • To laugh, and play, and sing, and loudly call
  • For their sweet queen: when lo! the wreathed green
  • Disparted, and far upward could be seen
  • Blue heaven, and a silver car, air-borne,
  • Whose silent wheels, fresh wet from clouds of morn,
  • Spun off a drizzling dew, — which falling chill
  • On soft Adonis’ shoulders, made him still
  • Nestle and turn uneasily about.
  • Soon were the white doves plain, with necks stretch’d out,
  • And silken traces tighten’d in descent;
  • And soon, returning from love’s banishment,
  • Queen Venus leaning downward open arm’d:
  • Her shadow fell upon his breast, and charm’d
  • A tumult to his heart, and a new life
  • Into his eyes. Ah, miserable strife,
  • But for her comforting! unhappy sight,
  • But meeting her blue orbs! who, who can write
  • Of these first minutes? the unchariest muse
  • To embracements warm as theirs makes coy excuse.
  • O it has ruffled every spirit there,
  • Saving love’s self, who stands superb to share
  • The general gladness: awfully he stands;
  • A sovereign quell is in his waving hands;
  • No sight can bear the lightning of his bow;
  • His quiver is mysterious, none can know
  • What themselves think of it; from forth his eyes
  • There darts strange light of varied hues and dyes:
  • A scowl is sometimes on his brow, but who
  • Look full upon it feel anon the blue
  • Of his fair eyes run liquid through their souls.
  • Endymion feels it, and no more controls
  • The burning prayer within him; so, bent low,
  • He had begun a plaining of his woe.
  • But Venus, bending forward, said: “My child,
  • Favour this gentle youth; his days are wild
  • With love — he — but alas! too well I see
  • Thou know’st the deepness of his misery.
  • Ah, smile not so, my son: I tell thee true,
  • That when through heavy hours I used to rue
  • The endless sleep of this new-born Adon’,
  • This stranger ay I pitied. For upon
  • A dreary morning once I fled away
  • Into the breezy clouds, to weep and pray
  • For this my love: for vexing Mars had teaz’d
  • Me even to tears: thence, when a little eas’d
  • Down-looking, vacant, through a hazy wood,
  • I saw this youth as he despairing stood:
  • Those same dark curls blown vagrant in the wind;
  • Those same full fringed lids a constant blind
  • Over his sullen eyes: I saw him throw
  • Himself on wither’d leaves, even as though
  • Death had come sudden; for no jot he mov’d,
  • Yet mutter’d wildly. I could hear he lov’d
  • Some fair immortal, and that his embrace
  • Had zoned her through the night. There is no trace
  • Of this in heaven: I have mark’d each cheek,
  • And find it is the vainest thing to seek;
  • And that of all things ’tis kept secretest.
  • Endymion! one day thou wilt be blest:
  • So still obey the guiding hand that fends
  • Thee safely through these wonders for sweet ends.
  • ’Tis a concealment needful in extreme;
  • And if I guess’d not so, the sunny beam
  • Thou shouldst mount up to with me. Now adieu!
  • Here must we leave thee.” — At these words up flew
  • The impatient doves, up rose the floating car,
  • Up went the hum celestial. High afar
  • The Latmian saw them minish into nought;
  • And, when all were clear vanish’d, still he caught
  • A vivid lightning from that dreadful bow.
  • When all was darkened, with Etnean throe
  • The earth clos’d — gave a solitary moan —
  • And left him once again in twilight lone.
  • He did not rave, he did not stare aghast,
  • For all those visions were o’ergone, and past,
  • And he in loneliness: he felt assur’d
  • Of happy times, when all he had endur’d
  • Would seem a feather to the mighty prize.
  • So, with unusual gladness, on he hies
  • Through caves, and palaces of mottled ore,
  • Gold dome, and crystal wall, and turquois floor,
  • Black polish’d porticos of awful shade,
  • And, at the last, a diamond balustrade,
  • Leading afar past wild magnificence,
  • Spiral through ruggedest loopholes, and thence
  • Enormous chasms, where, all foam and roar,
  • Streams subterranean tease their granite beds;
  • Then heighten’d just above the silvery heads
  • Of a thousand fountains, so that he could dash
  • The waters with his spear; but at the splash,
  • Done heedlessly, those spouting columns rose
  • Sudden a poplar’s height, and ’gan to enclose
  • His diamond path with fretwork, streaming round
  • Alive, and dazzling cool, and with a sound,
  • Haply, like dolphin tumults, when sweet shells
  • Welcome the float of Thetis. Long he dwells
  • On this delight; for, every minute’s space,
  • The streams with changed magic interlace:
  • Sometimes like delicatest lattices,
  • Cover’d with crystal vines; then weeping trees,
  • Moving about as in a gentle wind,
  • Which, in a wink, to watery gauze refin’d,
  • Pour’d into shapes of curtain’d canopies,
  • Spangled, and rich with liquid broideries
  • Of flowers, peacocks, swans, and naiads fair.
  • Swifter than lightning went these wonders rare;
  • And then the water, into stubborn streams
  • Collecting, mimick’d the wrought oaken beams,
  • Pillars, and frieze, and high fantastic roof,
  • Of those dusk places in times far aloof
  • Cathedrals call’d. He bade a loth farewel
  • To these founts Protean, passing gulph, and dell,
  • And torrent, and ten thousand jutting shapes,
  • Half seen through deepest gloom, and griesly gapes,
  • Blackening on every side, and overhead
  • A vaulted dome like heaven’s, far bespread
  • With starlight gems: aye, all so huge and strange,
  • The solitary felt a hurried change
  • Working within him into something dreary, —
  • Vex’d like a morning eagle, lost, and weary,
  • And purblind amid foggy, midnight wolds.
  • But he revives at once: for who beholds
  • New sudden things, nor casts his mental slough?
  • Forth from a rugged arch, in the dusk below,
  • Came mother Cybele! alone — alone —
  • In sombre chariot; dark foldings thrown
  • About her majesty, and front death-pale,
  • With turrets crown’d. Four maned lions hale
  • The sluggish wheels; solemn their toothed maws,
  • Their surly eyes brow-hidden, heavy paws
  • Uplifted drowsily, and nervy tails
  • Cowering their tawny brushes. Silent sails
  • This shadowy queen athwart, and faints away
  • In another gloomy arch.
  • Wherefore delay,
  • Young traveller, in such a mournful place?
  • Art thou wayworn, or canst not further trace
  • The diamond path? And does it indeed end
  • Abrupt in middle air? Yet earthward bend
  • Thy forehead, and to Jupiter cloud-borne
  • Call ardently! He was indeed wayworn;
  • Abrupt, in middle air, his way was lost;
  • To cloud-borne Jove he bowed, and there crost
  • Towards him a large eagle, ’twixt whose wings,
  • Without one impious word, himself he flings,
  • Committed to the darkness and the gloom:
  • Down, down, uncertain to what pleasant doom,
  • Swift as a fathoming plummet down he fell
  • Through unknown things; till exhaled asphodel,
  • And rose, with spicy fannings interbreath’d,
  • Came swelling forth where little caves were wreath’d
  • So thick with leaves and mosses, that they seem’d
  • Large honey-combs of green, and freshly teem’d
  • With airs delicious. In the greenest nook
  • The eagle landed him, and farewel took.
  • It was a jasmine bower, all bestrown
  • With golden moss. His every sense had grown
  • Ethereal for pleasure; ’bove his head
  • Flew a delight half-graspable; his tread
  • Was Hesperean; to his capable ears
  • Silence was music from the holy spheres;
  • A dewy luxury was in his eyes;
  • The little flowers felt his pleasant sighs
  • And stirr’d them faintly. Verdant cave and cell
  • He wander’d through, oft wondering at such swell
  • Of sudden exaltation: but, “Alas!”
  • Said he, “will all this gush of feeling pass
  • Away in solitude? And must they wane,
  • Like melodies upon a sandy plain,
  • Without an echo? Then shall I be left
  • So sad, so melancholy, so bereft!
  • Yet still I feel immortal! O my love,
  • My breath of life, where art thou? High above,
  • Dancing before the morning gates of heaven?
  • Or keeping watch among those starry seven,
  • Old Atlas’ children? Art a maid of the waters,
  • One of shell-winding Triton’s bright-hair’d daughters?
  • Or art, impossible! a nymph of Dian’s,
  • Weaving a coronal of tender scions
  • For very idleness? Where’er thou art,
  • Methinks it now is at my will to start
  • Into thine arms; to scare Aurora’s train,
  • And snatch thee from the morning; o’er the main
  • To scud like a wild bird, and take thee off
  • From thy sea-foamy cradle; or to doff
  • Thy shepherd vest, and woo thee mid fresh leaves.
  • No, no, too eagerly my soul deceives
  • Its powerless self: I know this cannot be.
  • O let me then by some sweet dreaming flee
  • To her entrancements: hither, sleep, awhile!
  • Hither, most gentle sleep! and soothing foil
  • For some few hours the coming solitude.”
  • Thus spake he, and that moment felt endued
  • With power to dream deliciously; so wound
  • Through a dim passage, searching till he found
  • The smoothest mossy bed and deepest, where
  • He threw himself, and just into the air
  • Stretching his indolent arms, he took, O bliss!
  • A naked waist: “Fair Cupid, whence is this?”
  • A well-known voice sigh’d, “Sweetest, here am I!”
  • At which soft ravishment, with doating cry
  • They trembled to each other. —Helicon!
  • O fountain’d hill! Old Homer’s Helicon!
  • That thou wouldst spout a little streamlet o’er
  • These sorry pages; then the verse would soar
  • And sing above this gentle pair, like lark
  • Over his nested young: but all is dark
  • Around thine aged top, and thy clear fount
  • Exhales in mists to heaven. Aye, the count
  • Of mighty Poets is made up; the scroll
  • Is folded by the Muses; the bright roll
  • Is in Apollo’s hand: our dazed eyes
  • Have seen a new tinge in the western skies:
  • The world has done its duty. Yet, oh yet,
  • Although the sun of poesy is set,
  • These lovers did embrace, and we must weep
  • That there is no old power left to steep
  • A quill immortal in their joyous tears.
  • Long time in silence did their anxious fears
  • Question that thus it was; long time they lay
  • Fondling and kissing every doubt away;
  • Long time ere soft caressing sobs began
  • To mellow into words, and then there ran
  • Two bubbling springs of talk from their sweet lips.
  • Such darling essence, wherefore may I not
  • Be ever in these arms? in this sweet spot
  • Pillow my chin for ever? ever press
  • These toying hands and kiss their smooth excess?
  • Why not for ever and for ever feel
  • That breath about my eyes? ah, thou wilt steal
  • Away from me again, indeed, indeed —
  • Thou wilt be gone away, and wilt not heed
  • My lonely madness. Speak, delicious fair!
  • Is — is it to be so? No! Who will dare
  • To pluck thee from me? And, of thine own will,
  • Full well I feel thou wouldst not leave me. Still
  • Let me entwine thee surer, surer — now
  • How can we part? Elysium! who art thou?
  • Who, that thou canst not be for ever here,
  • Or lift me with thee to some starry sphere?
  • Enchantress! tell me by this soft embrace,
  • By the most soft completion of thy face,
  • Those lips, O slippery blisses, twinkling eyes,
  • And by these tenderest, milky sovereignties —
  • These tenderest, and by the nectar-wine,
  • The passion” — “O dov’d Ida the divine!
  • Endymion! dearest! Ah, unhappy me!
  • His soul will ’scape us — O felicity!
  • How he does love me! His poor temples beat
  • To the very tune of love — how sweet, sweet, sweet.
  • Revive, dear youth, or I shall faint and die;
  • Revive, or these soft hours will hurry by
  • In tranced dulness; speak, and let that spell
  • Affright this lethargy! I cannot quell
  • Its heavy pressure, and will press at least
  • My lips to thine, that they may richly feast
  • Until we taste the life of love again.
  • What! dost thou move? dost kiss? O bliss! O pain!
  • I love thee, youth, more than I can conceive;
  • And so long absence from thee doth bereave
  • My soul of any rest: yet must I hence:
  • Yet, can I not to starry eminence
  • Uplift thee; nor for very shame can own
  • Myself to thee. Ah, dearest, do not groan
  • Or thou wilt force me from this secrecy,
  • And I must blush in heaven. O that I
  • Had done ’t already; that the dreadful smiles
  • At my lost brightness, my impassion’d wiles,
  • Had waned from Olympus’ solemn height,
  • And from all serious Gods; that our delight
  • Was quite forgotten, save of us alone!
  • And wherefore so ashamed? ’Tis but to atone
  • For endless pleasure, by some coward blushes:
  • Yet must I be a coward! — Horror rushes
  • Too palpable before me — the sad look
  • Of Jove — Minerva’s start — no bosom shook
  • With awe of purity — no Cupid pinion
  • In reverence vailed — my crystalline dominion
  • Half lost, and all old hymns made nullity!
  • But what is this to love? O I could fly
  • With thee into the ken of heavenly powers,
  • So thou wouldst thus, for many sequent hours,
  • Press me so sweetly. Now I swear at once
  • That I am wise, that Pallas is a dunce —
  • Perhaps her love like mine is but unknown —
  • O I do think that I have been alone
  • In chastity: yes, Pallas has been sighing,
  • While every eve saw me my hair uptying
  • With fingers cool as aspen leaves. Sweet love,
  • I was as vague as solitary dove,
  • Nor knew that nests were built. Now a soft kiss —
  • Aye, by that kiss, I vow an endless bliss,
  • An immortality of passion’s thine:
  • Ere long I will exalt thee to the shine
  • Of heaven ambrosial; and we will shade
  • Ourselves whole summers by a river glade;
  • And I will tell thee stories of the sky,
  • And breathe thee whispers of its minstrelsy.
  • My happy love will overwing all bounds!
  • O let me melt into thee; let the sounds
  • Of our close voices marry at their birth;
  • Let us entwine hoveringly — O dearth
  • Of human words! roughness of mortal speech!
  • Lispings empyrean will I sometime teach
  • Thine honied tongue — lute-breathings, which I gasp
  • To have thee understand, now while I clasp
  • Thee thus, and weep for fondness — I am pain’d,
  • Endymion: woe! woe! is grief contain’d
  • In the very deeps of pleasure, my sole life?” —
  • Hereat, with many sobs, her gentle strife
  • Melted into a languor. He return’d
  • Entranced vows and tears.
  • Ye who have yearn’d
  • With too much passion, will here stay and pity,
  • For the mere sake of truth; as ’tis a ditty
  • Not of these days, but long ago ’twas told
  • By a cavern wind unto a forest old;
  • To a sleeping lake, whose cool and level gleam
  • A poet caught as he was journeying
  • To Phoebus’ shrine; and in it he did fling
  • His weary limbs, bathing an hour’s space,
  • And after, straight in that inspired place
  • He sang the story up into the air,
  • Giving it universal freedom. There
  • Has it been ever sounding for those ears
  • Whose tips are glowing hot. The legend cheers
  • Yon centinel stars; and he who listens to it
  • Must surely be self-doom’d or he will rue it:
  • For quenchless burnings come upon the heart,
  • Made fiercer by a fear lest any part
  • Should be engulphed in the eddying wind.
  • As much as here is penn’d doth always find
  • A resting place, thus much comes clear and plain;
  • Anon the strange voice is upon the wane —
  • And ’tis but echo’d from departing sound,
  • That the fair visitant at last unwound
  • Her gentle limbs, and left the youth asleep. —
  • Thus the tradition of the gusty deep.
  • Now turn we to our former chroniclers. —
  • Endymion awoke, that grief of hers
  • Sweet paining on his ear: he sickly guess’d
  • How lone he was once more, and sadly press’d
  • His empty arms together, hung his head,
  • And most forlorn upon that widow’d bed
  • Sat silently. Love’s madness he had known:
  • Often with more than tortured lion’s groan
  • Moanings had burst from him; but now that rage
  • Had pass’d away: no longer did he wage
  • A rough-voic’d war against the dooming stars.
  • No, he had felt too much for such harsh jars:
  • The lyre of his soul Eolian tun’d
  • Forgot all violence, and but commun’d
  • With melancholy thought: O he had swoon’d
  • Drunken from pleasure’s nipple; and his love
  • Henceforth was dove-like. — Loth was he to move
  • From the imprinted couch, and when he did,
  • ’Twas with slow, languid paces, and face hid
  • In muffling hands. So temper’d, out he stray’d
  • Half seeing visions that might have dismay’d
  • Alecto’s serpents; ravishments more keen
  • Than Hermes’ pipe, when anxious he did lean
  • Over eclipsing eyes: and at the last
  • It was a sounding grotto, vaulted vast,
  • O’er studded with a thousand, thousand pearls,
  • And crimson mouthed shells with stubborn curls,
  • Of every shape and size, even to the bulk
  • In which whales arbour close, to brood and sulk
  • Against an endless storm. Moreover too,
  • Fish-semblances, of green and azure hue,
  • Ready to snort their streams. In this cool wonder
  • Endymion sat down, and ’gan to ponder
  • On all his life: his youth, up to the day
  • When ’mid acclaim, and feasts, and garlands gay,
  • He stept upon his shepherd throne: the look
  • Of his white palace in wild forest nook,
  • And all the revels he had lorded there:
  • Each tender maiden whom he once thought fair,
  • With every friend and fellow-woodlander —
  • Pass’d like a dream before him. Then the spur
  • Of the old bards to mighty deeds: his plans
  • To nurse the golden age ’mong shepherd clans:
  • That wondrous night: the great Pan-festival:
  • His sister’s sorrow; and his wanderings all,
  • Until into the earth’s deep maw he rush’d:
  • Then all its buried magic, till it flush’d
  • High with excessive love. “And now,” thought he,
  • “How long must I remain in jeopardy
  • Of blank amazements that amaze no more?
  • Now I have tasted her sweet soul to the core
  • All other depths are shallow: essences,
  • Once spiritual, are like muddy lees,
  • Meant but to fertilize my earthly root,
  • And make my branches lift a golden fruit
  • Into the bloom of heaven: other light,
  • Though it be quick and sharp enough to blight
  • The Olympian eagle’s vision, is dark,
  • Dark as the parentage of chaos. Hark!
  • My silent thoughts are echoing from these shells;
  • Or they are but the ghosts, the dying swells
  • Of noises far away? — list!” — Hereupon
  • He kept an anxious ear. The humming tone
  • Came louder, and behold, there as he lay,
  • On either side outgush’d, with misty spray,
  • A copious spring; and both together dash’d
  • Swift, mad, fantastic round the rocks, and lash’d
  • Among the conchs and shells of the lofty grot,
  • Leaving a trickling dew. At last they shot
  • Down from the ceiling’s height, pouring a noise
  • As of some breathless racers whose hopes poize
  • Upon the last few steps, and with spent force
  • Along the ground they took a winding course.
  • Endymion follow’d — for it seem’d that one
  • Ever pursued, the other strove to shun —
  • Follow’d their languid mazes, till well nigh
  • He had left thinking of the mystery, —
  • And was now rapt in tender hoverings
  • Over the vanish’d bliss. Ah! what is it sings
  • His dream away? What melodies are these?
  • They sound as through the whispering of trees,
  • Not native in such barren vaults. Give ear!
  • “O Arethusa, peerless nymph! why fear
  • Such tenderness as mine? Great Dian, why,
  • Why didst thou hear her prayer? O that I
  • Were rippling round her dainty fairness now,
  • Circling about her waist, and striving how
  • To entice her to a dive! then stealing in
  • Between her luscious lips and eyelids thin.
  • O that her shining hair was in the sun,
  • And I distilling from it thence to run
  • In amorous rillets down her shrinking form!
  • To linger on her lily shoulders, warm
  • Between her kissing breasts, and every charm
  • Touch raptur’d! — See how painfully I flow:
  • Fair maid, be pitiful to my great woe.
  • Stay, stay thy weary course, and let me lead,
  • A happy wooer, to the flowery mead
  • Where all that beauty snar’d me.” — “Cruel god,
  • Desist! or my offended mistress’ nod
  • Will stagnate all thy fountains: — tease me not
  • With syren words — Ah, have I really got
  • Such power to madden thee? And is it true —
  • Away, away, or I shall dearly rue
  • My very thoughts: in mercy then away,
  • Kindest Alpheus, for should I obey
  • My own dear will, ’twould be a deadly bane. —
  • O, Oread-Queen-! would that thou hadst a pain
  • Like this of mine, then would I fearless turn
  • And be a criminal. — Alas, I burn,
  • I shudder — gentle river, get thee hence.
  • Alpheus! thou enchanter! every sense
  • Of mine was once made perfect in these woods.
  • Fresh breezes, bowery lawns, and innocent floods,
  • Ripe fruits, and lonely couch, contentment gave;
  • But ever since I heedlessly did lave
  • In thy deceitful stream, a panting glow
  • Grew strong within me: wherefore serve me so,
  • And call it love? Alas, ’twas cruelty.
  • Not once more did I close my happy eye
  • Amid the thrushes’ song. Away! Avaunt!
  • O ’twas a cruel thing.” — “ Now thou dost taunt
  • So softly, Arethusa, that I think
  • If thou wast playing on my shady brink,
  • Thou wouldst bathe once again. Innocent maid!
  • Stifle thine heart no more; — nor be afraid
  • Of angry powers: there are deities
  • Will shade us with their wings. Those fitful sighs
  • ’Tis almost death to hear: O let me pour
  • A dewy balm upon them! — fear no more,
  • Sweet Arethusa! Dian’s self must feel
  • Sometimes these very pangs. Dear maiden, steal
  • Blushing into my soul, and let us fly
  • These dreary caverns for the open sky
  • I will delight thee all my winding course,
  • From the green sea up to my hidden source
  • About Arcadian forests; and will shew
  • The channels where my coolest waters flow
  • Through mossy rocks; where, ’mid exuberant green,
  • I roam in pleasant darkness, more unseen
  • Than Saturn in his exile; where I brim
  • Round flowery islands, and take thence a skim
  • Of mealy sweets, which myriads of bees
  • Buzz from their honied wings: and thou shouldst please
  • Thyself to choose the richest, where we might
  • Be incense-pillow’d every summer night.
  • Doff all sad fears, thou white deliciousness,
  • And let us be thus comforted; unless
  • Thou couldst rejoice to see my hopeless stream
  • Hurry distracted from Sol’s temperate beam,
  • And pour to death along some hungry sands.” —
  • “What can I do, Alpheus? Dian stands
  • Severe before me: persecuting fate!
  • Unhappy Arethusa! thou wast late
  • A huntress free in” — At this, sudden fell
  • Those two sad streams adown a fearful dell.
  • The Latmian listen’d, but he heard no more,
  • Save echo, faint repeating o’er and o’er
  • The name of Arethusa. On the verge
  • Of that dark gulph he wept, and said: “I urge
  • Thee, gentle Goddess of my pilgrimage,
  • By our eternal hopes, to soothe, to assuage,
  • If thou art powerful, these lovers’ pains;
  • And make them happy in some happy plains.”
  • He turn’d — there was a whelming sound — he stept,
  • There was a cooler light; and so he kept
  • Towards it by a sandy path, and lo!
  • More suddenly than doth a moment go,
  • The visions of the earth were gone and fled —
  • He saw the giant sea above his head.
×

Endymion: A Poetic Romance BOOK III

  • There are who lord it o’er their fellow-men
  • With most prevailing tinsel: who unpen
  • Their baaing vanities, to browse away
  • The comfortable green and juicy hay
  • From human pastures; or, O torturing fact!
  • Who, through an idiot blink, will see unpack’d
  • Fire-branded foxes to sear up and singe
  • Our gold and ripe-ear’d hopes. With not one tinge
  • Of sanctuary splendour, not a sight
  • Able to face an owl’s, they still are dight
  • By the blear-eyed nations in empurpled vests,
  • And crowns, and turbans. With unladen breasts,
  • Save of blown self-applause, they proudly mount
  • To their spirit’s perch, their being’s high account,
  • Their tiptop nothings, their dull skies, their thrones —
  • Amid the fierce intoxicating tones
  • Of trumpets, shoutings, and belabour’d drums,
  • And sudden cannon. Ah! how all this hums,
  • In wakeful ears, like uproar past and gone —
  • Like thunder clouds that spake to Babylon,
  • And set those old Chaldeans to their tasks. —
  • Are then regalities all gilded masks?
  • No, there are throned seats unscalable
  • But by a patient wing, a constant spell,
  • Or by ethereal things that, unconfin’d,
  • Can make a ladder of the eternal wind,
  • And poise about in cloudy thunder-tents
  • To watch the abysm-birth of elements.
  • Aye, ’bove the withering of old-lipp’d Fate
  • A thousand Powers keep religious state,
  • In water, fiery realm, and airy bourne;
  • And, silent as a consecrated urn,
  • Hold sphery sessions for a season due.
  • Yet few of these far majesties, ah, few!
  • Have bared their operations to this globe —
  • Few, who with gorgeous pageantry enrobe
  • Our piece of heaven — whose benevolence
  • Shakes hand with our own Ceres; every sense
  • Filling with spiritual sweets to plenitude,
  • As bees gorge full their cells. And, by the feud
  • ’Twixt Nothing and Creation, I here swear,
  • Eterne Apollo! that thy Sister fair
  • Is of all these the gentlier-mightiest,
  • When thy gold breath is misting in the west,
  • She unobserved steals unto her throne,
  • And there she sits most meek and most alone;
  • As if she had not pomp subservient;
  • As if thine eye, high Poet! was not bent
  • Towards her with the Muses in thine heart;
  • As if the ministring stars kept not apart,
  • Waiting for silver-footed messages.
  • O Moon! the oldest shades ’mong oldest trees
  • Feel palpitations when thou lookest in:
  • O Moon! old boughs lisp forth a holier din
  • The while they feel thine airy fellowship.
  • Thou dost bless every where, with silver lip
  • Kissing dead things to life. The sleeping kine,
  • Couched in thy brightness, dream of fields divine:
  • Innumerable mountains rise, and rise,
  • Ambitious for the hallowing of thine eyes;
  • And yet thy benediction passeth not
  • One obscure hiding-place, one little spot
  • Where pleasure may be sent: the nested wren
  • Has thy fair face within its tranquil ken,
  • And from beneath a sheltering ivy leaf
  • Takes glimpses of thee; thou art a relief
  • To the poor patient oyster, where it sleeps
  • Within its pearly house. — The mighty deeps,
  • The monstrous sea is thine — the myriad sea!
  • O Moon! far-spooming Ocean bows to thee,
  • And Tellus feels his forehead’s cumbrous load.
  • Cynthia! where art thou now? What far abode
  • Of green or silvery bower doth enshrine
  • Such utmost beauty? Alas, thou dost pine
  • For one as sorrowful: thy cheek is pale
  • For one whose cheek is pale: thou dost bewail
  • His tears, who weeps for thee. Where dost thou sigh?
  • Ah! surely that light peeps from Vesper’s eye,
  • Or what a thing is love! ’Tis She, but lo!
  • How chang’d, how full of ache, how gone in woe!
  • She dies at the thinnest cloud; her loveliness
  • Is wan on Neptune’s blue: yet there’s a stress
  • Of love-spangles, just off yon cape of trees,
  • Dancing upon the waves, as if to please
  • The curly foam with amorous influence.
  • O, not so idle: for down-glancing thence
  • She fathoms eddies, and runs wild about
  • O’erwhelming water-courses; scaring out
  • The thorny sharks from hiding-holes, and fright’ning
  • Their savage eyes with unaccustomed lightning.
  • Where will the splendour be content to reach?
  • O love! how potent hast thou been to teach
  • Strange journeyings! Wherever beauty dwells,
  • In gulf or aerie, mountains or deep dells,
  • In light, in gloom, in star or blazing sun,
  • Thou pointest out the way, and straight ’tis won.
  • Amid his toil thou gav’st Leander breath;
  • Thou leddest Orpheus through the gleams of death;
  • Thou madest Pluto bear thin element;
  • And now, O winged Chieftain! thou hast sent
  • A moon-beam to the deep, deep water-world,
  • To find Endymion.
  • On gold sand impearl’d
  • With lily shells, and pebbles milky white,
  • Poor Cynthia greeted him, and sooth’d her light
  • Against his pallid face: he felt the charm
  • To breathlessness, and suddenly a warm
  • Of his heart’s blood: ’twas very sweet; he stay’d
  • His wandering steps, and half-entranced laid
  • His head upon a tuft of straggling weeds,
  • To taste the gentle moon, and freshening beads,
  • Lashed from the crystal roof by fishes’ tails.
  • And so he kept, until the rosy veils
  • Mantling the east, by Aurora’s peering hand
  • Were lifted from the water’s breast, and fann’d
  • Into sweet air; and sober’d morning came
  • Meekly through billows: — when like taper-flame
  • Left sudden by a dallying breath of air,
  • He rose in silence, and once more ’gan fare
  • Along his fated way.
  • Far had he roam’d,
  • With nothing save the hollow vast, that foam’d
  • Above, around, and at his feet; save things
  • More dead than Morpheus’ imaginings:
  • Old rusted anchors, helmets, breast-plates large
  • Of gone sea-warriors; brazen beaks and targe;
  • Rudders that for a hundred years had lost
  • The sway of human hand; gold vase emboss’d
  • With long-forgotten story, and wherein
  • No reveller had ever dipp’d a chin
  • But those of Saturn’s vintage; mouldering scrolls,
  • Writ in the tongue of heaven, by those souls
  • Who first were on the earth; and sculptures rude
  • In ponderous stone, developing the mood
  • Of ancient Nox; — then skeletons of man,
  • Of beast, behemoth, and leviathan,
  • And elephant, and eagle, and huge jaw
  • Of nameless monster. A cold leaden awe
  • These secrets struck into him; and unless
  • Dian had chaced away that heaviness,
  • He might have died: but now, with cheered feel,
  • He onward kept; wooing these thoughts to steal
  • About the labyrinth in his soul of love.
  • “What is there in thee, Moon! that thou shouldst move
  • My heart so potently? When yet a child
  • I oft have dried my tears when thou hast smil’d.
  • Thou seem’dst my sister: hand in hand we went
  • From eve to morn across the firmament.
  • No apples would I gather from the tree,
  • Till thou hadst cool’d their cheeks deliciously:
  • No tumbling water ever spake romance,
  • But when my eyes with thine thereon could dance:
  • No woods were green enough, no bower divine,
  • Until thou liftedst up thine eyelids fine:
  • In sowing time ne’er would I dibble take,
  • Or drop a seed, till thou wast wide awake;
  • And, in the summer tide of blossoming,
  • No one but thee hath heard me blithely sing
  • And mesh my dewy flowers all the night.
  • No melody was like a passing spright
  • If it went not to solemnize thy reign.
  • Yes, in my boyhood, every joy and pain
  • By thee were fashion’d to the self-same end;
  • And as I grew in years, still didst thou blend
  • With all my ardours: thou wast the deep glen;
  • Thou wast the mountain-top — the sage’s pen —
  • The poet’s harp — the voice of friends — the sun;
  • Thou wast the river — thou wast glory won;
  • Thou wast my clarion’s blast — thou wast my steed —
  • My goblet full of wine — my topmost deed: —
  • Thou wast the charm of women, lovely Moon!
  • O what a wild and harmonized tune
  • My spirit struck from all the beautiful!
  • On some bright essence could I lean, and lull
  • Myself to immortality: I prest
  • Nature’s soft pillow in a wakeful rest.
  • But, gentle Orb! there came a nearer bliss —
  • My strange love came — Felicity’s abyss!
  • She came, and thou didst fade, and fade away —
  • Yet not entirely; no, thy starry sway
  • Has been an under-passion to this hour.
  • Now I begin to feel thine orby power
  • Is coming fresh upon me: O be kind,
  • Keep back thine influence, and do not blind
  • My sovereign vision. — Dearest love, forgive
  • That I can think away from thee and live! —
  • Pardon me, airy planet, that I prize
  • One thought beyond thine argent luxuries!
  • How far beyond!” At this a surpris’d start
  • Frosted the springing verdure of his heart;
  • For as he lifted up his eyes to swear
  • How his own goddess was past all things fair,
  • He saw far in the concave green of the sea
  • An old man sitting calm and peacefully.
  • Upon a weeded rock this old man sat,
  • And his white hair was awful, and a mat
  • Of weeds were cold beneath his cold thin feet;
  • And, ample as the largest winding-sheet,
  • A cloak of blue wrapp’d up his aged bones,
  • O’erwrought with symbols by the deepest groans
  • Of ambitious magic: every ocean-form
  • Was woven in with black distinctness; storm,
  • And calm, and whispering, and hideous roar,
  • Quicksand, and whirlpool, and deserted shore
  • Were emblem’d in the woof; with every shape
  • That skims, or dives, or sleeps, ’twixt cape and cape.
  • The gulphing whale was like a dot in the spell,
  • Yet look upon it, and ’twould size and swell
  • To its huge self; and the minutest fish
  • Would pass the very hardest gazer’s wish,
  • And shew his little eye’s anatomy.
  • Then there was pictur’d the regality
  • Of Neptune; and the sea nymphs round his state,
  • In beauteous vassalage, look up and wait.
  • Beside this old man lay a pearly wand,
  • And in his lap a book, the which he conn’d
  • So stedfastly, that the new denizen
  • Had time to keep him in amazed ken,
  • To mark these shadowings, and stand in awe.
  • The old man rais’d his hoary head and saw
  • The wilder’d stranger — seeming not to see,
  • His features were so lifeless. Suddenly
  • He woke as from a trance; his snow-white brows
  • Went arching up, and like two magic ploughs
  • Furrow’d deep wrinkles in his forehead large,
  • Which kept as fixedly as rocky marge,
  • Till round his wither’d lips had gone a smile.
  • Then up he rose, like one whose tedious toil
  • Had watch’d for years in forlorn hermitage,
  • Who had not from mid-life to utmost age
  • Eas’d in one accent his o’er-burden’d soul,
  • Even to the trees. He rose: he grasp’d his stole,
  • With convuls’d clenches waving it abroad,
  • And in a voice of solemn joy, that aw’d
  • Echo into oblivion, he said: —
  • “Thou art the man! Now shall I lay my head
  • In peace upon my watery pillow: now
  • Sleep will come smoothly to my weary brow.
  • O Jove! I shall be young again, be young!
  • O shell-borne Neptune, I am pierc’d and stung
  • With new-born life! What shall I do? Where go,
  • When I have cast this serpent-skin of woe? —
  • I’ll swim to the syrens, and one moment listen
  • Their melodies, and see their long hair glisten;
  • Anon upon that giant’s arm I’ll be,
  • That writhes about the roots of Sicily:
  • To northern seas I’ll in a twinkling sail,
  • And mount upon the snortings of a whale
  • To some black cloud; thence down I’ll madly sweep
  • On forked lightning, to the deepest deep,
  • Where through some sucking pool I will be hurl’d
  • With rapture to the other side of the world!
  • O, I am full of gladness! Sisters three,
  • Yes, every god be thank’d, and power benign,
  • For I no more shall wither, droop, and pine.
  • Thou art the man!” Endymion started back
  • Dismay’d; and, like a wretch from whom the rack
  • Tortures hot breath, and speech of agony,
  • Mutter’d: “What lonely death am I to die
  • In this cold region! Will he let me freeze,
  • And float my brittle limbs o’er polar seas?
  • Or will he touch me with his searing hand,
  • And leave a black memorial on the sand?
  • Or tear me piece-meal with a bony saw,
  • And keep me as a chosen food to draw
  • His magian fish through hated fire and flame?
  • O misery of hell! resistless, tame,
  • Am I to be burnt up? No, I will shout,
  • Until the gods through heaven’s blue look out! —
  • O Tartarus! but some few days agone
  • Her soft arms were entwining me, and on
  • Her voice I hung like fruit among green leaves:
  • Her lips were all my own, and — ah, ripe sheaves
  • Of happiness! ye on the stubble droop,
  • But never may be garner’d. I must stoop
  • My head, and kiss death’s foot. Love! love, farewel!
  • Is there no hope from thee? This horrid spell
  • Would melt at thy sweet breath. — By Dian’s hind
  • Feeding from her white fingers, on the wind
  • I see thy streaming hair! and now, by Pan,
  • I care not for this old mysterious man!”
  • He spake, and walking to that aged form,
  • Look’d high defiance. Lo! his heart ’gan warm
  • With pity, for the grey-hair’d creature wept.
  • Had he then wrong’d a heart where sorrow kept?
  • Had he, though blindly contumelious, brought
  • Rheum to kind eyes, a sting to humane thought,
  • Convulsion to a mouth of many years?
  • He had in truth; and he was ripe for tears.
  • The penitent shower fell, as down he knelt
  • Before that care-worn sage, who trembling felt
  • About his large dark locks, and faultering spake:
  • “Arise, good youth, for sacred Phoebus’ sake!
  • I know thine inmost bosom, and I feel
  • A very brother’s yearning for thee steal
  • Into mine own: for why? thou openest
  • The prison gates that have so long opprest
  • My weary watching. Though thou know’st it not,
  • Thou art commission’d to this fated spot
  • For great enfranchisement. O weep no more;
  • I am a friend to love, to loves of yore:
  • Aye, hadst thou never lov’d an unknown power,
  • I had been grieving at this joyous hour.
  • But even now most miserable old,
  • I saw thee, and my blood no longer cold
  • Gave mighty pulses: in this tottering case
  • Grew a new heart, which at this moment plays
  • As dancingly as thine. Be not afraid,
  • For thou shalt hear this secret all display’d,
  • Now as we speed towards our joyous task.”
  • So saying, this young soul in age’s mask
  • Went forward with the Carian side by side:
  • Resuming quickly thus; while ocean’s tide
  • Hung swollen at their backs, and jewel’d sands
  • Took silently their foot-prints.
  • “My soul stands
  • Now past the midway from mortality,
  • And so I can prepare without a sigh
  • To tell thee briefly all my joy and pain.
  • I was a fisher once, upon this main,
  • And my boat danc’d in every creek and bay;
  • Rough billows were my home by night and day, —
  • The sea-gulls not more constant; for I had
  • But hollow rocks, — and they were palaces
  • Of silent happiness, of slumberous ease:
  • Long years of misery have told me so.
  • Aye, thus it was one thousand years ago.
  • One thousand years! — Is it then possible
  • To look so plainly through them? to dispel
  • A thousand years with backward glance sublime?
  • To breathe away as ’twere all scummy slime
  • From off a crystal pool, to see its deep,
  • And one’s own image from the bottom peep?
  • Yes: now I am no longer wretched thrall,
  • My long captivity and moanings all
  • Are but a slime, a thin-pervading scum,
  • The which I breathe away, and thronging come
  • Like things of yesterday my youthful pleasures.
  • “I touch’d no lute, I sang not, trod no measures:
  • I was a lonely youth on desert shores.
  • My sports were lonely, ’mid continuous roars,
  • And craggy isles, and sea-mew’s plaintive cry
  • Plaining discrepant between sea and sky.
  • Dolphins were still my playmates; shapes unseen
  • Would let me feel their scales of gold and green,
  • Nor be my desolation; and, full oft,
  • When a dread waterspout had rear’d aloft
  • Its hungry hugeness, seeming ready ripe
  • To burst with hoarsest thunderings, and wipe
  • My life away like a vast sponge of fate,
  • Some friendly monster, pitying my sad state,
  • Has dived to its foundations, gulph’d it down,
  • And left me tossing safely. But the crown
  • Of all my life was utmost quietude:
  • More did I love to lie in cavern rude,
  • Keeping in wait whole days for Neptune’s voice,
  • And if it came at last, hark, and rejoice!
  • There blush’d no summer eve but I would steer
  • My skiff along green shelving coasts, to hear
  • The shepherd’s pipe coming clear from aery steep,
  • Mingled with ceaseless bleatings of his sheep:
  • And never was a day of summer shine,
  • But I beheld its birth upon the brine:
  • For I would watch all night to see unfold
  • Heaven’s gates, and Aethon snort his morning gold
  • Wide o’er the swelling streams: and constantly
  • At brim of day-tide, on some grassy lea,
  • My nets would be spread out, and I at rest.
  • The poor folk of the sea-country I blest
  • With daily boon of fish most delicate:
  • They knew not whence this bounty, and elate
  • Would strew sweet flowers on a sterile beach.
  • “Why was I not contented? Wherefore reach
  • At things which, but for thee, O Latmian!
  • Had been my dreary death? Fool! I began
  • To feel distemper’d longings: to desire
  • The utmost privilege that ocean’s sire
  • Could grant in benediction: to be free
  • Of all his kingdom. Long in misery
  • I wasted, ere in one extremest fit
  • I plung’d for life or death. To interknit
  • One’s senses with so dense a breathing stuff
  • Might seem a work of pain; so not enough
  • Can I admire how crystal-smooth it felt,
  • And buoyant round my limbs. At first I dwelt
  • Whole days and days in sheer astonishment;
  • Forgetful utterly of self-intent;
  • Moving but with the mighty ebb and flow.
  • Then, like a new fledg’d bird that first doth shew
  • His spreaded feathers to the morrow chill,
  • I tried in fear the pinions of my will.
  • ’Twas freedom! and at once I visited
  • No need to tell thee of them, for I see
  • That thou hast been a witness — it must be —
  • For these I know thou canst not feel a drouth,
  • By the melancholy corners of that mouth.
  • So I will in my story straightway pass
  • To more immediate matter. Woe, alas!
  • That love should be my bane! Ah, Scylla fair!
  • Why did poor Glaucus ever — ever dare
  • To sue thee to his heart? Kind stranger-youth!
  • I lov’d her to the very white of truth,
  • And she would not conceive it. Timid thing!
  • She fled me swift as sea-bird on the wing,
  • Round every isle, and point, and promontory,
  • From where large Hercules wound up his story
  • Far as Egyptian Nile. My passion grew
  • The more, the more I saw her dainty hue
  • Gleam delicately through the azure clear:
  • Until ’twas too fierce agony to bear;
  • And in that agony, across my grief
  • It flash’d, that Circe might find some relief —
  • Cruel enchantress! So above the water
  • I rear’d my head, and look’d for Phoebus’ daughter.
  • Aeaea’s isle was wondering at the moon: —
  • It seem’d to whirl around me, and a swoon
  • Left me dead-drifting to that fatal power.
  • “When I awoke, ’twas in a twilight bower;
  • Just when the light of morn, with hum of bees,
  • Stole through its verdurous matting of fresh trees.
  • How sweet, and sweeter! for I heard a lyre,
  • And over it a sighing voice expire.
  • It ceased — I caught light footsteps; and anon
  • The fairest face that morn e’er look’d upon
  • Push’d through a screen of roses. Starry Jove!
  • With tears, and smiles, and honey-words she wove
  • A net whose thraldom was more bliss than all
  • The range of flower’d Elysium. Thus did fall
  • The dew of her rich speech: “Ah! Art awake?
  • O let me hear thee speak, for Cupid’s sake!
  • I am so oppress’d with joy! why, I have shed
  • An urn of tears, as though thou wert cold dead;
  • And now I find thee living, I will pour
  • From these devoted eyes their silver store,
  • Until exhausted of the latest drop,
  • So it will pleasure thee, and force thee stop
  • Here, that I too may live: but if beyond
  • Such cool and sorrowful offerings, thou art fond
  • If thou art ripe to taste a long love dream;
  • If smiles, if dimples, tongues for ardour mute,
  • Hang in thy vision like a tempting fruit,
  • O let me pluck it for thee.” Thus she link’d
  • Her charming syllables, till indistinct
  • Their music came to my o’er-sweeten’d soul;
  • And then she hover’d over me, and stole
  • So near, that if no nearer it had been
  • This furrow’d visage thou hadst never seen.
  • “Young man of Latmos! thus particular
  • Am I, that thou may’st plainly see how far
  • This fierce temptation went: and thou may’st not
  • Exclaim, How then, was Scylla quite forgot?
  • “Who could resist? Who in this universe?
  • She did so breathe ambrosia; so immerse
  • My fine existence in a golden clime.
  • She took me like a child of suckling time,
  • And cradled me in roses. Thus condemn’d,
  • The current of my former life was stemm’d,
  • And to this arbitrary queen of sense
  • I bow’d a tranced vassal: nor would thence
  • Have mov’d, even though Amphion’s harp had woo’d
  • For as Apollo each eve doth devise
  • A new appareling for western skies;
  • So every eve, nay every spendthrift hour
  • Shed balmy consciousness within that bower.
  • And I was free of haunts umbrageous;
  • Could wander in the mazy forest-house
  • Of squirrels, foxes shy, and antler’d deer,
  • And birds from coverts innermost and drear
  • Warbling for very joy mellifluous sorrow —
  • To me new born delights!
  • “Now let me borrow,
  • For moments few, a temperament as stern
  • As Pluto’s sceptre, that my words not burn
  • These uttering lips, while I in calm speech tell
  • How specious heaven was changed to real hell.
  • “One morn she left me sleeping: half awake
  • I sought for her smooth arms and lips, to slake
  • My greedy thirst with nectarous camel-draughts;
  • But she was gone. Whereat the barbed shafts
  • Of disappointment stuck in me so sore,
  • That out I ran and search’d the forest o’er.
  • Wandering about in pine and cedar gloom
  • Damp awe assail’d me; for there ’gan to boom
  • A sound of moan, an agony of sound,
  • Sepulchral from the distance all around.
  • Then came a conquering earth-thunder, and rumbled
  • That fierce complain to silence: while I stumbled
  • Down a precipitous path, as if impell’d.
  • I came to a dark valley. — Groanings swell’d
  • Poisonous about my ears, and louder grew,
  • The nearer I approach’d a flame’s gaunt blue,
  • That glar’d before me through a thorny brake.
  • This fire, like the eye of gordian snake,
  • Bewitch’d me towards; and I soon was near
  • A sight too fearful for the feel of fear:
  • In thicket hid I curs’d the haggard scene —
  • The banquet of my arms, my arbour queen,
  • Seated upon an uptorn forest root;
  • And all around her shapes, wizard and brute,
  • Laughing, and wailing, groveling, serpenting,
  • Shewing tooth, tusk, and venom-bag, and sting!
  • O such deformities! Old Charon’s self,
  • Should he give up awhile his penny pelf,
  • And take a dream ’mong rushes Stygian,
  • It could not be so phantasied. Fierce, wan,
  • And tyrannizing was the lady’s look,
  • As over them a gnarled staff she shook.
  • And from a basket emptied to the rout
  • Clusters of grapes, the which they raven’d quick
  • And roar’d for more; with many a hungry lick
  • About their shaggy jaws. Avenging, slow,
  • Anon she took a branch of mistletoe,
  • And emptied on’t a black dull-gurgling phial:
  • Groan’d one and all, as if some piercing trial
  • Was sharpening for their pitiable bones.
  • She lifted up the charm: appealing groans
  • From their poor breasts went sueing to her ear
  • In vain; remorseless as an infant’s bier
  • She whisk’d against their eyes the sooty oil.
  • Whereat was heard a noise of painful toil,
  • Increasing gradual to a tempest rage,
  • Shrieks, yells, and groans of torture-pilgrimage;
  • Until their grieved bodies ’gan to bloat
  • And puff from the tail’s end to stifled throat:
  • Then was appalling silence: then a sight
  • More wildering than all that hoarse affright;
  • For the whole herd, as by a whirlwind writhen,
  • Went through the dismal air like one huge Python
  • Antagonizing Boreas, — and so vanish’d.
  • Yet there was not a breath of wind: she banish’d
  • These phantoms with a nod. Lo! from the dark
  • Came waggish fauns, and nymphs, and satyrs stark,
  • With dancing and loud revelry, — and went
  • Swifter than centaurs after rapine bent. —
  • Sighing, an elephant appear’d and bow’d
  • Before the fierce witch, speaking thus aloud
  • In human accent: “Potent goddess! chief
  • Of pains resistless! make my being brief,
  • Or let me from this heavy prison fly:
  • Or give me to the air, or let me die!
  • I sue not for my happy crown again;
  • I sue not for my phalanx on the plain;
  • I sue not for my lone, my widow’d wife;
  • I sue not for my ruddy drops of life,
  • My children fair, my lovely girls and boys!
  • I will forget them; I will pass these joys;
  • Ask nought so heavenward, so too — too high:
  • Only I pray, as fairest boon, to die,
  • Or be deliver’d from this cumbrous flesh,
  • From this gross, detestable, filthy mesh,
  • And merely given to the cold bleak air.
  • Have mercy, Goddess! Circe, feel my prayer!”
  • “That curst magician’s name fell icy numb
  • Upon my wild conjecturing: truth had come
  • Naked and sabre-like against my heart.
  • I saw a fury whetting a death-dart;
  • And my slain spirit, overwrought with fright,
  • Fainted away in that dark lair of night.
  • Think, my deliverer, how desolate
  • My waking must have been! disgust, and hate,
  • And terrors manifold divided me
  • A spoil amongst them. I prepar’d to flee
  • Into the dungeon core of that wild wood:
  • I fled three days — when lo! before me stood
  • Glaring the angry witch. O Dis, even now,
  • A clammy dew is beading on my brow,
  • At mere remembering her pale laugh, and curse.
  • “Ha! ha! Sir Dainty! there must be a nurse
  • Made of rose leaves and thistledown, express,
  • To cradle thee my sweet, and lull thee: yes,
  • I am too flinty-hard for thy nice touch:
  • My tenderest squeeze is but a giant’s clutch.
  • So, fairy-thing, it shall have lullabies
  • Unheard of yet; and it shall still its cries
  • Upon some breast more lily-feminine.
  • Oh, no — it shall not pine, and pine, and pine
  • More than one pretty, trifling thousand years;
  • And then ’twere pity, but fate’s gentle shears
  • Cut short its immortality. Sea-flirt!
  • Young dove of the waters! truly I’ll not hurt
  • One hair of thine: see how I weep and sigh,
  • That our heart-broken parting is so nigh.
  • And must we part? Ah, yes, it must be so.
  • Yet ere thou leavest me in utter woe,
  • Let me sob over thee my last adieus,
  • And speak a blessing: Mark me! Thou hast thews
  • Immortal, for thou art of heavenly race:
  • But such a love is mine, that here I chase
  • Eternally away from thee all bloom
  • Of youth, and destine thee towards a tomb.
  • Hence shalt thou quickly to the watery vast;
  • And there, ere many days be overpast,
  • Disabled age shall seize thee; and even then
  • Thou shalt not go the way of aged men;
  • But live and wither, cripple and still breathe
  • Ten hundred years: which gone, I then bequeath
  • Thy fragile bones to unknown burial.
  • Adieu, sweet love, adieu!” — As shot stars fall,
  • She fled ere I could groan for mercy. Stung
  • A war-song of defiance ’gainst all hell.
  • A hand was at my shoulder to compel
  • My sullen steps; another ’fore my eyes
  • Moved on with pointed finger. In this guise
  • Enforced, at the last by ocean’s foam
  • I found me; by my fresh, my native home.
  • Its tempering coolness, to my life akin,
  • Came salutary as I waded in;
  • And, with a blind voluptuous rage, I gave
  • Battle to the swollen billow-ridge, and drave
  • Large froth before me, while there yet remain’d
  • Hale strength, nor from my bones all marrow drain’d.
  • “Young lover, I must weep — such hellish spite
  • With dry cheek who can tell? While thus my might
  • Proving upon this element, dismay’d,
  • Upon a dead thing’s face my hand I laid;
  • I look’d — ’twas Scylla! cursed, cursed Circe!
  • O vulture-witch, hast never heard of mercy?
  • Could not thy harshest vengeance be content,
  • But thou must nip this tender innocent
  • Because I lov’d her? — Cold, O cold indeed
  • Were her fair limbs, and like a common weed
  • I clung about her waist, nor ceas’d to pass
  • Fleet as an arrow through unfathom’d brine,
  • Until there shone a fabric crystalline,
  • Ribb’d and inlaid with coral, pebble, and pearl.
  • Headlong I darted; at one eager swirl
  • Gain’d its bright portal, enter’d, and behold!
  • ’Twas vast, and desolate, and icy-cold;
  • And all around — But wherefore this to thee
  • Who in few minutes more thyself shalt see? —
  • I left poor Scylla in a niche and fled.
  • My fever’d parchings up, my scathing dread
  • Met palsy half way: soon these limbs became
  • Gaunt, wither’d, sapless, feeble, cramp’d, and lame.
  • “Now let me pass a cruel, cruel space,
  • Without one hope, without one faintest trace
  • Of mitigation, or redeeming bubble
  • Of colour’d phantasy; for I fear ’twould trouble
  • Thy brain to loss of reason: and next tell
  • How a restoring chance came down to quell
  • One half of the witch in me.
  • “On a day,
  • Sitting upon a rock above the spray,
  • I saw grow up from the horizon’s brink
  • A gallant vessel: soon she seem’d to sink
  • Away from me again, as though her course
  • Had been resum’d in spite of hindering force —
  • So vanish’d: and not long, before arose
  • Dark clouds, and mutterings of winds morose.
  • Old Eolus would stifle his mad spleen,
  • But could not: therefore all the billows green
  • Toss’d up the silver spume against the clouds.
  • The tempest came: I saw that vessel’s shrouds
  • In perilous bustle; while upon the deck
  • Stood trembling creatures. I beheld the wreck;
  • The final gulphing; the poor struggling souls:
  • I heard their cries amid loud thunder-rolls.
  • O they had all been sav’d but crazed eld
  • Annull’d my vigorous cravings: and thus quell’d
  • And curb’d, think on’t, O Latmian! did I sit
  • Writhing with pity, and a cursing fit
  • Against that hell-born Circe. The crew had gone,
  • By one and one, to pale oblivion;
  • And I was gazing on the surges prone,
  • With many a scalding tear and many a groan,
  • When at my feet emerg’d an old man’s hand,
  • Grasping this scroll, and this same slender wand.
  • I knelt with pain — reached out my hand — had grasp’d
  • These treasures — touch’d the knuckles — they unclasp’d —
  • I caught a finger: but the downward weight
  • O’erpowered me — it sank. Then ’gan abate
  • The storm, and through chill aguish gloom outburst
  • The comfortable sun. I was athirst
  • To search the book, and in the warming air
  • Parted its dripping leaves with eager care.
  • Strange matters did it treat of, and drew on
  • My soul page after page, till well-nigh won
  • Into forgetfulness; when, stupefied,
  • I read these words, and read again, and tried
  • My eyes against the heavens, and read again.
  • O what a load of misery and pain
  • Each Atlas-line bore off! — a shine of hope
  • Came gold around me, cheering me to cope
  • Strenuous with hellish tyranny. Attend!
  • For thou hast brought their promise to an end.
  • “In the wide sea there lives a forlorn wretch,
  • Doom’d with enfeebled carcase to outstretch
  • His loath’d existence through ten centuries,
  • And then to die alone. Who can devise
  • A total opposition? No one. So
  • One million times ocean must ebb and flow,
  • And he oppressed. Yet he shall not die,
  • These things accomplish’d: — If he utterly
  • Scans all the depths of magic, and expounds
  • The meanings of all motions, shapes, and sounds;
  • If he explores all forms and substances
  • Straight homeward to their symbol-essences;
  • He shall not die. Moreover, and in chief,
  • He must pursue this task of joy and grief
  • Most piously; — all lovers tempest-tost,
  • And in the savage overwhelming lost,
  • He shall deposit side by side, until
  • Time’s creeping shall the dreary space fulfil:
  • Which done, and all these labours ripened,
  • A youth, by heavenly power lov’d and led,
  • Shall stand before him; whom he shall direct
  • How to consummate all. The youth elect
  • Must do the thing, or both will be destroy’d.” —
  • “Then,” cried the young Endymion, overjoy’d,
  • “We are twin brothers in this destiny!
  • Say, I intreat thee, what achievement high
  • Is, in this restless world, for me reserv’d.
  • What! if from thee my wandering feet had swerv’d,
  • Had we both perish’d?” — “Look!” the sage replied,
  • “Dost thou not mark a gleaming through the tide,
  • Of divers brilliances? ’tis the edifice
  • I told thee of, where lovely Scylla lies;
  • And where I have enshrined piously
  • All lovers, whom fell storms have doom’d to die
  • Throughout my bondage.” Thus discoursing, on
  • They went till unobscur’d the porches shone;
  • Which hurryingly they gain’d, and enter’d straight.
  • Sure never since king Neptune held his state
  • Was seen such wonder underneath the stars.
  • Turn to some level plain where haughty Mars
  • Has legion’d all his battle; and behold
  • How every soldier, with firm foot, doth hold
  • His even breast: see, many steeled squares,
  • And rigid ranks of iron — whence who dares
  • One step? Imagine further, line by line,
  • These warrior thousands on the field supine: —
  • So in that crystal place, in silent rows,
  • Poor lovers lay at rest from joys and woes. —
  • The stranger from the mountains, breathless, trac’d
  • Such thousands of shut eyes in order placed;
  • Such ranges of white feet, and patient lips
  • All ruddy, — for here death no blossom nips.
  • He mark’d their brows and foreheads; saw their hair
  • Put sleekly on one side with nicest care;
  • And each one’s gentle wrists, with reverence,
  • Put cross-wise to its heart.
  • “Let us commence,”
  • Whisper’d the guide, stuttering with joy, “even now.”
  • He spake, and, trembling like an aspen-bough,
  • Began to tear his scroll in pieces small,
  • Uttering the while some mumblings funeral.
  • He tore it into pieces small as snow
  • That drifts unfeather’d when bleak northerns blow;
  • And having done it, took his dark blue cloak
  • And bound it round Endymion: then stroke
  • His wand against the empty air times nine. —
  • “What more there is to do, young man, is thine:
  • But first a little patience; first undo
  • This tangled thread, and wind it to a clue.
  • Ah, gentle! ’tis as weak as spider’s skein;
  • And shouldst thou break it — What, is it done so clean?
  • A power overshadows thee! Oh, brave!
  • The spite of hell is tumbling to its grave.
  • Here is a shell; ’tis pearly blank to me,
  • Nor mark’d with any sign or charactery —
  • Canst thou read aught? O read for pity’s sake!
  • Olympus! we are safe! Now, Carian, break
  • This wand against yon lyre on the pedestal.”
  • ’Twas done: and straight with sudden swell and fall
  • Sweet music breath’d her soul away, and sigh’d
  • A lullaby to silence. — “Youth! now strew
  • These minced leaves on me, and passing through
  • Those files of dead, scatter the same around,
  • And thou wilt see the issue.” — ’Mid the sound
  • Of flutes and viols, ravishing his heart,
  • Endymion from Glaucus stood apart,
  • And scatter’d in his face some fragments light.
  • How lightning-swift the change! a youthful wight
  • Smiling beneath a coral diadem,
  • Out-sparkling sudden like an upturn’d gem,
  • Appear’d, and, stepping to a beauteous corse,
  • Kneel’d down beside it, and with tenderest force
  • Press’d its cold hand, and wept, — and Scylla sigh’d!
  • Endymion, with quick hand, the charm applied —
  • The nymph arose: he left them to their joy,
  • And onward went upon his high employ,
  • Showering those powerful fragments on the dead.
  • And, as he pass’d, each lifted up its head,
  • As doth a flower at Apollo’s touch.
  • Death felt it to his inwards: ’twas too much:
  • Death fell a weeping in his charnel-house.
  • The Latmian persever’d along, and thus
  • All were re-animated. There arose
  • A noise of harmony, pulses and throes
  • Of gladness in the air — while many, who
  • Had died in mutual arms devout and true,
  • Sprang to each other madly; and the rest
  • Felt a high certainty of being blest.
  • They gaz’d upon Endymion. Enchantment
  • Grew drunken, and would have its head and bent.
  • Delicious symphonies, like airy flowers,
  • Budded, and swell’d, and, full-blown, shed full showers
  • Of light, soft, unseen leaves of sounds divine.
  • The two deliverers tasted a pure wine
  • Of happiness, from fairy-press ooz’d out.
  • Speechless they eyed each other, and about
  • The fair assembly wander’d to and fro,
  • Distracted with the richest overflow
  • Of joy that ever pour’d from heaven.
  • — “Away!”
  • Shouted the new born god; “Follow, and pay
  • Our piety to Neptunus supreme!” —
  • Then Scylla, blushing sweetly from her dream,
  • They led on first, bent to her meek surprise,
  • Through portal columns of a giant size,
  • Into the vaulted, boundless emerald.
  • Joyous all follow’d, as the leader call’d,
  • Down marble steps; pouring as easily
  • As hour-glass sand — and fast, as you might see
  • Swallows obeying the south summer’s call,
  • Or swans upon a gentle waterfall.
  • Thus went that beautiful multitude, nor far,
  • Ere from among some rocks of glittering spar,
  • Just within ken, they saw descending thick
  • Another multitude. Whereat more quick
  • Moved either host. On a wide sand they met,
  • And of those numbers every eye was wet;
  • For each their old love found. A murmuring rose,
  • Like what was never heard in all the throes
  • Of wind and waters: ’tis past human wit
  • To tell; ’tis dizziness to think of it.
  • This mighty consummation made, the host
  • Mov’d on for many a league; and gain’d, and lost
  • Huge sea-marks; vanward swelling in array,
  • And from the rear diminishing away, —
  • Till a faint dawn surpris’d them. Glaucus cried,
  • “Behold! behold, the palace of his pride!
  • God Neptune’s palaces!” With noise increas’d,
  • They shoulder’d on towards that brightening east
  • At every onward step proud domes arose
  • In prospect, — diamond gleams, and golden glows
  • Of amber ’gainst their faces levelling.
  • Joyous, and many as the leaves in spring,
  • Still onward; still the splendour gradual swell’d.
  • Rich opal domes were seen, on high upheld
  • By jasper pillars, letting through their shafts
  • A blush of coral. Copious wonder-draughts
  • Each gazer drank; and deeper drank more near:
  • For what poor mortals fragment up, as mere
  • As marble was there lavish, to the vast
  • Of one fair palace, that far far surpass’d,
  • Even for common bulk, those olden three,
  • Memphis, and Babylon, and Nineveh.
  • As large, as bright, as colour’d as the bow
  • Of Iris, when unfading it doth shew
  • Beyond a silvery shower, was the arch
  • Through which this Paphian army took its march,
  • Into the outer courts of Neptune’s state:
  • Whence could be seen, direct, a golden gate,
  • To which the leaders sped; but not half raught
  • Ere it burst open swift as fairy thought,
  • And made those dazzled thousands veil their eyes
  • Like callow eagles at the first sunrise.
  • Soon with an eagle nativeness their gaze
  • Ripe from hue-golden swoons took all the blaze,
  • And then, behold! large Neptune on his throne
  • Of emerald deep: yet not exalt alone;
  • At his right hand stood winged Love, and on
  • His left sat smiling Beauty’s paragon.
  • Far as the mariner on highest mast
  • Can see all round upon the calmed vast,
  • So wide was Neptune’s hall: and as the blue
  • Doth vault the waters, so the waters drew
  • Their doming curtains, high, magnificent,
  • Aw’d from the throne aloof; — and when storm-rent
  • Disclos’d the thunder-gloomings in Jove’s air;
  • But sooth’d as now, flash’d sudden everywhere,
  • Noiseless, sub-marine cloudlets, glittering
  • Death to a human eye: for there did spring
  • From natural west, and east, and south, and north,
  • A light as of four sunsets, blazing forth
  • A gold-green zenith ’bove the Sea-God’s- head.
  • Of lucid depth the floor, and far outspread
  • As breezeless lake, on which the slim canoe,
  • Of feather’d Indian darts about, as through
  • The delicatest air: air verily,
  • But for the portraiture of clouds and sky:
  • This palace floor breath-air, — but for the amaze
  • Of deep-seen wonders motionless, — and blaze
  • Of the dome pomp, reflected in extremes,
  • Globing a golden sphere.
  • They stood in dreams
  • Till Triton blew his horn. The palace rang;
  • The Nereids danc’d; the Syrens faintly sang;
  • And the great Sea-King- bow’d his dripping head.
  • Then Love took wing, and from his pinions shed
  • On all the multitude a nectarous dew.
  • The ooze-born Goddess beckoned and drew
  • Fair Scylla and her guides to conference;
  • And when they reach’d the throned eminence
  • She kist the sea-nymph’s cheek, — who sat her down
  • A toying with the doves. Then, — “Mighty crown
  • And sceptre of this kingdom!” Venus said,
  • “Thy vows were on a time to Nais paid:
  • Behold!” — Two copious tear-drops instant fell
  • From the God’s large eyes; he smil’d delectable,
  • And over Glaucus held his blessing hands. —
  • “Endymion! Ah! still wandering in the bands
  • Of Love? Now this is cruel. Since the hour
  • I met thee in earth’s bosom, all my power
  • Have I put forth to serve thee. What, not yet
  • Escap’d from dull mortality’s harsh net?
  • A little patience, youth! ’twill not be long,
  • Or I am skilless quite: an idle tongue,
  • A humid eye, and steps luxurious,
  • Where these are new and strange, are ominous.
  • Aye, I have seen these signs in one of heaven,
  • When others were all blind; and were I given
  • To utter secrets, haply I might say
  • Some pleasant words: — but love will have his day.
  • So wait awhile expectant. Pr’ythee soon,
  • Even in the passing of thine honey-moon,
  • Visit thou my Cythera: thou wilt find
  • Cupid well-natured, my Adonis kind;
  • And pray persuade with thee — Ah, I have done,
  • All blisses be upon thee, my sweet son!” —
  • Thus the fair goddess: while Endymion
  • Knelt to receive those accents halcyon.
  • Meantime a glorious revelry began
  • Before the Water-Monarch. Nectar ran
  • In courteous fountains to all cups outreach’d;
  • And plunder’d vines, teeming exhaustless, pleach’d
  • New growth about each shell and pendent lyre;
  • The which, in disentangling for their fire
  • Pull’d down fresh foliage and coverture
  • For dainty toying. Cupid, empire-sure,
  • Flutter’d and laugh’d, and oft-times through the throng
  • Made a delighted way. Then dance, and song,
  • And garlanding grew wild; and pleasure reign’d.
  • In harmless tendril they each other chain’d,
  • And strove who should be smother’d deepest in
  • Fresh crush of leaves.
  • O ’tis a very sin
  • For one so weak to venture his poor verse
  • In such a place as this. O do not curse,
  • High Muses! let him hurry to the ending.
  • All suddenly were silent. A soft blending
  • Of dulcet instruments came charmingly;
  • And then a hymn.
  • “King of the stormy sea!
  • Brother of Jove, and co-inheritor
  • Of elements! Eternally before
  • Thee the waves awful bow. Fast, stubborn rock,
  • At thy fear’d trident shrinking, doth unlock
  • Its deep foundations, hissing into foam.
  • All mountain-rivers lost in the wide home
  • Of thy capacious bosom ever flow.
  • Thou frownest, and old Eolus thy foe
  • Skulks to his cavern, ’mid the gruff complaint
  • Of all his rebel tempests. Dark clouds faint
  • When, from thy diadem, a silver gleam
  • Slants over blue dominion. Thy bright team
  • Gulphs in the morning light, and scuds along
  • To bring thee nearer to that golden song
  • Apollo singeth, while his chariot
  • Waits at the doors of heaven. Thou art not
  • For scenes like this: an empire stern hast thou;
  • And it hath furrow’d that large front: yet now,
  • As newly come of heaven, dost thou sit
  • To blend and interknit
  • Subdued majesty with this glad time.
  • O shell-borne King sublime!
  • We lay our hearts before thee evermore —
  • We sing, and we adore!
  • “Breathe softly, flutes;
  • Be tender of your strings, ye soothing lutes;
  • Nor be the trumpet heard! O vain, O vain;
  • Not flowers budding in an April rain,
  • Nor breath of sleeping dove, nor river’s flow, —
  • No, nor the Eolian twang of Love’s own bow,
  • Can mingle music fit for the soft ear
  • Of goddess Cytherea!
  • Yet deign, white Queen of Beauty, thy fair eyes
  • On our souls’ sacrifice.
  • “Bright-winged Child!
  • Who has another care when thou hast smil’d?
  • Unfortunates on earth, we see at last
  • All death-shadows, and glooms that overcast
  • Our spirits, fann’d away by thy light pinions.
  • O sweetest essence! sweetest of all minions!
  • God of warm pulses, and dishevell’d hair,
  • And panting bosoms bare!
  • Dear unseen light in darkness! eclipser
  • Of light in light! delicious poisoner
  • Thy venom’d goblet will we quaff until
  • We fill — we fill!
  • And by thy Mother’s lips —”
  • Was heard no more
  • For clamour, when the golden palace door
  • Opened again, and from without, in shone
  • A new magnificence. On oozy throne
  • Smooth-moving came Oceanus the old,
  • To take a latest glimpse at his sheep-fold,
  • Before he went into his quiet cave
  • To muse for ever — Then a lucid wave,
  • Scoop’d from its trembling sisters of mid-sea,
  • Of Doris, and the Egean seer, her spouse —
  • Next, on a dolphin, clad in laurel boughs,
  • Theban Amphion leaning on his lute:
  • His fingers went across it — All were mute
  • To gaze on Amphitrite, queen of pearls,
  • And Thetis pearly too. —
  • The palace whirls
  • Around giddy Endymion; seeing he
  • Was there far strayed from mortality.
  • He could not bear it — shut his eyes in vain;
  • Imagination gave a dizzier pain.
  • “O I shall die! sweet Venus, be my stay!
  • Where is my lovely mistress? Well-away!
  • I die — I hear her voice — I feel my wing —”
  • At Neptune’s feet he sank. A sudden ring
  • Of Nereids were about him, in kind strife
  • To usher back his spirit into life:
  • But still he slept. At last they interwove
  • Their cradling arms, and purpos’d to convey
  • Towards a crystal bower far away.
  • Lo! while slow carried through the pitying crowd,
  • To his inward senses these words spake aloud;
  • Written in star-light on the dark above:
  • Dearest Endymion! my entire love!
  • How have I dwelt in fear of fate: ’tis done —
  • Immortal bliss for me too hast thou won.
  • Arise then! for the hen-dove shall not hatch
  • Her ready eggs, before I’ll kissing snatch
  • Thee into endless heaven. Awake! awake!
  • The youth at once arose: a placid lake
  • Came quiet to his eyes; and forest green,
  • Cooler than all the wonders he had seen,
  • Lull’d with its simple song his fluttering breast.
  • How happy once again in grassy nest!
×

Endymion: A Poetic Romance BOOK IV

  • Muse of my native land! loftiest Muse!
  • O first-born on the mountains! by the hues
  • Of heaven on the spiritual air begot:
  • Long didst thou sit alone in northern grot,
  • While yet our England was a wolfish den;
  • Before our forests heard the talk of men;
  • Before the first of Druids was a child; —
  • Long didst thou sit amid our regions wild
  • Rapt in a deep prophetic solitude.
  • There came an eastern voice of solemn mood: —
  • Yet wast thou patient. Then sang forth the Nine,
  • Apollo’s garland: —yet didst thou divine
  • Such home-bred glory, that they cry’d in vain,
  • “Come hither, Sister of the Island!” Plain
  • Spake fair Ausonia; and once more she spake
  • A higher summons: — still didst thou betake
  • Thee to thy native hopes. O thou hast won
  • A full accomplishment! The thing is done,
  • Which undone, these our latter days had risen
  • On barren souls. Great Muse, thou know’st what prison,
  • Of flesh and bone curbs, and confines, and frets
  • Our spirit’s wings: despondency besets
  • Our pillows; and the fresh to-morrow morn
  • Seems to give forth its light in very scorn
  • Of our dull, uninspired, snail-paced lives.
  • Long have I said, how happy he who shrives
  • To thee! But then I thought on poets gone,
  • And could not pray: —nor can I now —so on
  • I move to the end in lowliness of heart. —
  • “Ah, woe is me! that I should fondly part
  • From my dear native land! Ah, foolish maid!
  • Glad was the hour, when, with thee, myriads bade
  • Adieu to Ganges and their pleasant fields!
  • To one so friendless the clear freshet yields
  • A bitter coolness; the ripe grape is sour:
  • Yet I would have, great gods! but one short hour
  • Of native air — let me but die at home.”
  • Endymion to heaven’s airy dome
  • Was offering up a hecatomb of vows,
  • When these words reach’d him. Whereupon he bows
  • His head through thorny-green entanglement
  • Of underwood, and to the sound is bent,
  • Anxious as hind towards her hidden fawn.
  • “Is no one near to help me? No fair dawn
  • Of life from charitable voice? No sweet saying
  • To set my dull and sadden’d spirit playing?
  • No hand to toy with mine? No lips so sweet
  • That I may worship them? No eyelids meet
  • To twinkle on my bosom? No one dies
  • Before me, till from these enslaving eyes
  • Redemption sparkles! —I am sad and lost.”
  • Thou, Carian lord, hadst better have been tost
  • Into a whirlpool. Vanish into air,
  • Warm mountaineer! for canst thou only bear
  • A woman’s sigh alone and in distress?
  • See not her charms! Is Phoebe passionless?
  • Phoebe is fairer far —O gaze no more: —
  • Yet if thou wilt behold all beauty’s store,
  • Behold her panting in the forest grass!
  • Do not those curls of glossy jet surpass
  • For tenderness the arms so idly lain
  • Amongst them? Feelest not a kindred pain,
  • To see such lovely eyes in swimming search
  • After some warm delight, that seems to perch
  • Dovelike in the dim cell lying beyond
  • Their upper lids? —Hist!
  • “O for Hermes’ wand,
  • To touch this flower into human shape!
  • That woodland Hyacinthus could escape
  • From his green prison, and here kneeling down
  • Call me his queen, his second life’s fair crown!
  • Ah me, how I could love! — My soul doth melt
  • For the unhappy youth — Love! I have felt
  • So faint a kindness, such a meek surrender
  • To what my own full thoughts had made too tender,
  • That but for tears my life had fled away! —
  • Ye deaf and senseless minutes of the day,
  • And thou, old forest, hold ye this for true,
  • There is no lightning, no authentic dew
  • But in the eye of love: there’s not a sound,
  • Melodious howsoever, can confound
  • The heavens and earth in one to such a death
  • As doth the voice of love: there’s not a breath
  • Will mingle kindly with the meadow air,
  • Till it has panted round, and stolen a share
  • Of passion from the heart!”—
  • Upon a bough
  • He leant, wretched. He surely cannot now
  • Thirst for another love: O impious,
  • That he can even dream upon it thus! —
  • Thought he, “Why am I not as are the dead,
  • Since to a woe like this I have been led
  • Through the dark earth, and through the wondrous sea?
  • Goddess! I love thee not the less: from thee
  • By Juno’s smile I turn not — no, no, no —
  • While the great waters are at ebb and flow. —
  • I have a triple soul! O fond pretence —
  • For both, for both my love is so immense,
  • I feel my heart is cut for them in twain.”
  • And so he groan’d, as one by beauty slain.
  • The lady’s heart beat quick, and he could see
  • Her gentle bosom heave tumultuously.
  • He sprang from his green covert: there she lay,
  • Sweet as a muskrose upon new-made hay;
  • With all her limbs on tremble, and her eyes
  • Shut softly up alive. To speak he tries.
  • “Fair damsel, pity me! forgive that I
  • Thus violate thy bower’s sanctity!
  • O pardon me, for I am full of grief —
  • Grief born of thee, young angel! fairest thief!
  • Who stolen hast away the wings wherewith
  • I was to top the heavens. Dear maid, sith
  • Thou art my executioner, and I feel
  • Loving and hatred, misery and weal,
  • Will in a few short hours be nothing to me,
  • And all my story that much passion slew me;
  • Do smile upon the evening of my days:
  • And, for my tortur’d brain begins to craze,
  • Be thou my nurse; and let me understand
  • How dying I shall kiss that lily hand. —
  • Dost weep for me? Then should I be content.
  • Scowl on, ye fates! until the firmament
  • Outblackens Erebus, and the full-cavern’d earth
  • Crumbles into itself. By the cloud girth
  • Of Jove, those tears have given me a thirst
  • To meet oblivion.” — As her heart would burst
  • The maiden sobb’d awhile, and then replied:
  • “Why must such desolation betide
  • As that thou speak’st of? Are not these green nooks
  • Empty of all misfortune? Do the brooks
  • Utter a gorgon voice? Does yonder thrush,
  • Schooling its half-fledg’d little ones to brush
  • About the dewy forest, whisper tales? —
  • Speak not of grief, young stranger, or cold snails
  • Will slime the rose to night. Though if thou wilt,
  • Methinks ’twould be a guilt — a very guilt —
  • Not to companion thee, and sigh away
  • The light — the dusk — the dark — till break of day! ”
  • “Dear lady,” said Endymion, “’tis past:
  • I love thee! and my days can never last.
  • That I may pass in patience still speak:
  • Let me have music dying, and I seek
  • No more delight — I bid adieu to all.
  • Didst thou not after other climates call,
  • And murmur about Indian streams?” — Then she,
  • Sitting beneath the midmost forest tree,
  • For pity sang this roundelay —
  • “ O Sorrow,
  • Why dost borrow
  • The natural hue of health, from vermeil lips? —
  • To give maiden blushes
  • To the white rose bushes?
  • Or is’t thy dewy hand the daisy tips?
  • “O Sorrow,
  • Why dost borrow
  • The lustrous passion from a falcon-eye? —
  • To give the glow-worm light?
  • Or, on a moonless night,
  • To tinge, on syren shores, the salt sea-spry?
  • “O Sorrow,
  • Why dost borrow
  • The mellow ditties from a mourning tongue? —
  • To give at evening pale
  • Unto the nightingale,
  • That thou mayst listen the cold dews among?
  • “O Sorrow,
  • Why dost borrow
  • Heart’s lightness from the merriment of May? —
  • A lover would not tread
  • A cowslip on the head,
  • Though he should dance from eve till peep of day —
  • Nor any drooping flower
  • Held sacred for thy bower,
  • Wherever he may sport himself and play.
  • “To Sorrow,
  • I bade good-morrow,
  • And thought to leave her far away behind;
  • But cheerly, cheerly,
  • She loves me dearly;
  • She is so constant to me, and so kind:
  • I would deceive her
  • And so leave her,
  • But ah! she is so constant and so kind.
  • “Beneath my palm trees, by the river side,
  • I sat a weeping: in the whole world wide
  • There was no one to ask me why I wept, —
  • And so I kept
  • Brimming the water-lily cups with tears
  • Cold as my fears.
  • “Beneath my palm trees, by the river side,
  • I sat a weeping: what enamour’d bride,
  • Cheated by shadowy wooer from the clouds,
  • But hides and shrouds
  • Beneath dark palm trees by a river side?
  • “And as I sat, over the light blue hills
  • There came a noise of revellers: the rills
  • Into the wide stream came of purple hue —
  • ’Twas Bacchus and his crew!
  • The earnest trumpet spake, and silver thrills
  • From kissing cymbals made a merry din —
  • ’Twas Bacchus and his kin!
  • Like to a moving vintage down they came,
  • Crown’d with green leaves, and faces all on flame;
  • All madly dancing through the pleasant valley,
  • To scare thee, Melancholy!
  • O then, O then, thou wast a simple name!
  • And I forgot thee, as the berried holly
  • By shepherds is forgotten, when, in June,
  • Tall chesnuts keep away the sun and moon: —
  • I rush’d into the folly!
  • “Within his car, aloft, young Bacchus stood,
  • Trifling his ivy-dart, in dancing mood,
  • With sidelong laughing;
  • And little rills of crimson wine imbrued
  • His plump white arms, and shoulders, enough white
  • For Venus’ pearly bite:
  • And near him rode Silenus on his ass,
  • Pelted with flowers as he on did pass
  • Tipsily quaffing.
  • “Whence came ye, merry Damsels! whence came ye!
  • So many, and so many, and such glee?
  • Why have ye left your bowers desolate,
  • Your lutes, and gentler fate? —
  • We follow Bacchus! Bacchus on the wing,
  • A conquering!
  • Bacchus, young Bacchus! good or ill betide,
  • We dance before him thorough kingdoms wide: —
  • Come hither, lady fair, and joined be
  • To our wild minstrelsy! ”
  • “Whence came ye, jolly Satyrs! whence came ye!
  • So many, and so many, and such glee?
  • Why have ye left your forest haunts, why left
  • Your nuts in oak-tree cleft? —
  • For wine, for wine we left our kernel tree;
  • For wine we left our heath, and yellow brooms,
  • And cold mushrooms;
  • For wine we follow Bacchus through the earth;
  • Great God of breathless cups and chirping mirth! —
  • Come hither, lady fair, and joined be
  • To our mad minstrelsy!”
  • “Over wide streams and mountains great we went,
  • And, save when Bacchus kept his ivy tent,
  • Onward the tiger and the leopard pants,
  • With Asian elephants:
  • Onward these myriads — with song and dance,
  • With zebras striped, and sleek Arabians’ prance,
  • Web-footed alligators, crocodiles,
  • Bearing upon their scaly backs, in files,
  • Plump infant laughers mimicking the coil
  • Of seamen, and stout galley-rowers’ toil:
  • With toying oars and silken sails they glide,
  • Nor care for wind and tide.
  • “Mounted on panthers’ furs and lions’ manes,
  • From rear to van they scour about the plains;
  • A three days’ journey in a moment done:
  • And always, at the rising of the sun,
  • About the wilds they hunt with spear and horn,
  • On spleenful unicorn.
  • “I saw Osirian Egypt kneel adown
  • Before the vine-wreath crown!
  • I saw parch’d Abyssinia rouse and sing
  • To the silver cymbals’ ring!
  • I saw the whelming vintage hotly pierce
  • Old Tartary the fierce!
  • The kings of Inde their jewel-sceptres vail,
  • And from their treasures scatter pearled hail;
  • Great Brahma from his mystic heaven groans,
  • And all his priesthood moans;
  • Before young Bacchus’ eye-wink turning pale. —
  • Into these regions came I following him,
  • Sick hearted, weary — so I took a whim
  • To stray away into these forests drear
  • Alone, without a peer:
  • And I have told thee all thou mayest hear.
  • “Young stranger!
  • I’ve been a ranger
  • In search of pleasure throughout every clime:
  • Alas! ’tis not for me!
  • Bewitch’d I sure must be,
  • To lose in grieving all my maiden prime.
  • “Come then, Sorrow!
  • Sweetest Sorrow!
  • Like an own babe I nurse thee on my breast:
  • I thought to leave thee
  • And deceive thee,
  • But now of all the world I love thee best.
  • “There is not one,
  • No, no, not one
  • But thee to comfort a poor lonely maid;
  • Thou art her mother,
  • And her brother,
  • Her playmate, and her wooer in the shade.”
  • O what a sigh she gave in finishing,
  • And look, quite dead to every worldly thing!
  • Endymion could not speak, but gazed on her;
  • And listened to the wind that now did stir
  • About the crisped oaks full drearily,
  • Yet with as sweet a softness as might be
  • Remember’d from its velvet summer song.
  • At last he said: “Poor lady, how thus long
  • Have I been able to endure that voice?
  • Fair Melody! kind Syren! I’ve no choice;
  • I must be thy sad servant evermore:
  • I cannot choose but kneel here and adore.
  • Alas, I must not think — by Phoebe, no!
  • Let me not think, soft Angel! shall it be so?
  • Say, beautifullest, shall I never think?
  • O thou could’st foster me beyond the brink
  • Of recollection! make my watchful care
  • Close up its bloodshot eyes, nor see despair!
  • Do gently murder half my soul, and I
  • Shall feel the other half so utterly! —
  • I’m giddy at that cheek so fair and smooth;
  • O let it blush so ever! let it soothe
  • My madness! let it mantle rosy-warm
  • With the tinge of love, panting in safe alarm. —
  • This cannot be thy hand, and yet it is;
  • And this is sure thine other softling — this
  • Thine own fair bosom, and I am so near!
  • Wilt fall asleep? O let me sip that tear!
  • And whisper one sweet word that I may know
  • This is this world — sweet dewy blossom!” — Woe!
  • Woe! Woe to that Endymion! Where is he? —
  • Even these words went echoing dismally
  • Through the wide forest — a most fearful tone,
  • Like one repenting in his latest moan;
  • And while it died away a shade pass’d by,
  • As of a thunder cloud. When arrows fly
  • Through the thick branches, poor ring-doves sleek forth
  • Their timid necks and tremble; so these both
  • Leant to each other trembling, and sat so
  • Waiting for some destruction — when lo,
  • Foot-feather’d Mercury appear’d sublime
  • Beyond the tall tree tops; and in less time
  • Than shoots the slanted hail-storm, down he dropt
  • Towards the ground; but rested not, nor stopt
  • One moment from his home: only the sward
  • He with his wand light touch’d, and heavenward
  • Swifter than sight was gone — even before
  • The teeming earth a sudden witness bore
  • Of his swift magic. Diving swans appear
  • Above the crystal circlings white and clear;
  • And catch the cheated eye in wide surprise,
  • How they can dive in sight and unseen rise —
  • So from the turf outsprang two steeds jet-black,
  • Each with large dark blue wings upon his back.
  • The youth of Caria plac’d the lovely dame
  • On one, and felt himself in spleen to tame
  • The other’s fierceness. Through the air they flew,
  • High as the eagles. Like two drops of dew
  • Exhal’d to Phoebus’ lips, away they are gone,
  • Far from the earth away — unseen, alone,
  • Among cool clouds and winds, but that the free,
  • The buoyant life of song can floating be
  • Above their heads, and follow them untir’d. —
  • Muse of my native land, am I inspir’d?
  • This is the giddy air, and I must spread
  • Wide pinions to keep here; nor do I dread
  • Or height, or depth, or width, or any chance
  • Precipitous: I have beneath my glance
  • Those towering horses and their mournful freight.
  • Could I thus sail, and see, and thus await
  • Fearless for power of thought, without thine aid? —
  • There is a sleepy dusk, an odorous shade
  • From some approaching wonder, and behold
  • Those winged steeds, with snorting nostrils bold
  • Snuff at its faint extreme, and seem to tire,
  • Dying to embers from their native fire!
  • There curl’d a purple mist around them; soon,
  • It seem’d as when around the pale new moon
  • Sad Zephyr droops the clouds like weeping willow:
  • ’Twas Sleep slow journeying with head on pillow.
  • For the first time, since he came nigh dead born
  • From the old womb of night, his cave forlorn
  • Had he left more forlorn; for the first time,
  • He felt aloof the day and morning’s prime —
  • Because into his depth Cimmerian
  • There came a dream, shewing how a young man,
  • Ere a lean bat could plump its wintery skin,
  • Would at high Jove’s empyreal footstool win
  • An immortality, and how espouse
  • Jove’s daughter, and be reckon’d of his house.
  • Now was he slumbering towards heaven’s gate,
  • That he might at the threshold one hour wait
  • To hear the marriage melodies, and then
  • Sink downward to his dusky cave again.
  • His litter of smooth semilucent mist
  • Diversely ting’d with rose and amethyst,
  • Puzzled those eyes that for the centre sought;
  • And scarcely for one moment could be caught
  • His sluggish form reposing motionless.
  • Those two on winged steeds, with all the stress
  • Of vision search’d for him, as one would look
  • Athwart the sallows of a river nook
  • To catch a glance at silver throated eels, —
  • Or from old Skiddaw’s top, when fog conceals
  • His rugged forehead in a mantle pale,
  • With an eye-guess towards some pleasant vale
  • Descry a favourite hamlet faint and far.
  • These raven horses, though they foster’d are
  • Of earth’s splenetic fire, dully drop
  • Their full-veined ears, nostrils blood wide, and stop;
  • Upon the spiritless mist have they outspread
  • Their ample feathers, are in slumber dead, —
  • And on those pinions, level in mid air,
  • Endymion sleepeth and the lady fair.
  • Slowly they sail, slowly as icy isle
  • Upon a calm sea drifting: and meanwhile
  • The mournful wanderer dreams. Behold! he walks
  • On heaven’s pavement; brotherly he talks
  • To divine powers: from his hand full fain
  • Juno’s proud birds are pecking pearly grain:
  • He tries the nerve of Phoebuts golden bow,
  • And asketh where the golden apples grow:
  • Upon his arm he braces Pallas’ shield,
  • And strives in vain to unsettle and wield
  • A Jovian thunderbolt: arch Hebe brings
  • A full-brimm’d goblet, dances lightly, sings
  • And tantalizes long; at last he drinks,
  • And lost in pleasure at her feet he sinks,
  • Touching with dazzled lips her starlight hand.
  • He blows a bugle, — an ethereal band
  • Are visible above: the Seasons four, —
  • Green-kyrtled Spring, flush Summer, golden store
  • In Autumn’s sickle, Winter frosty hoar,
  • Join dance with shadowy Hours; while still the blast,
  • In swells unmitigated, still doth last
  • To sway their floating morris. “Whose is this?
  • Whose bugle?” he inquires: they smile — “O Dis!
  • Why is this mortal here? Dost thou not know
  • Its mistress’ lips? Not thou? — ’Tis Dian’s: lo!
  • She rises crescented!” He looks, ’tis she,
  • His very goddess: good-bye earth, and sea,
  • And air, and pains, and care, and suffering;
  • Good-bye to all but love! Then doth he spring
  • Towards her, and awakes — and, strange, o’erhead,
  • Of those same fragrant exhalations bred,
  • Beheld awake his very dream: the gods
  • Stood smiling; merry Hebe laughs and nods;
  • And Phoebe bends towards him crescented.
  • O state perplexing! On the pinion bed,
  • Too well awake, he feels the panting side
  • Of his delicious lady. He who died
  • For soaring too audacious in the sun,
  • When that same treacherous wax began to run,
  • Felt not more tongue-tied than Endymion.
  • His heart leapt up as to its rightful throne,
  • To that fair shadow’d passion puls’d its way —
  • Ah, what perplexity! Ah, well a day!
  • So fond, so beauteous was his bed-fellow,
  • He could not help but kiss her: then he grew
  • Awhile forgetful of all beauty save
  • Young Phoebe’s, golden hair’d; and so ’gan crave
  • Forgiveness: yet he turn’d once more to look
  • At the sweet sleeper, — all his soul was shook, —
  • She press’d his hand in slumber; so once more
  • At this the shadow wept, melting away.
  • The Latmian started up: “Bright goddess, stay!
  • Search my most hidden breast! By truth’s own tongue,
  • I have no daedale heart: why is it wrung
  • To desperation? Is there nought for me,
  • Upon the bourne of bliss, but misery?”
  • These words awoke the stranger of dark tresses:
  • Her dawning love-look rapt Endymion blesses
  • With ’haviour soft. Sleep yawned from underneath.
  • “Thou swan of Ganges, let us no more breathe
  • This murky phantasm! thou contented seem’st
  • Pillow’d in lovely idleness, nor dream’st
  • What horrors may discomfort thee and me.
  • Ah, shouldst thou die from my heart-treachery! —
  • Yet did she merely weep — her gentle soul
  • Hath no revenge in it: as it is whole
  • In tenderness, would I were whole in love!
  • Can I prize thee, fair maid, all price above,
  • Even when I feel as true as innocence?
  • I do, I do. — What is this soul then? Whence
  • Came it? It does not seem my own, and I
  • Have no self-passion or identity.
  • Some fearful end must be: where, where is it?
  • By Nemesis, I see my spirit flit
  • Alone about the dark — Forgive me, sweet:
  • Shall we away?” He rous’d the steeds: they beat
  • Their wings chivalrous into the clear air,
  • Leaving old Sleep within his vapoury lair.
  • The good-night blush of eve was waning slow,
  • And Vesper, risen star, began to throe
  • In the dusk heavens silverly, when they
  • Thus sprang direct towards the Galaxy.
  • Nor did speed hinder converse soft and strange —
  • Eternal oaths and vows they interchange,
  • In such wise, in such temper, so aloof
  • Up in the winds, beneath a starry roof,
  • So witless of their doom, that verily
  • ’Tis well nigh past man’s search their hearts to see;
  • Whether they wept, or laugh’d, or griev’d, or toy’d —
  • Most like with joy gone mad, with sorrow cloy’d.
  • Full facing their swift flight, from ebon streak,
  • The moon put forth a little diamond peak,
  • No bigger than an unobserved star,
  • Or tiny point of fairy scymetar;
  • Bright signal that she only stoop’d to tie
  • Her silver sandals, ere deliciously
  • She bow’d into the heavens her timid head.
  • Slowly she rose, as though she would have fled,
  • While to his lady meek the Carian turn’d
  • To mark if her dark eyes had yet discern’d
  • This beauty in its birth — Despair! despair!
  • He saw her body fading gaunt and spare
  • In the cold moonshine. Straight he seiz’d her wrist;
  • It melted from his grasp: her hand he kiss’d,
  • And, horror! kiss’d his own — he was alone.
  • Her steed a little higher soar’d, and then
  • Dropt hawkwise to the earth.
  • There lies a den,
  • Beyond the seeming confines of the space
  • Made for the soul to wander in and trace
  • Its own existence, of remotest glooms.
  • Dark regions are around it, where the tombs
  • Of buried griefs the spirit sees, but scarce
  • One hour doth linger weeping, for the pierce
  • Of new-born woe it feels more inly smart:
  • And in these regions many a venom’d dart
  • At random flies; they are the proper home
  • Of every ill: the man is yet to come
  • Who hath not journeyed in this native hell.
  • But few have ever felt how calm and well
  • Sleep may be had in that deep den of all
  • There anguish does not sting; nor pleasure pall:
  • Woe-hurricanes beat ever at the gate,
  • Yet all is still within and desolate.
  • Beset with painful gusts, within ye hear
  • No sound so loud as when on curtain’d bier
  • The death-watch tick is stifled. Enter none
  • Who strive therefore: on the sudden it is won.
  • Just when the sufferer begins to burn,
  • Then it is free to him; and from an urn,
  • Still fed by melting ice, he takes a draught —
  • Young Semele such richness never quaft
  • In her maternal longing! Happy gloom!
  • Dark paradise! where pale becomes the bloom
  • Of health by due; where silence dreariest
  • Is most articulate; where hopes infest;
  • Where those eyes are the brightest far that keep
  • Their lids shut longest in a dreamless sleep.
  • O happy spirit-home! O wondrous soul!
  • Pregnant with such a den to save the whole
  • In thine own depth. Hail, gentle Carian!
  • For, never since thy griefs and woes began,
  • Hast thou felt so content: a grievous feud
  • Hath led thee to this Cave of Quietude.
  • Aye, his lull’d soul was there, although upborne
  • With dangerous speed: and so he did not mourn
  • Because he knew not whither he was going.
  • So happy was he, not the aerial blowing
  • Of trumpets at clear parley from the east
  • Could rouse from that fine relish, that high feast.
  • They stung the feather’d horse: with fierce alarm
  • He flapp’d towards the sound. Alas, no charm
  • Could lift Endymion’s head, or he had view’d
  • A skyey masque, a pinion’d multitude, —
  • And silvery was its passing: voices sweet
  • Warbling the while as if to lull and greet
  • The wanderer in his path. Thus warbled they,
  • While past the vision went in bright array.
  • “Who, who from Dian’s feast would be away?
  • For all the golden bowers of the day
  • Are empty left? Who, who away would be
  • From Cynthia’s wedding and festivity?
  • Not Hesperus: lo! upon his silver wings
  • He leans away for highest heaven and sings,
  • Snapping his lucid fingers merrily! —
  • Ah, Zephyrus! art here, and Flora too!
  • Ye tender bibbers of the rain and dew,
  • Young playmates of the rose and daffodil,
  • Be careful, ere ye enter in, to fill
  • Your baskets high
  • With fennel green, and balm, and golden pines,
  • Savory, latter-mint, and columbines,
  • Cool parsley, basil sweet, and sunny thyme;
  • Yea, every flower and leaf of every clime,
  • All gather’d in the dewy morning: hie
  • Away! fly, fly! —
  • Crystalline brother of the belt of heaven,
  • Aquarius! to whom king Jove has given
  • Two liquid pulse-streams ’stead of feather’d wings,
  • Two fan-like fountains, — thine illuminings
  • For Dian play:
  • Dissolve the frozen purity of air;
  • Let thy white shoulders silvery and bare
  • Shew cold through watery pinions; make more bright
  • The Star-Queen’s crescent on her marriage night:
  • Haste, haste away! —
  • Castor has tamed the planet Lion, see!
  • And of the Bear has Pollux mastery:
  • A third is in the race! who is the third,
  • Speeding away swift as the eagle bird?
  • The ramping Centaur!
  • The Lion’s mane’s on end: the Bear how fierce!
  • The Centaur’s arrow ready seems to pierce
  • Some enemy: far forth his bow is bent
  • Into the blue of heaven. He’ll be shent,
  • Pale unrelentor,
  • When he shall hear the wedding lutes a playing. —
  • Andromeda! sweet woman! why delaying
  • So timidly among the stars: come hither!
  • Join this bright throng, and nimbly follow whither
  • They all are going.
  • Danae’s Son, before Jove newly bow’d,
  • Has wept for thee, calling to Jove aloud.
  • Thee, gentle lady, did he disenthral:
  • Ye shall for ever live and love, for all
  • Thy tears are flowing. —
  • By Daphne’s fright, behold Apollo! — ”
  • More
  • Endymion heard not: down his steed him bore,
  • Prone to the green head of a misty hill.
  • His first touch of the earth went nigh to kill.
  • “Alas!” said he, “were I but always borne
  • Through dangerous winds, had but my footsteps worn
  • A path in hell, for ever would I bless
  • Horrors which nourish an uneasiness
  • For my own sullen conquering: to him
  • Who lives beyond earth’s boundary, grief is dim,
  • Sorrow is but a shadow: now I see
  • The grass; I feel the solid ground — Ah, me!
  • It is thy voice — divinest! Where? — who? who
  • Left thee so quiet on this bed of dew?
  • Behold upon this happy earth we are;
  • Let us aye love each other; let us fare
  • On forest-fruits, and never, never go
  • Among the abodes of mortals here below,
  • Or be by phantoms duped. O destiny!
  • Into a labyrinth now my soul would fly,
  • But with thy beauty will I deaden it.
  • Where didst thou melt to? by thee will I sit
  • For ever: let our fate stop here — a kid
  • I on this spot will offer: Pan will bid
  • Us live in peace, in love and peace among
  • His forest wildernesses. I have clung
  • To nothing, lov’d a nothing, nothing seen
  • Or felt but a great dream! O I have been
  • Presumptuous against love, against the sky,
  • Against all elements, against the tie
  • Of mortals each to each, against the blooms
  • Of flowers, rush of rivers, and the tombs
  • Of heroes gone! Against his proper glory
  • Has my own soul conspired: so my story
  • Will I to children utter, and repent.
  • There never liv’d a mortal man, who bent
  • His appetite beyond his natural sphere,
  • But starv’d and died. My sweetest Indian, here,
  • Here will I kneel, for thou redeemed hast
  • My life from too