Mapping Keats’s Progress: 17 August 1817: Keats’s On the Sea is Published; The Champion

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Select Chronology & Keats’s Key Comments: 1817

Jan: poem: On Receiving a Laurel Crown from Leigh Hunt; poem: After dark vapours
Feb: Hunt shows Keats’s poetry to Shelley, Godwin, and Hazlitt; does not take membership exam for College of Surgeons; poems published in Examiner: After Dark Vapors, To Kosciusko; writes dedication poem to Hunt: Glory and Loveliness [To Leigh Hunt, Esq.] for collection; writes This pleasant tale
March: Keats’s collection Poems published; Keats officially ends position of medical dresser; he sees Elgin Marbles with Haydon; poems: On Seeing the Elgin Marbles, To B. R. Haydon; poems: On The Story of Rimini, On Receiving a Laurel Crown from Leigh Hunt, To the Ladies Who Saw Me Crown’d; moves to 1 Well Walk, Hampstead; Haydon’s advice to Keats: he needs to be alone to improve
April: for about a week stays on the Isle of Wight (Carisbrooke); deliberate study of Shakespeare begins; I felt rather lonley this Morning at breakfast so I went and unbox’d a Shak[e]peare; I find I cannot exist without poetry—without eternal poetry […] I had become all in a Tremble from not having written any thing of late: Endymion begun; publishers Taylor & Hessey will publish his future work; poem: composes On the Sea
April-May: confesses to bouts of anxiety and Morbidity of Temperament
April-June: stays at Margate; on his own, he trips about to Hastings and Bo-Peep: end of May he meets a lady he warms to (and with): Isabella Jones
May: thought so much about Poetry so long together that I could not get to sleep at night; I have asked myself so often why I should be a Poet more than other Men,—seeing how great a thing it is,—how great things are to be gained by it—What a thing to be in the Mouth of Fame; The Trumpet of Fame is as a tower of Strength; the Cliff of Poesy Towers above me; I read and write about eight hours a day; I hope for the support of a High Power while I clime this little eminence; agreeing with Hazlitt, Shakespeare is enough for us; with Hunt in mind, he believes greatest sin is to flatter oneself into an idea of being a great Poet; I have a horrid Morbidity of Temperament which has shown itself at intervals; says he feels all the effects of a Mental Debauch in struggling to tend to my ultimate Progression; laments Hunt’s self delusions; Canterbury visited with younger brother Tom
June: 10 June returns to 1 Well Walk, Hampstead
Aug: Keats completes first draft of Endymion, Bk. II; poem On the Sea published in The Champion
Sept-Oct: Keats stays at Oxford, visiting Benjamin Bailey
Sept: Keats begins serious study of Wordsworth and Milton; increasing respect for Hazlitt’s tastes; sees Stratford-upon-Avon with Bailey; completes first draft of Endymion, Bk. III; low estimate and tiring of Endymion; writing very hard lately even till an utter incapacity came on: perhaps writes The Gothic looks solemn
Oct: Keats disgusted with literary Men […] except Wordsworth—no not even Byron; wants to avoid Shelley in order to have my own unfettered scope; knows that he will have the Reputation as Hunt’s eleve; ill for about two weeks and takes a little Mercury—worries that he shall never be again secure in Robustness; realizes he shall have the Reputation of Hunt’s eleve; indolence parsed as a complex state; Health and Spirits can only belong unalloyed to the selfish Man—the Man who much of his fellow can never be in Spirits
Nov: after a virulent and flamingattack on Hunt in Blackwood’s, Keats believes he will be next and now to be associated with the Cockney School of Poetry; poem: draft of Endymion completed; Men of Genius are great as certain ethereal Chemicals operating on the Mass of neutral intellect—but they have not any individuality, any determined Character. [. . .] I am certain of nothing but the holiness of the Heart’s affections and the truth of the Imagination—What the imagination seizes as Beauty must be truth [. . .] The Imagination may be compared to Adam’s dream—he awoke and found it truth [. . .] I have never yet been able to perceive how any thing can be known for truth by consequitive reasoning—and yet it must be [. . .] O for a Life of Sensations rather than of Thoughts!; the simple imaginative Mind may have its rewards in the repetition of its own silent Working coming continually on the Spirit with a fine Suddenness; I am continually running away from the subject—sure this cannot be exactly the case with a complex Mind—one that is imaginative and at the same time careful of its fruits—who would exist partly on sensation partly on thought
Nov cont’d: Keats: I scarcely remember counting upon any Happiness; if a Sparrow come[s] before my Window I take part in its existence; on Shakespeare’s sonnets: they seem to be full of fine things said unintentionally—in the intensity of working out conceits […] He has left nothing to say about nothing or any thing; likely writes Think not of it, sweet one; reading Coleridge and Shakespeare
Dec: Keats sees Edmund Kean in Richard III and writes review; meets Wordsworth; The excellence of every Art is its intensity, capable of making all disagreeables evaporate, from there being in close relationship with Beauty & Truth; Negative Capability […] when man is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching after fact & reason; with a great poet the sense of Beauty overcomes every other consideration, or rather obliterates all consideration; Haydon’s so-called immortal dinner; very social in Dec and into Jan and Feb 1818; writes In drear nighted December
1817: uprisings beyond London, members of the Luddites society hung; Habeas Corpus Act (March); the opening of Waterloo Bridge; Coleridge publishes Sibylline Leaves: A Collection of Poems and Biographia Literaria; Percy Shelley publishes Laon and Cythna; Shelley denied custody of his children; Hazlitt publishes Characters of Shakespear’s Plays; Lord Bryon publishes Manfred and Beppo; daughter Allegra born to Byron and Claire Clairmont; December: reformist London publisher and satirist William Hone is tried and found innocent of producing blasphemous material (like many others, Keats is watching the sensational trial, and mentions it in his negative capability letter); the birth of Henry David Thoreau and the death of Jane Austen, Princess Charlotte, Andrew Thaddeus Kosciusko, and Madame de Staël-Holstein; Austen’s Northanger Abbey and Persuasion published posthumously; the New York Stock Exchange is established; Mississippi becomes 20th American state; discovery of cadmium, lithium, and selenium; first cholera pandemic

17 August 1817: Keats’s On the Sea is Published; The Champion

Carisbrooke, Isle of Wight

true — Click the map to see a larger version.

Keats writes On the Sea back on 17 April 1817 while staying at Carisbrooke. At the same time, he attempts to begin work on Endymion, his quite deliberate long project poem—he characterizes it as a test of poetic invention. He immediately sends On the Sea in a letter to his very close friend, the critic and poet John Hamilton Reynolds. Reynolds has the poem published in The Champion exactly four months later, 17 August.

John Hamilton Reynolds, 1818, by Joseph Severn, National Portrait Gallery, NPG
5052 — John Hamilton Reynolds, 1818, by Joseph Severn, National Portrait Gallery, NPG 5052

The sonnet—inspired, it seems, by a passage from King Lear—suggests that looking and listening to the eternal whisperings of the sea may be restorative and inspirational, which are fairly common tropes of response and feeling. The poem, however, is not the worst of Keats’s work in this period of early writing, since a few lines of composed and controlled phasing accompany the more predictable and over-reaching sentiments, as well as some stumbling, inverted phrasing (like uproar rude). The implicit subject—the drama of the moment for inspiration (those who can sense, see, or hear the eternal sea)—is of course close to Keats during this phase of his poetic development.

This letter to Reynolds (17/18 April) is also revealing in that Keats confesses his raison d’être: I cannot exist without poetry—without eternal poetry. He also mentions that he experiences some anxieties as he approaches committing his energies to the uncertain Endymion. Keats’s passion for poetry is palpable, which, however, does not necessarily translate to writing great poetry—yet.

More about The Champion, A London Weekly Journal: standing in for Reynolds (who is away in Exeter and is a regular reviewer for The Champion), Keats also reviews for The Champion a few times (21 December 1817, on Edmund Kean; 4 January 1818, two reviews, one on Retribution, the other on the pantomime Harlequin’s Vision); and Reynolds positively reviews Keats’s 1817 Poems collection in The Champion, 9 March 1817, while also publishing Keats’s sonnets on the Elgin Marbles. For most of its publishing history (1813-1822), The Champion attempts to hold a nonpartisan perspective.

Keats finishes a first draft of Endymion, Book II, probably toward the end of this month. Two down; two to go.

On the sea

It keeps eternal whisperings around
Desolate shores, and with its mighty swell
Gluts twice ten thousand Caverns, till the spell
Of Hecate leaves them their old shadowy sound.
Often ’tis in such gentle temper found,
That scarcely will the very smallest shell
Be moved for days from where it sometime fell,
When last the winds of Heaven were unbound.
Oh, ye! who have your eyeballs vexed and tir’d,
Feast them upon the wideness of the Sea;
Oh ye! whose ears are dinned with uproar rude,
Or fed too much with cloying melody—
Sit ye near some old Cavern’s Mouth and brood,
Until ye start, as if the sea nymphs quired!

ENDYMION: A Poetic Romance.

[from the title page:]

“THE STRETCHED METRE OF AN ANTIQUE SONG”

[from the dedication page:]

INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

PREFACE.

[on pages vii-ix of the original text]

KNOWING within myself the manner in which this Poem has been produced, it is not without a feeling of regret that I make it public.

What manner I mean, will be quite clear to the reader, who must soon perceive great inexperience, immaturity, and every error denoting a feverish attempt, rather than a deed accomplished. The two first books, and indeed the two last, I feel sensible are not of such completion as to warrant their passing the press; nor should they if I thought a year’s castigation would do them any good;—it will not: the foundations are too sandy. It is just that this youngster should die away: a sad thought for me, if I had not some hope that while it is dwindling I may be plotting, and fitting myself for verses fit to live.

This may be speaking too presumptuously, and may deserve a punishment: but no feeling man will be forward to inflict it: he will leave me alone, with the conviction that there is not fiercer hell than the failure in a great object. This is not written with the least atom of purpose to forestall criticisms of course, but from the desire I have to conciliate men who are competent to look, and who do look with a zealous eye, to the honour of English literature.

The imagination of a boy is healthy, and the mature imagination of a man is healthy; but there is a space of life between, in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted: thence proceeds mawkishness, and all the thousand bitters which those men I speak of must necessarily taste in going over the following pages.

I hope I have not in too late a day touched the beautiful mythology of Greece and dulled its brightness: for I wish to try once more, before I bid it farewel [sic].

Teignmouth,
April 10, 1818.

ENDYMION

BOOK 1.

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o’er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old, and young sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
’Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven’s brink.

Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple’s self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o’ercast,
They alway must be with us, or we die.

Therefore, ’tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city’s din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I’ll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm’d and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and weed.

Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all weed-hidden roots
Into o’er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd’s keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, ’twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass’d unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg’d round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For ’twas the morn: Apollo’s upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man’s voice was on the mountains; and the mass
Of nature’s lives and wonders puls’d tenfold,
To feel this sun-rise and its glories old.

Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev’n then
Fill’d out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies, — ere their death, o’ertaking
The surgy murmurs of the lonely sea.

And now, as deep into the wood as we
Might mark a lynx’s eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm’d
With April’s tender younglings: next, well trimm’d,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo’s pipe,
When the great deity, for earth too ripe,
Let his divinity o’er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda’s love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem’d like a poll of ivy in the teeth
Of winter hoar. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear’d,
Up-followed by a multitude that rear’d
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king’s: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem’d,
To common lookers on, like one who dream’d
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlet’s cry,
Of logs piled solemnly. — Ah, well-a-day,
Why should our young Endymion pine away!

Soon the assembly, in a circle rang’d,
Stood silent round the shrine: each look was chang’d
To sudden veneration: women meek
Beckon’d their sons to silence; while each cheek
Of virgin bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: “Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean’s very marge,
Whose mellow reeds are touch’d with sounds forlorn
By the dim echoes of old Triton’s horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green’d over April’s lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour’d
His early song against yon breezy sky,
That spreads so clear o’er our solemnity.”

Thus ending, on the shrine he heap’d a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain’d the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
’Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

“O thou, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov’st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds —
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinx — do thou now,
By thy love’s milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

“O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly ’mong myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen’d fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest blossom’d beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completions — be quickly near,
By every wind that nods the mountain pine,
O forester divine!

“Thou, to whom every faun and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle’s maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads’ cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown —
By all the echoes that about thee ring,
Hear us, O satyr king!

“O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsmen: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledge — see,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

“Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereal — a new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknown — but no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble paean,
Upon thy Mount Lycean!”

Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgotten — out of memory:
Fair creatures! whose young childrens’ children bred
Thermopylae its heroes — not yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time’s sweet first-fruits — they danc’d to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its bodily tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him, — Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call’d up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous’d from this sad mood
By one, who at a distance loud halloo’d,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune’s restless ways,
Until, from the horizon’s vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: ’twas even an awful shine
From the exaltation of Apollo’s bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
’Mong shepherds gone in eld, whose looks increas’d
The silvery setting of their mortal star.
There they discours’d upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun’s purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess’d offices.
Anon they wander’d, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom’d boughs,
Where every zephyr-sigh pouts, and endows
Her lips with music for the welcoming.
Another wish’d, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little Mercury.
Some were athirst in soul to see again
Their fellow huntsmen o’er the wide champaign
In times long past; to sit with them, and talk
Of all the chances in their earthly walk;
Comparing, joyfully, their plenteous stores
Of happiness, to when upon the moors,
Benighted, close they huddled from the cold,
And shar’d their famish’d scrips. Thus all out-told
Their fond imaginations, — saving him
Whose eyelids curtain’d up their jewels dim,
Endymion: yet hourly had he striven
To hide the cankering venom, that had riven
His fainting recollections. Now indeed
His senses had swoon’d off: he did not heed
The sudden silence, or the whispers low,
Or the old eyes dissolving at his woe,
Or anxious calls, or close of trembling palms,
Or maiden’s sigh, that grief itself embalms:
But in the self-same fixed trance he kept,
Like one who on the earth had never stept —
Aye, even as dead-still as a marble man,
Frozen in that old tale Arabian.

Who whispers him so pantingly and close?
Peona, his sweet sister: of all those,
His friends, the dearest. Hushing signs she made,
And breath’d a sister’s sorrow to persuade
A yielding up, a cradling on her care.
Her eloquence did breathe away the curse:
She led him, like some midnight spirit nurse
Of happy changes in emphatic dreams,
Along a path between two little streams, —
Guarding his forehead, with her round elbow,
From low-grown branches, and his footsteps slow
From stumbling over stumps and hillocks small;
Until they came to where these streamlets fall,
With mingled bubblings and a gentle rush,
Into a river, clear, brimful, and flush
With crystal mocking of the trees and sky.
A little shallop, floating there hard by,
Pointed its beak over the fringed bank;
And soon it lightly dipt, and rose, and sank,
And dipt again, with the young couple’s weight, —
Peona guiding, through the water straight,
Towards a bowery island opposite;
Which gaining presently, she steered light
Into a shady, fresh, and ripply cove,
Where nested was an arbour, overwove
By many a summer’s silent fingering;
To whose cool bosom she was used to bring
Her playmates, with their needle broidery,
And minstrel memories of times gone by.

So she was gently glad to see him laid
Under her favourite bower’s quiet shade,
On her own couch, new made of flower leaves,
Dried carefully on the cooler side of sheaves
When last the sun his autumn tresses shook,
And the tann’d harvesters rich armfuls took.
Soon was he quieted to slumbrous rest:
But, ere it crept upon him, he had prest
Peona’s busy hand against his lips,
And still, a sleeping, held her finger-tips
In tender pressure. And as a willow keeps
A patient watch over the stream that creeps
Windingly by it, so the quiet maid
Held her in peace: so that a whispering blade
Of grass, a wailful gnat, a bee bustling
Down in the blue-bells, or a wren light rustling
Among sere leaves and twigs, might all be heard.

O magic sleep! O comfortable bird,
That broodest o’er the troubled sea of the mind
Till it is hush’d and smooth! O unconfin’d
Restraint! imprisoned liberty! great key
To golden palaces, strange minstrelsy,
Fountains grotesque, new trees, bespangled caves,
Echoing grottos, full of tumbling waves
And moonlight; aye, to all the mazy world
Of silvery enchantment! — who, upfurl’d
Beneath thy drowsy wing a triple hour,
But renovates and lives? — Thus, in the bower,
Endymion was calm’d to life again.
Opening his eyelids with a healthier brain,
He said: “I feel this thine endearing love
All through my bosom: thou art as a dove
Trembling its closed eyes and sleeked wings
About me; and the pearliest dew not brings
Such morning incense from the fields of May,
As do those brighter drops that twinkling stray
From those kind eyes, — the very home and haunt
Of sisterly affection. Can I want
Aught else, aught nearer heaven, than such tears?
Yet dry them up, in bidding hence all fears
That, any longer, I will pass my days
Alone and sad. No, I will once more raise
My voice upon the mountain-heights; once more
Make my horn parley from their foreheads hoar:
Again my trooping hounds their tongues shall loll
Around the breathed boar: again I’ll poll
The fair-grown yew tree, for a chosen bow:
And, when the pleasant sun is getting low,
Again I’ll linger in a sloping mead
To hear the speckled thrushes, and see feed
Our idle sheep. So be thou cheered, sweet,
And, if thy lute is here, softly intreat
My soul to keep in its resolved course.”

Hereat Peona, in their silver source,
Shut her pure sorrow drops with glad exclaim,
And took a lute, from which there pulsing came
A lively prelude, fashioning the way
In which her voice should wander. ’Twas a lay
More subtle cadenced, more forest wild
Than Dryope’s lone lulling of her child;
And nothing since has floated in the air
So mournful strange. Surely some influence rare
Went, spiritual, through the damsel’s hand;
For still, with Delphic emphasis, she spann’d
The quick invisible strings, even though she saw
Endymion’s spirit melt away and thaw
Before the deep intoxication.
But soon she came, with sudden burst, upon
Her self-possession — swung the lute aside,
And earnestly said: “Brother, ’tis vain to hide
That thou dost know of things mysterious,
Immortal, starry; such alone could thus
Weigh down thy nature. Hast thou sinn’d in aught
Offensive to the heavenly powers? Caught
A Paphian dove upon a message sent?
Thy deathful bow against some dear-herd bent,
Sacred to Dian? Haply, thou hast seen
Her naked limbs among the alders green;
And that, alas! is death. No, I can trace
Something more high perplexing in thy face!”

Endymion look’d at her, and press’d her hand,
And said, “Art thou so pale, who wast so bland
And merry in our meadows? How is this?
Tell me thine ailment: tell me all amiss! —
Ah! thou hast been unhappy at the change
Wrought suddenly in me. What indeed more strange?
Or more complete to overwhelm surmise?
Ambition is no sluggard: ’tis no prize,
That toiling years would put within my grasp,
That I have sigh’d for: with so deadly gasp
No man e’er panted for a mortal love.
So all have set my heavier grief above
These things which happen. Rightly have they done:
I, who still saw the horizontal sun
Heave his broad shoulder o’er the edge of the world,
Out-facing Lucifer, and then had hurl’d
My spear aloft, as signal for the chace —
I, who, for very sport of heart, would race
With my own steed from Araby; pluck down
A vulture from his towery perching; frown
A lion into growling, loth retire —
To lose, at once, all my toil breeding fire,
And sink thus low! but I will ease my breast
Of secret grief, here in this bowery nest.

“This river does not see the naked sky,
Till it begins to progress silverly
Around the western border of the wood,
Whence, from a certain spot, its winding flood
Seems at the distance like a crescent moon:
And in that nook, the very pride of June,
Had I been used to pass my weary eves;
The rather for the sun unwilling leaves
So dear a picture of his sovereign power,
And I could witness his most kingly hour,
When he doth tighten up the golden reins,
And paces leisurely down amber plains
His snorting four. Now when his chariot last
Its beams against the zodiac-lion cast,
There blossom’d suddenly a magic bed
Of sacred ditamy, and poppies red:
At which I wondered greatly, knowing well
That but one night had wrought this flowery spell;
And, sitting down close by, began to muse
What it might mean. Perhaps, thought I, Morpheus,
In passing here, his owlet pinions shook;
Or, it may be, ere matron Night uptook
Her ebon urn, young Mercury, by stealth,
Had dipt his rod in it: such garland wealth
Came not by common growth. Thus on I thought,
Until my head was dizzy and distraught.
Moreover, through the dancing poppies stole
A breeze, most softly lulling to my soul;
And shaping visions all about my sight
Of colours, wings, and bursts of spangly light;
The which became more strange, and strange, and dim,
And then were gulph’d in a tumultuous swim:
And then I fell asleep. Ah, can I tell
The enchantment that afterwards befel?
Yet it was but a dream: yet such a dream
That never tongue, although it overteem
With mellow utterance, like a cavern spring,
Could figure out and to conception bring
All I beheld and felt. Methought I lay
Watching the zenith, where the milky way
Among the stars in virgin splendour pours;
And travelling my eye, until the doors
Of heaven appear’d to open for my flight,
I became loth and fearful to alight
From such high soaring by a downward glance:
So kept me stedfast in that airy trance,
Spreading imaginary pinions wide.
When, presently, the stars began to glide,
And faint away, before my eager view:
At which I sigh’d that I could not pursue,
And dropt my vision to the horizon’s verge;
And lo! from the opening clouds, I saw emerge
The loveliest moon, that ever silver’d o’er
A shell for Neptune’s goblet: she did soar
So passionately bright, my dazzled soul
Commingling with her argent spheres did roll
Through clear and cloudy, even when she went
At last into a dark and vapoury tent —
Whereat, methought, the lidless-eyed train
Of planets all were in the blue again.
To commune with those orbs, once more I rais’d
My sight right upward: but it was quite dazed
By a bright something, sailing down apace,
Making me quickly veil my eyes and face:
Again I look’d, and, O ye deities,
Who from Olympus watch our destinies!
Whence that completed form of all completeness?
Whence came that high perfection of all sweetness?
Speak, stubborn earth, and tell me where, O where
Hast thou a symbol of her golden hair?
Not oat-sheaves drooping in the western sun;
Not — thy soft hand, fair sister! let me shun
Such follying before thee — yet she had,
Indeed, locks bright enough to make me mad;
And they were simply gordian’d up and braided,
Leaving, in naked comeliness, unshaded,
Her pearl round ears, white neck, and orbed brow;
The which were blended in, I know not how,
With such a paradise of lips and eyes,
Blush-tinted cheeks, half smiles, and faintest sighs,
That, when I think thereon, my spirit clings
And plays about its fancy, till the stings
Of human neighbourhood envenom all.
Unto what awful power shall I call?
To what high fane? — Ah! see her hovering feet,
More bluely vein’d, more soft, more whitely sweet
Than those of sea-born Venus, when she rose
From out her cradle shell. The wind out-blows
Her scarf into a fluttering pavilion;
’Tis blue, and over-spangled with a million
Of little eyes, as though thou wert to shed,
Over the darkest, lushest blue-bell bed,
Handfuls of daisies.” — “Endymion, how strange!
Dream within dream!” — “She took an airy range,
And then, towards me, like a very maid,
Came blushing, waning, willing, and afraid,
And press’d me by the hand: Ah! ’twas too much;
Methought I fainted at the charmed touch,
Yet held my recollection, even as one
Who dives three fathoms where the waters run
Gurgling in beds of coral: for anon,
I felt upmounted in that region
Where falling stars dart their artillery forth,
And eagles struggle with the buffeting north
That balances the heavy meteor-stone; —
Felt too, I was not fearful, nor alone,
But lapp’d and lull’d along the dangerous sky.
Soon, as it seem’d, we left our journeying high,
And straightway into frightful eddies swoop’d;
Such as aye muster where grey time has scoop’d
Huge dens and caverns in a mountain’s side:
There hollow sounds arous’d me, and I sigh’d
To faint once more by looking on my bliss —
I was distracted; madly did I kiss
The wooing arms which held me, and did give
My eyes at once to death: but ’twas to live,
To take in draughts of life from the gold fount
Of kind and passionate looks; to count, and count
The moments, by some greedy help that seem’d
A second self, that each might be redeem’d
And plunder’d of its load of blessedness.
Ah, desperate mortal! I ev’n dar’d to press
Her very cheek against my crowned lip,
And, at that moment, felt my body dip
Into a warmer air: a moment more,
Our feet were soft in flowers. There was store
Of newest joys upon that alp. Sometimes
A scent of violets, and blossoming limes,
Loiter’d around us; then of honey cells,
Made delicate from all white-flower bells;
And once, above the edges of our nest,
An arch face peep’d, — an Oread as I guess’d.

“Why did I dream that sleep o’er-power’d me
In midst of all this heaven? Why not see,
Far off, the shadows of his pinions dark,
And stare them from me? But no, like a spark
That needs must die, although its little beam
Reflects upon a diamond, my sweet dream
Fell into nothing — into stupid sleep.
And so it was, until a gentle creep,
A careful moving caught my waking ears,
And up I started: Ah! my sighs, my tears,
My clenched hands; — for lo! the poppies hung
Dew-dabbled on their stalks, the ouzel sung
A heavy ditty, and the sullen day
Had chidden herald Hesperus away,
With leaden looks: the solitary breeze
Bluster’d, and slept, and its wild self did teaze
With wayward melancholy; and I thought,
Mark me, Peona! that sometimes it brought
Faint fare-thee-wells, and sigh-shrilled adieus! —
Away I wander’d — all the pleasant hues
Of heaven and earth had faded: deepest shades
Were deepest dungeons; heaths and sunny glades
Were full of pestilent light; our taintless rills
Seem’d sooty, and o’er-spread with upturn’d gills
Of dying fish; the vermeil rose had blown
In frightful scarlet, and its thorns out-grown
Like spiked aloe. If an innocent bird
Before my heedless footsteps stirr’d, and stirr’d
In little journeys, I beheld in it
A disguis’d demon, missioned to knit
My soul with under darkness; to entice
My stumblings down some monstrous precipice:
Therefore I eager followed, and did curse
The disappointment. Time, that aged nurse,
Rock’d me to patience. Now, thank gentle heaven!
These things, with all their comfortings, are given
To my down-sunken hours, and with thee,
Sweet sister, help to stem the ebbing sea
Of weary life.”

Thus ended he, and both
Sat silent: for the maid was very loth
To answer; feeling well that breathed words
Would all be lost, unheard, and vain as swords
Against the enchased crocodile, or leaps
Of grasshoppers against the sun. She weeps,
And wonders; struggles to devise some blame;
To put on such a look as would say, Shame
On this poor weakness! but, for all her strife,
She could as soon have crush’d away the life
From a sick dove. At length, to break the pause,
She said with trembling chance: “Is this the cause?
This all? Yet it is strange, and sad, alas!
That one who through this middle earth should pass
Most like a sojourning demi-god, and leave
His name upon the harp-string, should achieve
No higher bard than simple maidenhood,
Singing alone, and fearfully, — how the blood
Left his young cheek; and how he used to stray
He knew not where; and how he would say, nay,
If any said ’twas love: and yet ’twas love;
What could it be but love? How a ring-dove
Let fall a sprig of yew tree in his path;
And how he died: and then, that love doth scathe
The gentle heart, as northern blasts do roses;
And then the ballad of his sad life closes
With sighs, and an alas! — Endymion!
Be rather in the trumpet’s mouth, — anon
Among the winds at large — that all may hearken!
Although, before the crystal heavens darken,
I watch and dote upon the silver lakes
Pictur’d in western cloudiness, that takes
The semblance of gold rocks and bright gold sands,
Islands, and creeks, and amber-fretted strands
With horses prancing o’er them, palaces
And towers of amethyst, — would I so tease
My pleasant days, because I could not mount
Into those regions? The Morphean fount
Of that fine element that visions, dreams,
And fitful whims of sleep are made of, streams
Into its airy channels with so subtle,
So thin a breathing, not the spider’s shuttle,
Circled a million times within the space
Of a swallow’s nest-door, could delay a trace,
A tinting of its quality: how light
Must dreams themselves be; seeing they’re more slight
Than the mere nothing that engenders them!
Then wherefore sully the entrusted gem
Of high and noble life with thoughts so sick?
Why pierce high-fronted honour to the quick
For nothing but a dream?” Hereat the youth
Look’d up: a conflicting of shame and ruth
Was in his plaited brow: yet, his eyelids
Widened a little, as when Zephyr bids
A little breeze to creep between the fans
Of careless butterflies: amid his pains
He seem’d to taste a drop of manna-dew,
Full palatable; and a colour grew
Upon his cheek, while thus he lifeful spake.

“Peona! ever have I long’d to slake
My thirst for the world’s praises: nothing base,
No merely slumberous phantasm, could unlace
The stubborn canvas for my voyage prepar’d —
Though now ’tis tatter’d; leaving my bark bar’d
And sullenly drifting: yet my higher hope
Is of too wide, too rainbow-large a scope,
To fret at myriads of earthly wrecks.
Wherein lies happiness? In that which becks
Our ready minds to fellowship divine,
A fellowship with essence; till we shine,
Full alchemiz’d, and free of space. Behold
The clear religion of heaven! Fold
A rose leaf round thy finger’s taperness,
And soothe thy lips: hist, when the airy stress
Of music’s kiss impregnates the free winds,
And with a sympathetic touch unbinds
Eolian magic from their lucid wombs:
Then old songs waken from enclouded tombs;
Old ditties sigh above their father’s grave;
Ghosts of melodious prophecyings rave
Round every spot where trod Apollo’s foot;
Bronze clarions awake, and faintly bruit,
Where long ago a giant battle was;
And, from the turf, a lullaby doth pass
In every place where infant Orpheus slept.
Feel we these things? — that moment have we stept
Into a sort of oneness, and our state
Is like a floating spirit’s. But there are
Richer entanglements, enthralments far
More self-destroying, leading, by degrees,
To the chief intensity: the crown of these
Is made of love and friendship, and sits high
Upon the forehead of humanity.
All its more ponderous and bulky worth
Is friendship, whence there ever issues forth
A steady splendour; but at the tip-top,
There hangs by unseen film, an orbed drop
Of light, and that is love: its influence,
Thrown in our eyes, genders a novel sense,
At which we start and fret; till in the end,
Melting into its radiance, we blend,
Mingle, and so become a part of it, —
Nor with aught else can our souls interknit
So wingedly: when we combine therewith,
Life’s self is nourish’d by its proper pith,
And we are nurtured like a pelican brood.
Aye, so delicious is the unsating food,
That men, who might have tower’d in the van
Of all the congregated world, to fan
And winnow from the coming step of time
All chaff of custom, wipe away all slime
Left by men-slugs and human serpentry,
Have been content to let occasion die,
Whilst they did sleep in love’s elysium.
And, truly, I would rather be struck dumb,
Than speak against this ardent listlessness:
For I have ever thought that it might bless
The world with benefits unknowingly;
As does the nightingale, upperched high,
And cloister’d among cool and bunched leaves —
She sings but to her love, nor e’er conceives
How tiptoe Night holds back her dark-grey hood.
Just so may love, although ’tis understood
The mere commingling of passionate breath,
Produce more than our searching witnesseth:
What I know not: but who, of men, can tell
That flowers would bloom, or that green fruit would swell
To melting pulp, that fish would have bright mail,
The earth its dower of river, wood, and vale,
The meadows runnels, runnels pebble-stones,
The seed its harvest, or the lute its tones,
Tones ravishment, or ravishment its sweet,
If human souls did never kiss and greet?

“Now, if this earthly love has power to make
Men’s being mortal, immortal; to shake
Ambition from their memories, and brim
Their measure of content; what merest whim,
Seems all this poor endeavour after fame,
To one, who keeps within his stedfast aim
A love immortal, an immortal too.
Look not so wilder’d; for these things are true,
And never can be born of atomies
That buzz about our slumbers, like brain-flies,
Leaving us fancy-sick. No, no, I’m sure,
My restless spirit never could endure
To brood so long upon one luxury,
Unless it did, though fearfully, espy
A hope beyond the shadow of a dream.
My sayings will the less obscured seem,
When I have told thee how my waking sight
Has made me scruple whether that same night
Was pass’d in dreaming. Hearken, sweet Peona!
Beyond the matron-temple of Latona,
Which we should see but for these darkening boughs,
Lies a deep hollow, from whose ragged brows
Bushes and trees do lean all round athwart,
And meet so nearly, that with wings outraught,
And spreaded tail, a vulture could not glide
Past them, but he must brush on every side.
Some moulder’d steps lead into this cool cell,
Far as the slabbed margin of a well,
Whose patient level peeps its crystal eye
Right upward, through the bushes, to the sky.
Oft have I brought thee flowers, on their stalks set
Like vestal primroses, but dark velvet
Edges them round, and they have golden pits:
’Twas there I got them, from the gaps and slits
In a mossy stone, that sometimes was my seat,
When all above was faint with mid-day heat.
And there in strife no burning thoughts to heed,
I’d bubble up the water through a reed;
So reaching back to boy-hood: make me ships
Of moulted feathers, touchwood, alder chips,
With leaves stuck in them; and the Neptune be
Of their petty ocean. Oftener, heavily,
When love-lorn hours had left me less a child,
I sat contemplating the figures wild
Of o’er-head clouds melting the mirror through.
Upon a day, while thus I watch’d, by flew
A cloudy Cupid, with his bow and quiver;
So plainly character’d, no breeze would shiver
The happy chance: so happy, I was fain
To follow it upon the open plain,
And, therefore, was just going; when, behold!
A wonder, fair as any I have told —
The same bright face I tasted in my sleep,
Smiling in the clear well. My heart did leap
Through the cool depth. — It moved as if to flee —
I started up, when lo! refreshfully,
There came upon my face, in plenteous showers,
Dew-drops, and dewy buds, and leaves, and flowers,
Wrapping all objects from my smothered sight,
Bathing my spirit in a new delight.
Aye, such a breathless honey-feel of bliss
Alone preserved me from the drear abyss
Of death, for the fair form had gone again.
Pleasure is oft a visitant; but pain
Clings cruelly to us, like the gnawing sloth
On the deer’s tender haunches: late, and loth,
’Tis scar’d away by slow returning pleasure.
How sickening, how dark the dreadful leisure
Of weary days, made deeper exquisite,
By a fore-knowledge of unslumbrous night!
Like sorrow came upon me, heavier still,
Than when I wander’d from the poppy hill:
And a whole age of lingering moments crept
Sluggishly by, ere more contentment swept
Away at once the deadly yellow spleen.
Yes, thrice have I this fair enchantment seen;
Once more been tortured with renewed life.
When last the wintry gusts gave over strife
With the conquering sun of spring, and left the skies
Warm and serene, but yet with moistened eyes
In pity of the shatter’d infant buds, —
That time thou didst adorn, with amber studs,
My hunting cap, because I laugh’d and smil’d,
Chatted with thee, and many days exil’d
All torment from my breast; — ’twas even then,
Straying about, yet, coop’d up in the den
Of helpless discontent, — hurling my lance
From place to place, and following at chance,
At last, by hap, through some young trees it struck,
And, plashing among bedded pebbles, stuck
In the middle of a brook, — whose silver ramble
Down twenty little falls, through reeds and bramble,
Tracing along, it brought me to a cave,
Whence it ran brightly forth, and white did lave
The nether sides of mossy stones and rock, —
’Mong which it gurgled blythe adieus, to mock
Its own sweet grief at parting. Overhead,
Hung a lush screen of drooping weeds, and spread
Thick, as to curtain up some wood-nymph’s home.
`Ah! impious mortal, whither do I roam?’
Said I, low voic’d `ah, whither! ’tis the grot
Of Proserpine, when hell, obscure and hot,
Doth her resign; and where her tender hands
She dabbles, on the cool and sluicy sands:
Or ’tis the cell of Echo, where she sits,
And babbles thorough silence, till her wits
Are gone in tender madness, and anon,
Faints into sleep, with many a dying tone
Of sadness. O that she would take my vows,
And breathe them sighingly among the boughs,
To sue her gentle ears for whose fair head,
Daily, I pluck sweet flowerets from their bed,
And weave them dyingly — send honey-whispers
Round every leaf, that all those gentle lispers
May sigh my love unto her pitying!
O charitable Echo! hear, and sing
This ditty to her! — tell her’ — so I stay’d
My foolish tongue, and listening, half afraid,
Stood stupefied with my own empty folly,
And blushing for the freaks of melancholy.
Salt tears were coming, when I heard my name
Most fondly lipp’d, and then these accents came:
’Endymion! the cave is secreter
Than the isle of Delos. Echo hence shall stir
No sighs but sigh-warm kisses, or light noise
Of thy combing hand, the while it travelling cloys
And trembles through my labyrinthine hair.’
At that oppress’d I hurried in. — Ah! where
Are those swift moments? Whither are they fled?
I’ll smile no more, Peona; nor will wed
Sorrow the way to death; but patiently
Bear up against it: so farewel, sad sigh;
And come instead demurest meditation,
To occupy me wholly, and to fashion
My pilgrimage for the world’s dusky brink.
No more will I count over, link by link,
My chain of grief: no longer strive to find
A half-forgetfulness in mountain wind
Blustering about my ears: aye, thou shalt see,
Dearest of sisters, what my life shall be;
What a calm round of hours shall make my days.
There is a paly flame of hope that plays
Where’er I look: but yet, I’ll say ’tis naught —
And here I bid it die. Have not I caught,
Already, a more healthy countenance?
By this the sun is setting; we may chance
Meet some of our near-dwellers with my car.”

This said, he rose, faint-smiling like a star
Through autumn mists, and took Peona’s hand:
They stept into the boat, and launch’d from land.

Endymion: A Poetic Romance BOOK II

O sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o’er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks — all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber’d boats there be
Upon thy vaporous bosom, magnified
To goodly vessels; many a sail of pride,
And golden keel’d, is left unlaunch’d and dry.
But wherefore this? what care, though owl did fly
About the great Athenian admiral’s mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care? — Juliet leaning
Amid her window-flowers, — signing, — weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero’s tears, the swoon of Imogen,
Fair Pastorella in the bandit’s den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse’s smile, or kind behest,
The path of love and poesy. But rest,
In chafing restlessness, is yet more drear
Than to be crush’d, in striving to uprear
Love’s standard on the battlements of song.
So once more days and nights aid me along,
Like legion’d soldiers

Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! ’tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav’d rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous fingering
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character’d strange things,
For with wide eye he wonders, and smiles oft.

Lightly this little herald flew aloft,
Follow’d by glad Endymion’s clasped hands:
Onward it flies. From languor’s sullen bands
His limbs are loos’d, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem’d he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O’er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain’s side
That, near a cavern’s mouth, for ever pour’d
Unto the temperate air: then high it soar’d,
And, downward, suddenly began to dip,
As if, athirst with so much toil, ’twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb’d his gloomy rest?
It was a nymph uprisen to the breast
In the fountain’s pebbly margin, and she stood
’Mong lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: “Youth!
Too long, alas, hast thou starv’d on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I weed
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail’d, or finn’d with silvery gauze;
Yea, or my veined pebble-floor, that draws
A virgin light to the deep; my grotto-sands
Tawny and gold, ooz’d slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me, — for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I’ve been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans’t be ta’en
From every wasting sigh, from every pain,
Into the gentle bosom of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell.”

Hereat, she vanished from Endymion’s gaze,
Who brooded o’er the water in amaze:
The dashing fount pour’d on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening’s sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath’d he to himself: “Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when ’tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there’s refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination’s struggles, far and nigh,
All human; bearing in themselves this good,
To make us feel existence, and to show
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land —
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to ’t;
I’d rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than be — I care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper’d light
Into my bosom, that the dreadful might
And tyranny of love be somewhat scar’d!
Yet do not so, sweet queen; one torment spar’d,
Would give a pang to jealous misery,
Worse than the torment’s self: but rather tie
Large wings upon my shoulders, and point out
My love’s far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty for thy silver prow
Not to have dipp’d in love’s most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burst — that I
Am sailing with thee through the dizzy sky!
How beautiful thou art! the world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Its airy goal, haply some bower veils
Those twilight eyes? Those eyes! — my spirit fails —
Dear goddess, help! or the wide-gaping air
Will gulph me — help!” — At this with madden’d stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain’d o’er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion’d moan
Had more been heard. Thus swell’d it forth: “Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl’d
As from thy threshold; day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp’dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne’er is crown’d
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!”

He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

’Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan’s rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lighting, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o’er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His bosom grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: ’twas like the sun
Uprisen o’er chaos: and with such a stun
Came the amazement, that, absorb’d in it,
He saw not fiercer wonders — past the wit
Of any spirit to tell, but one of those
Who, when this planet’s sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear’d
To search it inwards; whence far off appear’d,
Through a long pillar’d vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver’d Dian. Stepping awfully,
The youth approach’d; oft turning his veil’d eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch’d his forehead, he began to thread
All courts and passages, where silence dead
Rous’d by his whispering footsteps murmured faint:
And long he travers’d to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim,
To wild uncertainty and shadows grim.
There, when new wonders ceas’d to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the bosom of a hated thing.

What misery most drowningly doth sing
In lone Endymion’s ear, now he has raught
The goal of consciousness? Ah, ’tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil’d,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg’d with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
“No!” exclaimed he, “why should I tarry here?”
No! loudly echoed times innumerable.
At which he straightaway started, and ’gan tell
His paces back into the temple’s chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. “O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe’er it be,
’Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil’d mortal, sounds its pleasant name!
Within my breast there lives a choking flame —
O let me cool it the zephyr-boughs among!
A homeward fever parches up my tongue —
O let me slake it at the running springs!
Upon my ear a noisy nothing rings —
O let me once more hear the linnet’s note!
Before mine eyes thick films and shadows float —
O let me ’noint them with the heaven’s light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
O think how I should love a bed of flowers! —
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!”

Thus ending loudly, as he would o’erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow’d his face
Desponding, o’er the marble floor’s cold thrill.
But ’twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide —
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav’d anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv’d foam, all hoar,
Bursts gradual, with a wayward indolence.

Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goes — he stops — his bosom beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc’d him walk tiptoe:
For it came more softly than the east could blow
Arion’s magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron’d Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

O did he ever live, that lonely man,
Who lov’d — and music slew not? ’Tis the pest
Of love, that fairest joys give most unrest
That things of delicate and tenderest worth
Are swallow’d all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. ’Twas even so with this
Dew-dropping melody, in the Carian’s ear;
First heaven, then hell, and then forgotten clear,
Vanish’d in elemental passion.

And down some swart abysm he had gone
Had not a heavenly guide benignant led
To where thick myrtle branches, ’gainst his head
Brushing, awakened: then the sounds again
Went noiseless as a passing noontide rain
Over a bower, where little space he stood;
For, as the sunset peeps into a wood,
So saw he panting light, and towards it went
Through winding alleys; and lo, wonderment!
Upon soft verdure saw, one here, one there,
Cupids a slumbering on their pinions fair.

After a thousand mazes overgone,
At last, with sudden step, he came upon
A chamber, myrtle wall’d, embowered high,
Full of light, incense, tender minstrelsy
And more of beautiful and strange beside:
For on a silken couch of rosy pride,
In midst of all, there lay a sleeping youth
Of fondest beauty; fonder, in fair sooth,
Than sighs could fathom, or contentment reach:
And coverlids gold-tinted like the peach,
Or ripe October’s faded marigolds,
Fell sleek about him in a thousand folds —
Not hiding up an Apollonian curve
Of neck and shoulder, nor the tenting swerve
Of knee from knee, nor ankles pointing light;
But rather, giving them to the filled sight
Officiously. Sideway his face repos’d
On one white arm, and tenderly unclos’d,
By tenderest pressure, a faint damask mouth
To slumbery pout; just as the morning south
Disparts a dew-lipp’d rose. Above his head,
Four lily stalks did their white honours wed
To make a coronal; and round him grew
All tendrils green, of every bloom and hue,
Together intertwin’d and trammel’d fresh:
The vine of glossy sprout; the ivy mesh,
Shading its Ethiop berries; and woodbine,
Of velvet leaves and bugle-blooms divine;
Convolvulus in streaked vases flush;
The creeper, mellowing for an autumn blush;
And virgin’s bower, trailing airily;
With others of the sisterhood. Hard by,
Stood serene Cupids watching silently.
One, kneeling to a lyre, touch’d the strings,
Muffling to death the pathos with his wings;
And, ever and anon, uprose to look
At the youth’s slumber; while another took
A willow-bough, distilling odorous dew,
And shook it on his hair; another flew
In through the woven roof, and fluttering-wise
Rain’d violets upon his sleeping eyes.

At these enchantments, and yet many more,
The breathless Latmian wonder’d o’er and o’er;
Until, impatient in embarrassment,
He forthright pass’d, and lightly treading went
To that same feather’d lyrist, who straightway,
Smiling, thus whisper’d “though from upper day
Thou art a wanderer, and thy presence here
Might seem unholy, be of happy cheer!
For ’tis the nicest touch of human honour,
When some ethereal and high-favouring donor
Presents immortal bowers to mortal sense;
As now ’tis done to thee, Endymion. Hence
Was I in no wise startled. So recline
Upon these living flowers. Here is wine,
Alive with sparkles — never, I aver,
Since Ariadne was a vintager,
So cool a purple: taste these juicy pears,
Sent me by sad Vertumnus, when his fears
Were high about Pomona: here is cream,
Deepening to richness from a snowy gleam;
Sweeter than that nurse Amalthea skimm’d
For the boy Jupiter: and here, undimm’d
By any touch, a bunch of blooming plums
Ready to melt between an infant’s gums:
And here is manna pick’d from Syrian trees,
In starlight, by the three Hesperides.
Feast on, and meanwhile I will let thee know
Of all these things around us.” He did so,
Still brooding o’er the cadence of his lyre;
And thus “I need not any hearing tire
By telling how the sea-born goddess pin’d
For a mortal youth, and how she strove to bind
Him all in all unto her doting self.
Who would not be so imprison’d? but, fond elf,
He was content to let her amorous plea
Faint through his careless arms; content to see
An unseiz’d heaven dying at his feet;
Content, O fool! to make a cold retreat,
When on the pleasant grass such love, lovelorn,
Lay sorrowing; when every tear was born
Of diverse passion; when her lips and eyes
Were clos’d in sullen moisture, and quick sighs
Came vex’d and pettish through her nostrils small.
Hush! no exclaim — yet, justly mightst thou call
Curses upon his head. — I was half glad,
But my poor mistress went distract and mad,
When the boar tusk’d him: so away she flew
To Jove’s high throne, and by her plainings drew
Immortal tear-drops down the thunderer’s beard;
Whereon, it was decreed he should be rear’d
Each summer time to life. Lo! this is he,
That same Adonis, safe in the privacy
Of this still region all his winter-sleep.
Aye, sleep; for when our love-sick queen did weep
Over his waned corse, the tremulous shower
Heal’d up the wound, and, with a balmy power,
Medicined death to a lengthened drowsiness:
The which she fills with visions, and doth dress
In all this quiet luxury; and hath set
Us young immortals, without any let,
To watch his slumber through. ’Tis well nigh pass’d,
Even to a moment’s filling up, and fast
She scuds with summer breezes, to pant through
The first long kiss, warm firstling, to renew
Embower’d sports in cytherea’s isle.
Look! how those winged listeners all this while
Stand anxious: see! behold!” — this clamant word
Broke through the careful silence; for they heard
A rustling noise of leaves, and out there flutter’d
Pigeons and doves: Adonis something mutter’d,
The while one hand, that erst upon his thigh
Lay dormant, mov’d convuls’d and gradually
Up to his forehead. Then there was a hum
Of sudden voices, echoing, “come! come!
Arise! awake! clear summer has forth walk’d
Unto the clover-sward, and she has talk’d
Full soothingly to every nested finch:
Rise, Cupids! or we’ll give the blue-bell pinch
To your dimpled arms. Once more sweet life begin!”
Rubbing their sleepy eyes with lazy wrists,
And doubling over head their little fists
In backward yawns. But all were soon alive:
For as delicious wine doth, sparkling, dive
In nectar’d clouds and curls through water fair,
So from the arbour roof down swell’d an air
Odorous and enlivening; making all
To laugh, and play, and sing, and loudly call
For their sweet queen: when lo! the wreathed green
Disparted, and far upward could be seen
Blue heaven, and a silver car, air-borne,
Whose silent wheels, fresh wet from clouds of morn,
Spun off a drizzling dew, — which falling chill
On soft Adonis’ shoulders, made him still
Nestle and turn uneasily about.
Soon were the white doves plain, with necks stretch’d out,
And silken traces tighten’d in descent;
And soon, returning from love’s banishment,
Queen Venus leaning downward open arm’d:
Her shadow fell upon his breast, and charm’d
A tumult to his heart, and a new life
Into his eyes. Ah, miserable strife,
But for her comforting! unhappy sight,
But meeting her blue orbs! who, who can write
Of these first minutes? the unchariest muse
To embracements warm as theirs makes coy excuse.

O it has ruffled every spirit there,
Saving love’s self, who stands superb to share
The general gladness: awfully he stands;
A sovereign quell is in his waving hands;
No sight can bear the lightning of his bow;
His quiver is mysterious, none can know
What themselves think of it; from forth his eyes
There darts strange light of varied hues and dyes:
A scowl is sometimes on his brow, but who
Look full upon it feel anon the blue
Of his fair eyes run liquid through their souls.
Endymion feels it, and no more controls
The burning prayer within him; so, bent low,
He had begun a plaining of his woe.
But Venus, bending forward, said: “My child,
Favour this gentle youth; his days are wild
With love — he — but alas! too well I see
Thou know’st the deepness of his misery.
Ah, smile not so, my son: I tell thee true,
That when through heavy hours I used to rue
The endless sleep of this new-born Adon’,
This stranger ay I pitied. For upon
A dreary morning once I fled away
Into the breezy clouds, to weep and pray
For this my love: for vexing Mars had teaz’d
Me even to tears: thence, when a little eas’d
Down-looking, vacant, through a hazy wood,
I saw this youth as he despairing stood:
Those same dark curls blown vagrant in the wind;
Those same full fringed lids a constant blind
Over his sullen eyes: I saw him throw
Himself on wither’d leaves, even as though
Death had come sudden; for no jot he mov’d,
Yet mutter’d wildly. I could hear he lov’d
Some fair immortal, and that his embrace
Had zoned her through the night. There is no trace
Of this in heaven: I have mark’d each cheek,
And find it is the vainest thing to seek;
And that of all things ’tis kept secretest.
Endymion! one day thou wilt be blest:
So still obey the guiding hand that fends
Thee safely through these wonders for sweet ends.
’Tis a concealment needful in extreme;
And if I guess’d not so, the sunny beam
Thou shouldst mount up to with me. Now adieu!
Here must we leave thee.” — At these words up flew
The impatient doves, up rose the floating car,
Up went the hum celestial. High afar
The Latmian saw them minish into nought;
And, when all were clear vanish’d, still he caught
A vivid lightning from that dreadful bow.
When all was darkened, with Etnean throe
The earth clos’d — gave a solitary moan —
And left him once again in twilight lone.

He did not rave, he did not stare aghast,
For all those visions were o’ergone, and past,
And he in loneliness: he felt assur’d
Of happy times, when all he had endur’d
Would seem a feather to the mighty prize.
So, with unusual gladness, on he hies
Through caves, and palaces of mottled ore,
Gold dome, and crystal wall, and turquois floor,
Black polish’d porticos of awful shade,
And, at the last, a diamond balustrade,
Leading afar past wild magnificence,
Spiral through ruggedest loopholes, and thence
Enormous chasms, where, all foam and roar,
Streams subterranean tease their granite beds;
Then heighten’d just above the silvery heads
Of a thousand fountains, so that he could dash
The waters with his spear; but at the splash,
Done heedlessly, those spouting columns rose
Sudden a poplar’s height, and ’gan to enclose
His diamond path with fretwork, streaming round
Alive, and dazzling cool, and with a sound,
Haply, like dolphin tumults, when sweet shells
Welcome the float of Thetis. Long he dwells
On this delight; for, every minute’s space,
The streams with changed magic interlace:
Sometimes like delicatest lattices,
Cover’d with crystal vines; then weeping trees,
Moving about as in a gentle wind,
Which, in a wink, to watery gauze refin’d,
Pour’d into shapes of curtain’d canopies,
Spangled, and rich with liquid broideries
Of flowers, peacocks, swans, and naiads fair.
Swifter than lightning went these wonders rare;
And then the water, into stubborn streams
Collecting, mimick’d the wrought oaken beams,
Pillars, and frieze, and high fantastic roof,
Of those dusk places in times far aloof
Cathedrals call’d. He bade a loth farewel
To these founts Protean, passing gulph, and dell,
And torrent, and ten thousand jutting shapes,
Half seen through deepest gloom, and griesly gapes,
Blackening on every side, and overhead
A vaulted dome like heaven’s, far bespread
With starlight gems: aye, all so huge and strange,
The solitary felt a hurried change
Working within him into something dreary, —
Vex’d like a morning eagle, lost, and weary,
And purblind amid foggy, midnight wolds.
But he revives at once: for who beholds
New sudden things, nor casts his mental slough?
Forth from a rugged arch, in the dusk below,
Came mother Cybele! alone — alone —
In sombre chariot; dark foldings thrown
About her majesty, and front death-pale,
With turrets crown’d. Four maned lions hale
The sluggish wheels; solemn their toothed maws,
Their surly eyes brow-hidden, heavy paws
Uplifted drowsily, and nervy tails
Cowering their tawny brushes. Silent sails
This shadowy queen athwart, and faints away
In another gloomy arch.

Wherefore delay,
Young traveller, in such a mournful place?
Art thou wayworn, or canst not further trace
The diamond path? And does it indeed end
Abrupt in middle air? Yet earthward bend
Thy forehead, and to Jupiter cloud-borne
Call ardently! He was indeed wayworn;
Abrupt, in middle air, his way was lost;
To cloud-borne Jove he bowed, and there crost
Towards him a large eagle, ’twixt whose wings,
Without one impious word, himself he flings,
Committed to the darkness and the gloom:
Down, down, uncertain to what pleasant doom,
Swift as a fathoming plummet down he fell
Through unknown things; till exhaled asphodel,
And rose, with spicy fannings interbreath’d,
Came swelling forth where little caves were wreath’d
So thick with leaves and mosses, that they seem’d
Large honey-combs of green, and freshly teem’d
With airs delicious. In the greenest nook
The eagle landed him, and farewel took.

It was a jasmine bower, all bestrown
With golden moss. His every sense had grown
Ethereal for pleasure; ’bove his head
Flew a delight half-graspable; his tread
Was Hesperean; to his capable ears
Silence was music from the holy spheres;
A dewy luxury was in his eyes;
The little flowers felt his pleasant sighs
And stirr’d them faintly. Verdant cave and cell
He wander’d through, oft wondering at such swell
Of sudden exaltation: but, “Alas!”
Said he, “will all this gush of feeling pass
Away in solitude? And must they wane,
Like melodies upon a sandy plain,
Without an echo? Then shall I be left
So sad, so melancholy, so bereft!
Yet still I feel immortal! O my love,
My breath of life, where art thou? High above,
Dancing before the morning gates of heaven?
Or keeping watch among those starry seven,
Old Atlas’ children? Art a maid of the waters,
One of shell-winding Triton’s bright-hair’d daughters?
Or art, impossible! a nymph of Dian’s,
Weaving a coronal of tender scions
For very idleness? Where’er thou art,
Methinks it now is at my will to start
Into thine arms; to scare Aurora’s train,
And snatch thee from the morning; o’er the main
To scud like a wild bird, and take thee off
From thy sea-foamy cradle; or to doff
Thy shepherd vest, and woo thee mid fresh leaves.
No, no, too eagerly my soul deceives
Its powerless self: I know this cannot be.
O let me then by some sweet dreaming flee
To her entrancements: hither, sleep, awhile!
Hither, most gentle sleep! and soothing foil
For some few hours the coming solitude.”

Thus spake he, and that moment felt endued
With power to dream deliciously; so wound
Through a dim passage, searching till he found
The smoothest mossy bed and deepest, where
He threw himself, and just into the air
Stretching his indolent arms, he took, O bliss!
A naked waist: “Fair Cupid, whence is this?”
A well-known voice sigh’d, “Sweetest, here am I!”
At which soft ravishment, with doating cry
They trembled to each other. —Helicon!
O fountain’d hill! Old Homer’s Helicon!
That thou wouldst spout a little streamlet o’er
These sorry pages; then the verse would soar
And sing above this gentle pair, like lark
Over his nested young: but all is dark
Around thine aged top, and thy clear fount
Exhales in mists to heaven. Aye, the count
Of mighty Poets is made up; the scroll
Is folded by the Muses; the bright roll
Is in Apollo’s hand: our dazed eyes
Have seen a new tinge in the western skies:
The world has done its duty. Yet, oh yet,
Although the sun of poesy is set,
These lovers did embrace, and we must weep
That there is no old power left to steep
A quill immortal in their joyous tears.
Long time in silence did their anxious fears
Question that thus it was; long time they lay
Fondling and kissing every doubt away;
Long time ere soft caressing sobs began
To mellow into words, and then there ran
Two bubbling springs of talk from their sweet lips.
Such darling essence, wherefore may I not
Be ever in these arms? in this sweet spot
Pillow my chin for ever? ever press
These toying hands and kiss their smooth excess?
Why not for ever and for ever feel
That breath about my eyes? ah, thou wilt steal
Away from me again, indeed, indeed —
Thou wilt be gone away, and wilt not heed
My lonely madness. Speak, delicious fair!
Is — is it to be so? No! Who will dare
To pluck thee from me? And, of thine own will,
Full well I feel thou wouldst not leave me. Still
Let me entwine thee surer, surer — now
How can we part? Elysium! who art thou?
Who, that thou canst not be for ever here,
Or lift me with thee to some starry sphere?
Enchantress! tell me by this soft embrace,
By the most soft completion of thy face,
Those lips, O slippery blisses, twinkling eyes,
And by these tenderest, milky sovereignties —
These tenderest, and by the nectar-wine,
The passion” — “O dov’d Ida the divine!
Endymion! dearest! Ah, unhappy me!
His soul will ’scape us — O felicity!
How he does love me! His poor temples beat
To the very tune of love — how sweet, sweet, sweet.
Revive, dear youth, or I shall faint and die;
Revive, or these soft hours will hurry by
In tranced dulness; speak, and let that spell
Affright this lethargy! I cannot quell
Its heavy pressure, and will press at least
My lips to thine, that they may richly feast
Until we taste the life of love again.
What! dost thou move? dost kiss? O bliss! O pain!
I love thee, youth, more than I can conceive;
And so long absence from thee doth bereave
My soul of any rest: yet must I hence:
Yet, can I not to starry eminence
Uplift thee; nor for very shame can own
Myself to thee. Ah, dearest, do not groan
Or thou wilt force me from this secrecy,
And I must blush in heaven. O that I
Had done ’t already; that the dreadful smiles
At my lost brightness, my impassion’d wiles,
Had waned from Olympus’ solemn height,
And from all serious Gods; that our delight
Was quite forgotten, save of us alone!
And wherefore so ashamed? ’Tis but to atone
For endless pleasure, by some coward blushes:
Yet must I be a coward! — Horror rushes
Too palpable before me — the sad look
Of Jove — Minerva’s start — no bosom shook
With awe of purity — no Cupid pinion
In reverence vailed — my crystalline dominion
Half lost, and all old hymns made nullity!
But what is this to love? O I could fly
With thee into the ken of heavenly powers,
So thou wouldst thus, for many sequent hours,
Press me so sweetly. Now I swear at once
That I am wise, that Pallas is a dunce —
Perhaps her love like mine is but unknown —
O I do think that I have been alone
In chastity: yes, Pallas has been sighing,
While every eve saw me my hair uptying
With fingers cool as aspen leaves. Sweet love,
I was as vague as solitary dove,
Nor knew that nests were built. Now a soft kiss —
Aye, by that kiss, I vow an endless bliss,
An immortality of passion’s thine:
Ere long I will exalt thee to the shine
Of heaven ambrosial; and we will shade
Ourselves whole summers by a river glade;
And I will tell thee stories of the sky,
And breathe thee whispers of its minstrelsy.
My happy love will overwing all bounds!
O let me melt into thee; let the sounds
Of our close voices marry at their birth;
Let us entwine hoveringly — O dearth
Of human words! roughness of mortal speech!
Lispings empyrean will I sometime teach
Thine honied tongue — lute-breathings, which I gasp
To have thee understand, now while I clasp
Thee thus, and weep for fondness — I am pain’d,
Endymion: woe! woe! is grief contain’d
In the very deeps of pleasure, my sole life?” —
Hereat, with many sobs, her gentle strife
Melted into a languor. He return’d
Entranced vows and tears.

Ye who have yearn’d
With too much passion, will here stay and pity,
For the mere sake of truth; as ’tis a ditty
Not of these days, but long ago ’twas told
By a cavern wind unto a forest old;
To a sleeping lake, whose cool and level gleam
A poet caught as he was journeying
To Phoebus’ shrine; and in it he did fling
His weary limbs, bathing an hour’s space,
And after, straight in that inspired place
He sang the story up into the air,
Giving it universal freedom. There
Has it been ever sounding for those ears
Whose tips are glowing hot. The legend cheers
Yon centinel stars; and he who listens to it
Must surely be self-doom’d or he will rue it:
For quenchless burnings come upon the heart,
Made fiercer by a fear lest any part
Should be engulphed in the eddying wind.
As much as here is penn’d doth always find
A resting place, thus much comes clear and plain;
Anon the strange voice is upon the wane —
And ’tis but echo’d from departing sound,
That the fair visitant at last unwound
Her gentle limbs, and left the youth asleep. —
Thus the tradition of the gusty deep.

Now turn we to our former chroniclers. —
Endymion awoke, that grief of hers
Sweet paining on his ear: he sickly guess’d
How lone he was once more, and sadly press’d
His empty arms together, hung his head,
And most forlorn upon that widow’d bed
Sat silently. Love’s madness he had known:
Often with more than tortured lion’s groan
Moanings had burst from him; but now that rage
Had pass’d away: no longer did he wage
A rough-voic’d war against the dooming stars.
No, he had felt too much for such harsh jars:
The lyre of his soul Eolian tun’d
Forgot all violence, and but commun’d
With melancholy thought: O he had swoon’d
Drunken from pleasure’s nipple; and his love
Henceforth was dove-like. — Loth was he to move
From the imprinted couch, and when he did,
’Twas with slow, languid paces, and face hid
In muffling hands. So temper’d, out he stray’d
Half seeing visions that might have dismay’d
Alecto’s serpents; ravishments more keen
Than Hermes’ pipe, when anxious he did lean
Over eclipsing eyes: and at the last
It was a sounding grotto, vaulted vast,
O’er studded with a thousand, thousand pearls,
And crimson mouthed shells with stubborn curls,
Of every shape and size, even to the bulk
In which whales arbour close, to brood and sulk
Against an endless storm. Moreover too,
Fish-semblances, of green and azure hue,
Ready to snort their streams. In this cool wonder
Endymion sat down, and ’gan to ponder
On all his life: his youth, up to the day
When ’mid acclaim, and feasts, and garlands gay,
He stept upon his shepherd throne: the look
Of his white palace in wild forest nook,
And all the revels he had lorded there:
Each tender maiden whom he once thought fair,
With every friend and fellow-woodlander —
Pass’d like a dream before him. Then the spur
Of the old bards to mighty deeds: his plans
To nurse the golden age ’mong shepherd clans:
That wondrous night: the great Pan-festival:
His sister’s sorrow; and his wanderings all,
Until into the earth’s deep maw he rush’d:
Then all its buried magic, till it flush’d
High with excessive love. “And now,” thought he,
“How long must I remain in jeopardy
Of blank amazements that amaze no more?
Now I have tasted her sweet soul to the core
All other depths are shallow: essences,
Once spiritual, are like muddy lees,
Meant but to fertilize my earthly root,
And make my branches lift a golden fruit
Into the bloom of heaven: other light,
Though it be quick and sharp enough to blight
The Olympian eagle’s vision, is dark,
Dark as the parentage of chaos. Hark!
My silent thoughts are echoing from these shells;
Or they are but the ghosts, the dying swells
Of noises far away? — list!” — Hereupon
He kept an anxious ear. The humming tone
Came louder, and behold, there as he lay,
On either side outgush’d, with misty spray,
A copious spring; and both together dash’d
Swift, mad, fantastic round the rocks, and lash’d
Among the conchs and shells of the lofty grot,
Leaving a trickling dew. At last they shot
Down from the ceiling’s height, pouring a noise
As of some breathless racers whose hopes poize
Upon the last few steps, and with spent force
Along the ground they took a winding course.
Endymion follow’d — for it seem’d that one
Ever pursued, the other strove to shun —
Follow’d their languid mazes, till well nigh
He had left thinking of the mystery, —
And was now rapt in tender hoverings
Over the vanish’d bliss. Ah! what is it sings
His dream away? What melodies are these?
They sound as through the whispering of trees,
Not native in such barren vaults. Give ear!

“O Arethusa, peerless nymph! why fear
Such tenderness as mine? Great Dian, why,
Why didst thou hear her prayer? O that I
Were rippling round her dainty fairness now,
Circling about her waist, and striving how
To entice her to a dive! then stealing in
Between her luscious lips and eyelids thin.
O that her shining hair was in the sun,
And I distilling from it thence to run
In amorous rillets down her shrinking form!
To linger on her lily shoulders, warm
Between her kissing breasts, and every charm
Touch raptur’d! — See how painfully I flow:
Fair maid, be pitiful to my great woe.
Stay, stay thy weary course, and let me lead,
A happy wooer, to the flowery mead
Where all that beauty snar’d me.” — “Cruel god,
Desist! or my offended mistress’ nod
Will stagnate all thy fountains: — tease me not
With syren words — Ah, have I really got
Such power to madden thee? And is it true —
Away, away, or I shall dearly rue
My very thoughts: in mercy then away,
Kindest Alpheus, for should I obey
My own dear will, ’twould be a deadly bane. —
O, Oread-Queen-! would that thou hadst a pain
Like this of mine, then would I fearless turn
And be a criminal. — Alas, I burn,
I shudder — gentle river, get thee hence.
Alpheus! thou enchanter! every sense
Of mine was once made perfect in these woods.
Fresh breezes, bowery lawns, and innocent floods,
Ripe fruits, and lonely couch, contentment gave;
But ever since I heedlessly did lave
In thy deceitful stream, a panting glow
Grew strong within me: wherefore serve me so,
And call it love? Alas, ’twas cruelty.
Not once more did I close my happy eye
Amid the thrushes’ song. Away! Avaunt!
O ’twas a cruel thing.” — “ Now thou dost taunt
So softly, Arethusa, that I think
If thou wast playing on my shady brink,
Thou wouldst bathe once again. Innocent maid!
Stifle thine heart no more; — nor be afraid
Of angry powers: there are deities
Will shade us with their wings. Those fitful sighs
’Tis almost death to hear: O let me pour
A dewy balm upon them! — fear no more,
Sweet Arethusa! Dian’s self must feel
Sometimes these very pangs. Dear maiden, steal
Blushing into my soul, and let us fly
These dreary caverns for the open sky
I will delight thee all my winding course,
From the green sea up to my hidden source
About Arcadian forests; and will shew
The channels where my coolest waters flow
Through mossy rocks; where, ’mid exuberant green,
I roam in pleasant darkness, more unseen
Than Saturn in his exile; where I brim
Round flowery islands, and take thence a skim
Of mealy sweets, which myriads of bees
Buzz from their honied wings: and thou shouldst please
Thyself to choose the richest, where we might
Be incense-pillow’d every summer night.
Doff all sad fears, thou white deliciousness,
And let us be thus comforted; unless
Thou couldst rejoice to see my hopeless stream
Hurry distracted from Sol’s temperate beam,
And pour to death along some hungry sands.” —
“What can I do, Alpheus? Dian stands
Severe before me: persecuting fate!
Unhappy Arethusa! thou wast late
A huntress free in” — At this, sudden fell
Those two sad streams adown a fearful dell.
The Latmian listen’d, but he heard no more,
Save echo, faint repeating o’er and o’er
The name of Arethusa. On the verge
Of that dark gulph he wept, and said: “I urge
Thee, gentle Goddess of my pilgrimage,
By our eternal hopes, to soothe, to assuage,
If thou art powerful, these lovers’ pains;
And make them happy in some happy plains.”

He turn’d — there was a whelming sound — he stept,
There was a cooler light; and so he kept
Towards it by a sandy path, and lo!
More suddenly than doth a moment go,
The visions of the earth were gone and fled —
He saw the giant sea above his head.

On Receiving a Laurel Crown from Leigh Hunt

Minutes are flying swiftly; and as yet
Nothing unearthly has enticed my brain
Into a delphic labyrinth — I would fain
Catch an unmortal thought to pay the debt
I owe to the kind poet who has set
Upon my ambitious head a glorious gain —
Two bending laurel sprigs — ’tis nearly pain
To be conscious of such a coronet.
Still time is fleeting, and no dream arises
Gorgeous as I would have it — only I see
A trampling down of what the world most prizes,
Turbans and crowns, and blank regality;
And then I run into most wild surmises
Of all the many glories that may be.

After dark vapours have oppressed our plains

After dark vapours have oppress’d our plains
For a long dreary season, comes a day
Born of the gentle south, and clears away
From the sick heavens all unseemly stains.
The anxious month, relieving from its pains,
Takes as a long lost right the feel of May,
The eyelids with the passing coolness play,
Like rose-leaves with the drip of summer rains.
And calmest thoughts come round us — as, of leaves
Budding — fruit ripening in stillness — autumn suns
Smiling at eve upon the quiet sheaves —
Sweet Sappho’s cheek — a sleeping infant’s breath —
The gradual sand that through an hour-glass runs —
A woodland rivulet — a poet’s death.

To Kosciusko

Good Kosciusko, thy great name alone
Is a full harvest whence to reap high feeling;
It comes upon us like the glorious pealing
Of the wide spheres — an everlasting tone.
And now it tells me, that in worlds unknown,
The names of heroes, burst from clouds concealing,
Are changed to harmonies, for ever stealing
Through cloudless blue, and round each silver throne.
It tells me too, that on a happy day,
When some good spirit walks upon the earth,
Thy name with Alfred’s and the great of yore
Gently commingling, gives tremendous birth
To a loud hymn, that sounds far, far away
To where the great God lives for evermore.

To Leigh Hunt, Esq.

Glory and loveliness have passed away;
For if we wander out in early morn,
No wreathed incense do we see upborne
Into the east, to meet the smiling day:
No crowd of nymphs soft voic’d and young, and gay,
In woven baskets bringing ears of corn,
Roses, and pinks, and violets, to adorn
The shrine of Flora in her early May .
But there are left delights as high as these,
And I shall ever bless my destiny,
That in a time, when under pleasant trees
Pan is no longer sought, I feel a free
A leafy luxury, seeing I could please
With these poor offerings, a man like thee.

Written On A Blank Space At The End Of Chaucer’s Tale Of The Flowre And The Lefe

This pleasant tale is like a little copse:
The honied lines so freshly interlace,
To keep the reader in so sweet a place,
So that he here and there full-hearted stops;
And oftentimes he feels the dewy drops
Come cool and suddenly against his face,
And, by the wandering melody, may trace
Which way the tender-legged linnet hops.
Oh! what a power has white Simplicity!
What mighty power has this gentle story!
I, that do ever feel athirst for glory,
Could at this moment be content to lie
Meekly upon the grass, as those whose sobbings
Were heard of none beside the mournful robins.

On Seeing the Elgin Marbles

My spirit is too weak — mortality
Weighs heavily on me like unwilling sleep,
And each imagin’d pinnacle and steep
Of godlike hardship tells me I must die
Like a sick eagle looking at the sky.
Yet ’tis a gentle luxury to weep
That I have not the cloudy winds to keep
Fresh for the opening of the morning’s eye.
Such dim-conceived glories of the brain
Bring round the heart an undescribable feud;
So do these wonders a most dizzy pain,
That mingles Grecian grandeur with the rude
Wasting of old time — with a billowy main —
A sun — a shadow of a magnitude.

To Haydon with a Sonnet Written on Seeing the Elgin Marbles

Haydon! forgive me that I cannot speak
Definitively on these mighty things;
Forgive me that I have not eagle’s wings —
That what I want I know not where to seek:
And think that I would not be overmeek
In rolling out upfollow’d thunderings,
Even to the steep of Heliconian springs,
Were I of ample strength for such a freak.
Think too, that all those numbers should be thine;
Whose else? In this who touch thy vesture’s hem?
For when men star’d at what was most divine
With browless idiotism —o’erweening phlegm —
Thou hadst beheld the Hesperean shine
Of their star in the east and gone to worship them.

On The Story of Rimini

Who loves to peer up at the morning sun,
With half-shut eyes and comfortable cheek,
Let him, with this sweet tale, full often seek
For meadows where the little rivers run;
Who loves to linger with that brightest one
Of heaven — Hesperus — let him lowly speak
These numbers to the night, and starlight meek,
Or moon, if that her hunting be begun.
He who knows these delights, and, too, is prone
To moralize upon a smile or tear,
Will find at once a region of his own,
A bower for his spirit, and will steer
To alleys, where the fir-tree drops its cone,
Where robins hop, and fallen leaves are sere.

To the Ladies Who Saw Me Crown’d

What is there in the universal earth
More lovely than a wreath from the bay tree?
Haply a halo round the moon — a glee
Circling from three sweet pair of lips in mirth;
And haply you will say the dewy birth
Of morning roses — riplings tenderly
Spread by the halcyon’s breast upon the sea —
But these comparisons are nothing worth.
Then is there nothing in the world so fair?
The silvery tears of April? — Youth of May?
Or June that breathes out life for butterflies?
No — none of these can from my favourite bear
Away the palm; yet shall it ever pay
Due reverence to your most sovereign eyes.

The Gothic looks solemn

The Gothic looks solemn,
The plain Doric column
Supports an old bishop and crosier;
The mouldering arch,
Shaded o’er by a larch
Stands next door to Wilson the Hosier.
Vice — that is, by turns, —
The black tassell trencher or common hat;
The Chantry boy sings,
The steeple-bell rings,
And as for the Chancellor — dominat).
There are plenty of trees,
And plenty of ease,
And plenty of fat deer for parsons;
And when it is venison,
Short is the benison, —
Then each on a leg or thigh fastens.

Think not of it, sweet one, so

Think not of it, sweet one, so;
Give it not a tear;
Sigh thou mayst, and bid it go
Any — any where.

Do not look so sad, sweet one,
Sad and fadingly:
Shed one drop then —It is gone —
Oh! ’twas born to die.

Still so pale? — then, dearest, weep;
Weep! I’ll count the tears:
And each one shall be a bliss
For thee in after years.

Brighter has it left thine eyes
Than a sunny hill:
And thy whispering melodies
Are tenderer still.

Yet — as all things mourn awhile
At fleeting blisses,
E’en let us too! but be our dirge
A dirge of kisses.

In Drear Nighted December

In drear-nighted December,
Too happy, happy tree,
Thy branches ne’er remember
Their green felicity —
The north cannot undo them,
With a sleety whistle through them,
Nor frozen thawings glue them
From budding at the prime.

In drear-nighted December,
Too happy, happy brook,
Thy bubblings ne’er remember
Apollo’s summer look;
But with a sweet forgetting
They stay their crystal fretting,
Never, never petting
About the frozen time.

Ah! would ’twere so with many
A gentle girl and boy —
But were there ever any
Writh’d not of passed joy?
To know the change and feel it,
When there is none to heal it,
Nor numbed sense to steel it,
Was never said in rhyme.

Mapping Keats’s Progress
A Critical Chronology

Select Chronology & Keats’s Key Comments: 1817

17 August 1817: Keats’s On the Sea is Published; The Champion

Carisbrooke, Isle of Wight

On the sea

ENDYMION: A Poetic Romance.

[from the title page:]

“THE STRETCHED METRE OF AN ANTIQUE SONG”

[from the dedication page:]

INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

PREFACE.

ENDYMION

BOOK 1.

Endymion: A Poetic Romance BOOK II

On Receiving a Laurel Crown from Leigh Hunt

After dark vapours have oppressed our plains

To Kosciusko

To Leigh Hunt, Esq.

Written On A Blank Space At The End Of Chaucer’s Tale Of The Flowre And The Lefe

On Seeing the Elgin Marbles

To Haydon with a Sonnet Written on Seeing the Elgin Marbles

On The Story of Rimini

To the Ladies Who Saw Me Crown’d

The Gothic looks solemn

Think not of it, sweet one, so

In Drear Nighted December

MLA Style: Works Cited

Chicago Style: Note

Chicago Style: Bibliography

Mapping Keats’s ProgressA Critical Chronology

Select Chronology & Keats’s Key Comments: 1817

17 August 1817: Keats’s On the Sea is Published; The Champion

Carisbrooke, Isle of Wight

On the sea

ENDYMION: A Poetic Romance.

[from the title page:]

“THE STRETCHED METRE OF AN ANTIQUE SONG”

[from the dedication page:]

INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

PREFACE.

ENDYMION

BOOK 1.

Endymion: A Poetic Romance BOOK II

On Receiving a Laurel Crown from Leigh Hunt

After dark vapours have oppressed our plains

To Kosciusko

To Leigh Hunt, Esq.

Written On A Blank Space At The End Of Chaucer’s Tale Of The Flowre And The Lefe

On Seeing the Elgin Marbles

To Haydon with a Sonnet Written on Seeing the Elgin Marbles

On The Story of Rimini

To the Ladies Who Saw Me Crown’d

The Gothic looks solemn

Think not of it, sweet one, so

In Drear Nighted December

MLA Style: Works Cited

Chicago Style: Note

Chicago Style: Bibliography

Mapping Keats’s Progress
A Critical Chronology